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If country isn’t your bag, on Friday night the Akron community arts space Hive Mind welcomes Austin, Texas, post-punk/rock trio Suspirians, along with the inventively named Listen, Little Man and Jack Lynch.
Folks who like heavily reverbed and noisy guitar bands with a dash of the louder end of the late ’80s shoegaze era should dig the Suspirians’ second album, Ti Bon Ange, out on Super Secret Records.
Across its seven tracks, a couple of which are more than seven minutes long, bassist Stephanie Demopulos, singer/guitarist Marisa Pool and drummer Lisa Cameron, unleash plenty of fuzzed-out, psych-rock barre chords augmented with single guitar melodies, a bashing rhythm section and Pool’s echoed sung-shout vocals mixed low so they float in and out of a wall of sound.
Quantum progression post-punk and cosmic psychedelia
Photo by Shelley Hiam
Few bands boast a vision as clear as that demonstrated by Suspirians on their debut. Released in 2014, the Austin trio’s vibrant blend of post-punk onslaught and cosmic psychedelia sounded fully formed. Which makes the quantum progression of sophomore LP Ti Bon Ange all the more noteworthy.
“We didn’t have time to think about it too much,” says singer/guitarist Marisa Pool. “We had the opportunity to go into the studio via Super Secret, and we felt an urgency to do it quickly. Looking back, I don’t know why. [Maybe] because it had already been over a year since we put out the first record.
“So we took the material and worked it. We were really open to experimenting and seeing what we could do with what we had. We didn’t overthink it. We spent a lot of time shaping it, but we also just had fun with it – like a piece of art.”
Bassist/keyboardist Stephanie Demopulos pinpoints another reason for the exponential growth.
“We were already writing songs in a different direction, but we did replace a band member, which changed a lot of stuff.” You can also improve your health by using cheap products, which are full of harmful and banned chemicals. cheap viagra None of these products have ever been though tests brand cialis 20mg http://amerikabulteni.com/2012/01/25/gingrich-moon-could-be-51st-state/ to prove they work. This way it helps man to get victory over impotency. generico levitra on line http://amerikabulteni.com/2014/04/14/2014-pulitzer-prize-winners-full-list/ That chemical substance assists the body to take care of ways to get rid of weak ejaculation problem. cialis free samples
She’s referring to the exit of original drummer Anna Lamphear, off to study law, and the addition of veteran Austin drummer Lisa Cameron, who brought a new edge to the threepiece.
“One thing I’ve noticed is that we’ve gone more into improv, experimental tinges,” says Cameron, whose powerhouse résumé includes membership in roots blowout Brave Combo, indie rock first-wavers Glass Eye, and Lone Star legends Roky Erickson & the Aliens – not to mention a long-running stint with homegrown psych pioneers ST 37. “I think I’m encouraging them somehow even though they were already there. That attracted me to the band. They would get these trance-y, drone-y, garage-y kind of throwdowns, which I really enjoy.”
Cameron also credits the band’s ability to absorb and reflect its influences for Ti Bon Ange’s wider appeal.
“We have somehow developed this uncanny sense of being able to evoke different sounds without having to actually play like that person,” she continues. “Like just a little tinge of this or that is enough to remind people of the Butthole Surfers or Neil Young or Siouxsie Sioux. There’s an influence of surf. I even hear girl groups, the Ronettes or the Shangri-Las, in there. We’re not trying to sound like those people. It’s just part of our natural diet.”
Unsurprisingly, for a band that gives interviews en masse, Suspirians credit their sophomore triumph to tight chemistry.
“Stephanie and I have been playing together for years,” says Pool. “Once we started playing with Lisa, that just expanded the vision and it went on its natural path. It just keeps changing to something better, hopefully.”
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Today, Austin Texas band Suspirians, are debuting the new video for “Nocturne”. The track is off the band’s current release Ti Bon Ange, now out on Super Secret Records. Suspirians, play July 23rd in New Orleans, LA.
Quote about the video & song, by Marisa Pool, singer/guitarist of Suspirians:
“The song was originally called ‘Oh Mouchette’ inspired by the Robert Bresson film Mouchette. It’s a loveless tragedy about a young girl who is treated cruelly by everyone in her life. Thus the title ‘ octurne’. I was in awe of the sad beauty of this film and related to it on many levels. Mostly my own experience as a young woman navigating misogyny and abuse. Writing and performing it has been a way to channel my personal trauma and rage in a positive way. But I put a twist on it and made my character in the song survive even if she had to carry her own head around to do it. Its not a pretty song but It has meaningful core and is about finding strength in human misery.”
On the video:
“We honestly didn’t have much time to make a video, unfortunately! But we brought friends together to make it happen. Neil Ebflow created the visuals by using modular video synths and our friend Steve Marsh of Evil Triplett helped edit live footage shot by our other friend Ángel Delgado-Reyes. It turned out cool!”
