Super Secret Records SXSW 2019 Showcase

It’s almost that magical time of the year where traffic in Austin grows infinitely worse than it already is and there’s almost a shortage on good breakfast tacos across the city. That’s right – SXSW is nearly here! We’re thrilled to announce our annual SXSW showcase at Beerland.

For the first time ever, we’ll be hosting our usual unofficial showcase in the afternoon (badges/wristbands not required), but our evening lineup will be an OFFICIAL showcase (badges/wristbands will receive priority entry, non-holders can pay $5 to get in as long as there’s available space). Our showcase will be 18+ all day. Check it out below:
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Akron Beacon Journal Preview Suspirians Show at Hive Mind

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Hive Mind post-punk

If country isn’t your bag, on Friday night the Akron community arts space Hive Mind welcomes Austin, Texas, post-punk/rock trio Suspirians, along with the inventively named Listen, Little Man and Jack Lynch.

Folks who like heavily reverbed and noisy guitar bands with a dash of the louder end of the late ’80s shoegaze era should dig the Suspirians’ second album, Ti Bon Ange, out on Super Secret Records.

Across its seven tracks, a couple of which are more than seven minutes long, bassist Stephanie Demopulos, singer/guitarist Marisa Pool and drummer Lisa Cameron, unleash plenty of fuzzed-out, psych-rock barre chords augmented with single guitar melodies, a bashing rhythm section and Pool’s echoed sung-shout vocals mixed low so they float in and out of a wall of sound.

Fun stuff.

Austin Chronicle Feature on Avoiding the Sophomore Slump Includes Suspirians

Suspirians

Quantum progression post-punk and cosmic psychedelia

Photo by Shelley Hiam

Few bands boast a vision as clear as that demonstrated by Suspirians on their debut. Released in 2014, the Austin trio’s vibrant blend of post-punk onslaught and cosmic psychedelia sounded fully formed. Which makes the quantum progression of sophomore LP Ti Bon Ange all the more noteworthy.

“We didn’t have time to think about it too much,” says singer/guitarist Marisa Pool. “We had the opportunity to go into the studio via Super Secret, and we felt an urgency to do it quickly. Looking back, I don’t know why. [Maybe] because it had already been over a year since we put out the first record.

“So we took the material and worked it. We were really open to experimenting and seeing what we could do with what we had. We didn’t overthink it. We spent a lot of time shaping it, but we also just had fun with it – like a piece of art.”

Bassist/keyboardist Stephanie Demopulos pinpoints another reason for the exponential growth.

“We were already writing songs in a different direction, but we did replace a band member, which changed a lot of stuff.”
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She’s referring to the exit of original drummer Anna Lamphear, off to study law, and the addition of veteran Austin drummer Lisa Cameron, who brought a new edge to the threepiece.

“One thing I’ve noticed is that we’ve gone more into improv, experimental tinges,” says Cameron, whose powerhouse résumé includes membership in roots blowout Brave Combo, indie rock first-wavers Glass Eye, and Lone Star legends Roky Erickson & the Aliens – not to mention a long-running stint with homegrown psych pioneers ST 37. “I think I’m encouraging them somehow even though they were already there. That attracted me to the band. They would get these trance-y, drone-y, garage-y kind of throwdowns, which I really enjoy.”

Cameron also credits the band’s ability to absorb and reflect its influences for Ti Bon Ange’s wider appeal.

“We have somehow developed this uncanny sense of being able to evoke different sounds without having to actually play like that person,” she continues. “Like just a little tinge of this or that is enough to remind people of the Butthole Surfers or Neil Young or Siouxsie Sioux. There’s an influence of surf. I even hear girl groups, the Ronettes or the Shangri-Las, in there. We’re not trying to sound like those people. It’s just part of our natural diet.”

Unsurprisingly, for a band that gives interviews en masse, Suspirians credit their sophomore triumph to tight chemistry.

“Stephanie and I have been playing together for years,” says Pool. “Once we started playing with Lisa, that just expanded the vision and it went on its natural path. It just keeps changing to something better, hopefully.”

– Michael Toland

Rocky Boy Exclusive Interview with Suspirians

Suspirians: Artist Exclusive

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July 31, 2017

Olivia Winslow

Suspirians, an all girl rock group from Austin Texas. This band is sure to rock your socks off no matter what. You can catch this amazing band live at the State Street Pub in Indianapolis on August 1st!

Rocky Boy: What digital tool has impacted your career the most?

Suspirians: Facebook, Instagram, and smartphones in general.

Rocky Boy: How do you think social media has improved your career?

Suspirians: It’s made networking with everyone so much easier. Getting and staying in touch with other bands, venues, promoters, and our fans has always been very important to us, but social media makes those interactions quicker, easier, and in many ways, better than resorting to less reliable and lengthier means like email and written letters.

Rocky Boy: What career opportunities have you received from social media?

