Review: Suspirians – Ti Bon Ange

REVIEW: SUSPIRIANS – TI BON ANGE

(Originally posted here)

Danny RayMay 16, 2017

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There must be something in the water in Austin, Texas. Female three-piece Suspirians are here to dispel the theory that the lone star state is all about ranches, cook outs, and good ol’ style Southern rock and boogie. Rather, the band appear to be oblivious to their surroundings, instead swimming in the same murky, future fearing waters as the cream of the early 1980s post punk crop.

 Following their 2014 self-titled debut, and having slimmed down from a four-piece along the way, Suspirians’ new streamlined 2017 model consists of Marissa Pool (guitar/vocals), Stephanie Demopulos (bass/keyboards), and Lisa Cameron (drums). In the interim between releases, the band has pretty much torn up their own rule book for latest album Ti Bon Ange. The relative clarity of the debut has been replaced by a foreboding insularity only previously hinted at. The leap has produced spectacular results, suggesting that their personality has come to fruition at only the second time of asking.

If seven tracks across forty minutes seems daunting, then rest assured it’s not a taxing experience: there is no fat on the bone here, what you get are several random sized chunks torn from the same slab of steak. The lengthier songs don’t outstay their welcome, and the shorter ones serve to offer brief respite. Although a cohesive body of work, reference points are varied: from Hawkwind to Joy Division, via the impenetrable sonics of My Bloody Valentine – all give a clue to what Suspirians are striving for with Ti Bon Ange.

Opener “Fortune Spider” sets their stall out early. A sour and haunting platform is laid out for Marissa to employ probably the clearest vocal delivery of the album, a luring effect that reaps dividends later on. Next track, “Nocturne”, is the most accessible thing here, it’s the come on that invites you to the couch before ravishing you with the epic “Moonwave.” Coming on like a dour, modern era Fall wrestling with Savages, this is real space age stuff. The swirl of echoing vocals and fuzz plant you back firmly in the ’80s, with just enough of a whiff of the ’90s grunge scene to keep the package edgy.

The aptly titled “Black Hole” is the point at which the album turns. No longer spectating, you are now dragged onto the playing field, dizzy, as Stephanie and Lisa create the storm within which the melee of guitars and whipping, unsettling vocals are thrown around. It’s pure unsettling joy, which doesn’t let up with following track “Clean Evil” (don’t let the great titles pass you by). Guitars escape further still from the taut hypnotic rhythmic template now established. Indeed, “Clean Evil”’s  wonderfully wiry six string collages bring to mind the free-form scrawl of the Velvet Underground’s “European Son”, with vocals dissipating further into almost incomprehensible and barely legible yowls.

After the assault of the previous three tracks, “Scarlett Sleeps”, in contrast, is all sunny and haze inducing, a chance to catch your breath and unbutton your coat. Initially, anyway, because just as you’re relaxing the song turns on a dime, and twists itself into an uneasy drama that you will not want to close your eyes on. What started innocently ends in a relentless, jarring fashion.

The closing track, “Divine Spark”, is the final spiteful kiss. Its thirty-six screeching seconds prove that the album is no fluke, they’ve cut the rope from the lifeboat and let you drift away from safety. It’s an almost flippant way to bring proceedings to an end, but damn if it doesn’t make you want to shake yourself, have five minutes’ break, and start it over. After the rather more unfocused debut Ti Bon Ange is a bold leap forward that effortlessly places Suspirians in a class of their own.

Ti Bon Ange is released on June 9th.

Suspirians: official | facebook | twitter | instagram | bandcamp

Here Comes Austin Jukebox 7 Part 2

HERE COMES AUSTIN JUKEBOX 7 PART 2

(Originally posted here)

 

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Last week we helped share Austin Jukebox #7 Part 1, but we’re back with another promotional video for Part 2…it might be even bigger than Part 1! Why, you ask? Well, let’s just say, Saturday evening’s set at Beerland is the only chance you will be able to see legendary rockers, Pere Ubu, playing in the United States in 2017 (they have some EU shows lined up). The word from organizers is that the band will craft a set primarily of their first two box sets (roughly spanning 75-82), which is incredibly rare, as the band don’t often delve into their back catalog. The bill also includes The Crack Pipes, Coma in Algiers and Haker Flaten + Rempis. You won’t often get a shot at seeing historic acts playing in such small venues, making the Austin Jukebox experience incredibly unique.

There’s no pre-sale tickets, you just have to show up at 8 PM with a $5 bill in your pocket.

Further accolades go to Jaime Zuverza for his hard work in creating this video!

Acid Mothers Temple, ST 37 Cover ‘Twin Peaks’ Songs

ACID MOTHERS TEMPLE’S COVER OF EERIE ‘TWIN PEAKS’ SONG TO BE RELEASED NEXT WEEK

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(Originally posted here)
 
05.02.2017
01:29 pm


 
The whole world is waiting impatiently for the return of Twin Peaks later this month on Showtime. The original run of Twin Peaks on ABC in 1990 and 1991 is one of the pivotal junctures of television history, as the surrealist master David Lynch and his co-consipirator Mark Frost brought new levels of atmosphere and lust to the normally PG-rated confines of network TV, baffling and exasperating audiences with an occult-laced, nightmarish gee-whiz take on the Pacific Northwest that crossed Lynch’s prior hit Blue Velvet with an FBI murder mystery.

