Sean Morales’ “We’ve Been Apart” Premieres on Austin Town Hall

PREMIERE: SEAN MORALES SHARES WEVE BEEN APART

Sean Morales has been working in the Austin music scene for some time, most notably as a member of James Arthur’s Manhunt. We now find Sean stepping out to craft his own debut, which is a stark contrast to JAM. Guitar notes are picked carefully at the start, so close to the mic that you can hear the strings if you put your ear to the speaker. Morales’ voice comes across like a whisper, barely willing to step over the guitar sound; he’s joined by an accompaniment at one point during the chorus. Then the song fades out with added textural layers and improvisation, rounding out the perfect vision that Sean’s created with this tune. You can expect the rest of his debut Call It In to follow suit; it’s being released by Super Secret Records this Friday.

Listen to ‘Chain Emailz’ – New Track From More Eaze

HEAR A BRAND NEW MORE EAZE TRACK

Austin’s Self Sabotage Records is here to provide a home for some of the more experimental vibes to come from within the city, such as More Eaze. Today we’ve got a brilliant tune from the project, giving insight into the latest release, bodiezNc0de. The first minute of this tune offers a minimal deconstruction, almost as if you’re hearing static over distant radio waves. But, listen carefully and you’ll hear the building of strings, allowing for the song to experiment with pop structures. What’s interesting is having the song’s natural tendency (especially with the introduction of vocals) towards pop sensibility sit right next to the sterile electronic notes carefully stuttering in the background. The song will capture the ears of casual listeners, and hopefully, as I suspect is the intent, draw them deeper into the constructionist nature of what’s at work. Impressive from start to finish, look for the release to drop on September 29th.

 

Cruel Whip Premiere Debut Track “Table of Drops”

PREMIERE OF NEW CRUEL WHIP SINGLE

Those in and around Austin already know of the many talents of David Petro (Xetas, Gospel Truth, Art Acevedo), but he’s not slowing down, as he is set to drop a new cassette as Cruel Whip. Our first listen to the new music has him crafting this dark tinged industrial collage called “Table of Drops,” which has this sly little pop sensibility lurking beneath the surface. You’re confronted by a wash of white noise, but light little synth bits drop in from the background, carefully build a touch of the uplifting spirit. Cruel Whip will release the Fatal Man Cassette on September 1st via Self Sabotage Records, followed by a release show Beerland on September 13th.

Austin Town Hall Reviews Adam Ostrar’s “Spare Me”

ADAM OSTRAR OFFERS SOFT BALLAD

I’m hoping it rains today, as this track from Adam Ostrar is perfect for watching the rain stream down your windows. It has that magical touch that Nick Drake had, airy vocals draping themselves atop careful little trickling guitar lines while percussion keys and percussive elements add depth to the background. Some balladry is so intimate you won’t want to share it with anyone else, and Ostrar is giving us precisely that. Look for his new record Brawls in the Briar on October 13th via Super Secret Records.

PLAX Announce Debut Album

PLAX ANNOUNCE DEBUT ALBUM

If you’re looking for a new Austin supergroup to adore, then Plax is the latest to cull members from various bands to form a new entity; they’re spawned from members of Skeleton, OBN IIIs, Spray Paint and Sweet Talk (all bands we enjoy!). Their sound is a fast paced bit of post-punk, fueled by the semi-growl of Victor Ziolkowski. This song is spastic and jittery in all the right places, while the quick drum work gives a sense of pace to the tune. The band will release Clean Feeling on Super Secret Records on August 11th.

Quin Galavis – “Garden Wall” Exclusive Premiere

BRAND NEW QUIN GALAVIS SINGLE

 
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Tomorrow you’ll be able to get your hands on Quin Galavis‘ new album, The Battery Line. We’re here today with the last single you’re likely to hear before the release, and I think it perfectly illustrates why Quin’s one of Austin’s most valued songwriters. You’ll hear guitar work that leans towards the heavier side of things, pushing distorted riffs with a hint of danger. That being said, the song’s accents such as keyboard work and string accompaniment balance the song, never fully giving in to either rock or pop. Plus, there’s a calm in his voice that soars when it reaches the chorus. Look for The Battery Line at your local shops tomorrow, courtesy of Super Secret Records.