Suspirians: Recently, a label based in Russia, Pomogrite, found us online and reached out to us about releasing a limited run of our second album on cassette tape. It wasn’t something we had really thought about doing (a cassette tape run) as we’ve stuck more with the traditional CD/vinyl runs through Super Secret Records, but so far it’s been great working with them on the tapes and now seeing them in the flesh is just awesome.

We were also offered a show from Neil Haggerty of Royal Trux who found us on Twitter. The show ultimately didn’t happen, but we were super flattered to be considered!

Rocky Boy: What is the craziest thing that has happened to you on social media?

Suspirians: We had press coverage for one of our singles before the new album came out and it featured our current press photo where I’m holding a crystal. We figured we’d use the article in an ad to help promote the new album on Facebook. Some guy apparently sees the ad and then begins trying to troll us, calling us Satanist witches! It was pretty awesome!

Rocky Boy: What is your biggest social media regret?

Suspirians: No regrets as of yet.

Rocky Boy: What is your social media strategy?

Suspirians: We try to combine all of our creative interests and endeavors under the Suspirians umbrella. That’s why you’ll of course find posts about our music, tours, merchandise, etc. but then you’ll also find things like random photos of us around town or cool videos we found online. We want to have that personal side as well.

Rocky Boy: What is the most difficult part about connecting with fans through social media?

Suspirians: While we love using social media, there are some challenges. With Facebook, we’ve noticed that the Pages don’t seem to connect you as closely to the fans. You can post cool content that people see and some fans interact with by liking it, but it’s hard to really strike up and carry on a conversation. In that regard, it feels a bit one-sided. Instagram has been a bit better on the interaction front for us, which is great, while Twitter has probably been our slowest growth channel and the one with the least interaction.

Rocky Boy: What advice would you give a musician that does not think social media is important for their career?

Suspirians: Hit the road and connect in person! There are many bands out there that refuse to use social media, no matter how much you tell them it’ll benefit and help them. Those in-person connections tend to resonate more to begin with, so make sure you’re sticking around after your set and talking with people. It really goes a long way.

Rocky Boy: Favorite social media platform?

Suspirians: Instagram is the most fun! Facebook, on the other hand, has gotten to be a bit dull.

Rocky Boy: Favorite hashtag?

Suspirians: We might be biased, but #suspirians is a pretty amazing hashtag!

Rocky Boy: What do you think is the importance of all girl rock groups?

Suspirians: All girl rock groups are vital to music because the world needs the female energy! It’s the key to raising our consciousness and re-enforces the fact that women can do anything that men can do. This isn’t a “guys only” world.

Rocky Boy: What is your favorite thing about tour?

Suspirians: Meeting new people!

Rocky Boy: What is your favorite way to interact with fans on tour?

Suspirians: Talking to fans in person and being present. Putting faces to names and hearing some of the stories people have to tell makes the long hours on the road absolutely worth it.

Rocky Boy: What advice would you give a young musician about touring?

Suspirians: Budget, plan, organize, stay healthy, and above all else – don’t be a dick.

Rocky Boy: What are three adjective to describe your music?

Suspirians: Immersive, mutable, and organic.

You can check out Suspirians on the following social media channels!

Exclusive Suspirians Music Video Premiere for “Nocturne”

SUSPIRIANS DEBUT VIDEO FOR “NOCTURNE”

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Today, Austin Texas band Suspirians, are debuting the new video for “Nocturne”. The track is off the band’s current release Ti Bon Ange, now out on Super Secret Records. Suspirians, play July 23rd in New Orleans, LA.

Quote about the video & song, by Marisa Pool, singer/guitarist of Suspirians:

“The song was originally called ‘Oh Mouchette’ inspired by the Robert Bresson film Mouchette. It’s a loveless tragedy about a young girl who is treated cruelly by everyone in her life. Thus the title ‘ octurne’. I was in awe of the sad beauty of this film and related to it on many levels. Mostly my own experience as a young woman navigating misogyny and abuse. Writing and performing it has been a way to channel my personal trauma and rage in a positive way. But I put a twist on it and made my character in the song survive even if she had to carry her own head around to do it. Its not a pretty song but It has meaningful core and is about finding strength in human misery.”

On the video:

“We honestly didn’t have much time to make a video, unfortunately! But we brought friends together to make it happen. Neil Ebflow created the visuals by using modular video synths and our friend Steve Marsh of Evil Triplett helped edit live footage shot by our other friend Ángel Delgado-Reyes. It turned out cool!”

Rock music, when done right, will always take us into a netherworld that we never knew existed, but we always somehow felt was within ourselves. The cosmos of inescapable rhythm, in-your-face melody and words, all speak simple truths that perhaps we couldn’t speak for ourselves. Austin, TX trio Suspirians summons that netherworld with their sophomore album Ti Bon Ange.

The album title is taken from a Haitian voodoo term that translates literally to “little good angel” — the part of one’s soul that holds one’s individuality and personal qualities, which leaves the body when sleeping so you can dream. It’s a title quite befitting of the experience listening to Ti Bon Ange, where listeners become immersed in a sound, not just casually attending to it.