After nearly three decades, Lynch is reviving the show, and a certain group of Japanese freaks has taken notice. On May 12, in plenty of time for the premiere of the reboot on May 21, Self Sabotage Records is releasing a split 12-inch with Acid Mothers Temple and The Melting Paraiso U.F.O. from Japan and ST 37 from Texas, U.S.A. both contributing covers of Angelo Badalamenti/Lynch songs from the original run of Twin Peaks. Acid Mothers Temple is covering “Sycamore Trees,” a song sung by Jimmy Scott (as the singer at the Black Lodge) in the final episode of Season 2, and ST 37 is contributing a cover of “Just You,” which appears in the second episode of Season 2.
 

 
The “Just You” scene is one of the more interesting in the first half of season 2. The song itself has a completely otherworldly vocal quality, somewhat like “In Heaven” from Lynch’s masterpiece Eraserhead. In the scene James (played by James Marshall) sings the song in the Haywards’ living room, during which Donna (Lara Flynn Boyle) realizes that she is in danger of losing James to Laura Palmer’s cousin Maddie (played, like Laura Palmer herself, by Sheryl Lee). I like the song (and the scene), but a LOT of people find the whole thing cringeworthy. It’s definitely up there in the Lynch pantheon of weird/awesome scenes.

ST 37 is psych/space rock band that was formed in 1987 in Austin, Texas. They’ve put out more than a dozen albums since 1989, the most recent of which is 2014’s I’m Not Good. Describing Acid Mothers Temple is a challenge: It’s the main band of a number of psych rock offshoots founded by guitar legend Kawabata Makoto, who sought to create “extreme trip music” influenced by prog rock and krautrock. Befitting a band that is making trippy jam albums somewhat à la Sun Ra, their (often 2-LP) albums have wordy, spacy titles like The Penultimate Galactic Bordello Also the World You Made or Crystal Rainbow Pyramid Under the Stars.

Most of AMT’s compositions are longer than 10 minutes—often 15 or 20 minutes—which is a good reason to be happy that the Twin Peaks split is a 12-inch and not a 7-inch…..

You can pre-order the release directly from Self Sabotage Records.
 
The original “Sycamore Trees” scene from the series:

 
And here’s the “Just You” scene:

Posted by Martin Schneider

Suspirians Announce New Album

SUSPIRIANS ANNOUNCE NEW ALBUM

(Originally published here)

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Pretty sure that everyone in Austin is just out to kick a whole lot of ass this year; it seems we’ve got one great release after another, and you can add Suspirians to that list. Stuttering guitars ring loudly from the get go, as drums pound and the song takes off; it spins in a heavy space direction before the vocals begin to spin around in the mix. The group plays around with some noise, and even the volume levels, always returning to full force. It’s a trashing take-no-prisoners jam, leading one to expect that Ti Bon Ange is going to be yet another top notch hit for the local scene here; it hits in June via Super Secret Records.

 

Austin Jukebox #7 Promotional Video

ANNOUNCING AUSTIN JUKEBOX 7

(Original article posted here)

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If you haven’t been paying close attention to the Austin Jukebox series, then you haven’t been paying close attention to Austin’s music scene. These shows are built around an eclectic variety, usually bringing in a legendary act; they’ve previously featured acts like James Chance and The Cherubs. But, for my two cents, I love how the bills feature some variety, so you’ll get a legend, but the acts are fleshed out with different styles and tastes…you get a little bit of everything. Here we are to announce Austin Jukebox 7 with a great brief video featuring music from the headliners, Rocket from the Tombs.

The bill will also feature ST 37, Will Courtney and Horne + Holt. But, be warned, the shows are affordable and take place at Beerland, so expect a line if you don’t get there early! Show goes down on May 19th, doors at 7PM.

CLRVYNT Song Premiere for “Nocturne”

On ‘Nocturne,’ Suspirians Follow Their Instincts to Psych Paradise

(Originally published here)

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Courtesy of Super Secret Records

A brief lesson in etymology: Ti Bon Ange, the forthcoming sophomore album from Austin psych-rock trio Suspirians, gets its name from the Haitian Vodou for “little good angel”: the part of the human soul that departs the body every night for a trip to the dream world. It’s an apt title, considering how the band’s heady racket isn’t too far off from having an out-of-body experience — and these three are no ordinary shamans. Guitarist / vocalist Marisa Pool and bassist / keyboardist Stephanie Demopulos are staples in the Austin psych scene, while drummer Lisa Cameron cut her teeth performing with Roky Erickson and ST 37.

Arriving June 9 via Super Secret Records, Ti Bon Ange finds Suspirians parting the psychic sea for a remarkably accessible passage: 40 minutes’ worth of feedback-drenched, brain-melting rock that straddles the line between the Stooges’ impatient punk and Erickson’s heady jams. “We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says in a press release. “We did not overthink or over-control anything on this record. It was all about going with the flow and following our instincts.” That primal approach informs “Nocturne,” the album’s new, gnarled single. Give it a spin below.

Ti Bon Ange hits shelves June 9 via Super Secret Records. Pre-order it here.