From the first notes of the album, throughout its 7-song, 40 minute duration it’s clear that Suspirians aim to deconstruct rock in a way that’s both psychedelic and mysterious as much as it’s direct, infectious and powerful. Guitarist/vocalist Marisa Pool, bassist/keyboardist Stephanie Demopulos and drummer Lisa Cameron craft songs that shape-shift from part to part rather than follow traditional verse-chorus-verse structure. It’s a wall of guitars and subtle synth layers, vocals drenched in reverb and on the brink of feedback, powerful and open drumming that allows the songs to flow like molten lava without ever sounding lethargic. Points of reference bridge a wide array of psychedelic, punk and experimental sounds: Pylon, Siouxsie and the Banshees, The Stooges first album, Frightwig, early Butthole Surfers, Roky Erickson & The Aliens, late 70s British post-punk and more.

“We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says. “We did not overthink or over control anything on this record. It was all about going with the flow and following our instincts.” Suspirians’ self-titled debut album — with original drummer Anna Lamphear — was comparatively a more straightforward and garagey affair. Pool and Demopulos began experimenting with their sound soon after and with the addition of Cameron, they collectively found the aesthetic they were after. Cameron’s extensive musical history — having played with the legendary Roky Erickson, as well as celebrated Austin psych band ST37 and other improv/noise projects — helped the band expand its vision. Suspirians’ former synth player Sheila Scoville also guested on the recording.

Ti Bon Ange was recorded at 5th Street Studios with engineer Evan Kleinecke, while the band was still navigating their way through the nascent songs. “We had some raw and powerful basic tracks to bounce off of and the rest of the time was just having fun playing really loud and experimenting,” Pool says. The results are equally as deliberate and completely free as groundbreaking rock’n’roll should be.

Artist: Suspirians
Album: Ti Bon Ange
Label: Super Secret Records

01. Fortune Spider
02. Nocturne
03. Moonwave
04. Black Holes
05. Clean Evil
06. Scarlett Sleeps
07. Divine Spark

TOUR DATES:

07/23 New Orleans, LA @ Saturn Bar
07/25 Nashville, TN @ Betty’s
07/27-29 Indian Meadow, WV @ Voice of the Valley Fest
07/31 Cincinnati, OH @ Rakes End
08/01 Indianapolis, IN @ State Street Pub
08/02 Cleveland, OH @ Now That’s Class
08/04 Akron, OH @ Hive Mind
08/05 Kansas City, MO @ Blind Tiger

The Agit Reader Praises Suspirians’ Ti Bon Ange

Suspirians
Ti Bon Ange

July 13th, 2017 | by Brian O’Neill

In Voodoo belief, the soul is made of two parts. The ti bon ange, literally “little good angel,” is the part of the soul that contains the individual qualities of a person. The Suspirians’ sophomore release lives up to that title by showcasing how distinct individual influences can merge into one coherent, and at times, stunningly good album.

The obvious touchstone for Ti Bon Ange (Super Secret Records) is psychedelia befitting not only the trio’s Austin homeland but the fact that drummer Lisa Cameron played with Roky Erickson, which more than lends an air of authenticity to the proceedings. She can rip shit up, but more often than not she doesn’t betray the necessary backbone the material requires. This frees things up for Marisa Pool’s vocals and guitar to cover a lot of ground. She drenches both in reverb so thick you might imagine heat waves emanating from hot, Texas sand. Alongside Stephanie Demopulos’ thumping basslines, it reminds of the moment when punk rock went postal, swirling drone and churlish moans, eyes to the sky but still rooted on earth. This aesthetic is evident on album opener, “Fortune Spider,” which sounds more like a Lee Renaldo composition than something Kim Gordon might have come up with even though the vocals imply otherwise, and “Moonwave,” which imagines Joy Division led by Siouxsie Sioux.

The most fascinating facet of Ti Bon Ange is not just the fact that ‘90s alt-rock rears its head (Savages is a kindred spirit in this regard), but in ways that are far more Lollapalooza than Lilith Fair. “Clean Evil” is disjointed in all the right ways, like a beefier Polvo gone psychedelic grunge; “Scarlett Sleeps,” the penultimate track (and really it’s the last song since album closer “Divine Spark” is just a half minute of noise), is like Nico joined the Deftones.

And then there’s the centerpiece of the album, “Black Holes.” Clocking in at nearly nine minutes long, the song kicks off with a riff not unlike Hole’s “Teenage Whore,” repeating it for more than two minutes before a drum fill kicks the track into hyperdrive. Helios Creed, founder of the legendary Chrome, said that his desire when starting that band was to make “stoney-ass punk rock”. The last five minutes of “Black Holes” fulfills those ambitions. You can’t help but think it might be a religious experience to see the Suspirians play it live.

The other part of the soul in voodoo belief is called gros bon ange, the life force shared by all human beings. Maybe Suspirians are just working their way up to that for album number three, but they’re pretty close right now.

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