Rock music, when done right, will always take us into a netherworld that we never knew existed, but we always somehow felt was within ourselves. The cosmos of inescapable rhythm, in-your-face melody and words, all speak simple truths that perhaps we couldn’t speak for ourselves. Austin, TX trio Suspirians summons that netherworld with their sophomore album Ti Bon Ange.
The album title is taken from a Haitian voodoo term that translates literally to “little good angel” — the part of one’s soul that holds one’s individuality and personal qualities, which leaves the body when sleeping so you can dream. It’s a title quite befitting of the experience listening to Ti Bon Ange, where listeners become immersed in a sound, not just casually attending to it.
From the first notes of the album, throughout its 7-song, 40 minute duration it’s clear that Suspirians aim to deconstruct rock in a way that’s both psychedelic and mysterious as much as it’s direct, infectious and powerful. Guitarist/vocalist Marisa Pool, bassist/keyboardist Stephanie Demopulos and drummer Lisa Cameron craft songs that shape-shift from part to part rather than follow traditional verse-chorus-verse structure. It’s a wall of guitars and subtle synth layers, vocals drenched in reverb and on the brink of feedback, powerful and open drumming that allows the songs to flow like molten lava without ever sounding lethargic. Points of reference bridge a wide array of psychedelic, punk and experimental sounds: Pylon, Siouxsie and the Banshees, The Stooges first album, Frightwig, early Butthole Surfers, Roky Erickson & The Aliens, late 70s British post-punk and more.
“We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says. “We did not overthink or over control anything on this record. It was all about going with the flow and following our instincts.” Suspirians’ self-titled debut album — with original drummer Anna Lamphear — was comparatively a more straightforward and garagey affair. Pool and Demopulos began experimenting with their sound soon after and with the addition of Cameron, they collectively found the aesthetic they were after. Cameron’s extensive musical history — having played with the legendary Roky Erickson, as well as celebrated Austin psych band ST37 and other improv/noise projects — helped the band expand its vision. Suspirians’ former synth player Sheila Scoville also guested on the recording.
Ti Bon Ange was recorded at 5th Street Studios with engineer Evan Kleinecke, while the band was still navigating their way through the nascent songs. “We had some raw and powerful basic tracks to bounce off of and the rest of the time was just having fun playing really loud and experimenting,” Pool says. The results are equally as deliberate and completely free as groundbreaking rock’n’roll should be.
Artist: Suspirians
Album: Ti Bon Ange
Label: Super Secret Records
07/23 New Orleans, LA @ Saturn Bar
07/25 Nashville, TN @ Betty’s
07/27-29 Indian Meadow, WV @ Voice of the Valley Fest
07/31 Cincinnati, OH @ Rakes End
08/01 Indianapolis, IN @ State Street Pub
08/02 Cleveland, OH @ Now That’s Class
08/04 Akron, OH @ Hive Mind
08/05 Kansas City, MO @ Blind Tiger
In Voodoo belief, the soul is made of two parts. The ti bon ange, literally “little good angel,” is the part of the soul that contains the individual qualities of a person. The Suspirians’ sophomore release lives up to that title by showcasing how distinct individual influences can merge into one coherent, and at times, stunningly good album.
The obvious touchstone for Ti Bon Ange (Super Secret Records) is psychedelia befitting not only the trio’s Austin homeland but the fact that drummer Lisa Cameron played with Roky Erickson, which more than lends an air of authenticity to the proceedings. She can rip shit up, but more often than not she doesn’t betray the necessary backbone the material requires. This frees things up for Marisa Pool’s vocals and guitar to cover a lot of ground. She drenches both in reverb so thick you might imagine heat waves emanating from hot, Texas sand. Alongside Stephanie Demopulos’ thumping basslines, it reminds of the moment when punk rock went postal, swirling drone and churlish moans, eyes to the sky but still rooted on earth. This aesthetic is evident on album opener, “Fortune Spider,” which sounds more like a Lee Renaldo composition than something Kim Gordon might have come up with even though the vocals imply otherwise, and “Moonwave,” which imagines Joy Division led by Siouxsie Sioux.
The most fascinating facet of Ti Bon Ange is not just the fact that ‘90s alt-rock rears its head (Savages is a kindred spirit in this regard), but in ways that are far more Lollapalooza than Lilith Fair. “Clean Evil” is disjointed in all the right ways, like a beefier Polvo gone psychedelic grunge; “Scarlett Sleeps,” the penultimate track (and really it’s the last song since album closer “Divine Spark” is just a half minute of noise), is like Nico joined the Deftones.
And then there’s the centerpiece of the album, “Black Holes.” Clocking in at nearly nine minutes long, the song kicks off with a riff not unlike Hole’s “Teenage Whore,” repeating it for more than two minutes before a drum fill kicks the track into hyperdrive. Helios Creed, founder of the legendary Chrome, said that his desire when starting that band was to make “stoney-ass punk rock”. The last five minutes of “Black Holes” fulfills those ambitions. You can’t help but think it might be a religious experience to see the Suspirians play it live.
The other part of the soul in voodoo belief is called gros bon ange, the life force shared by all human beings. Maybe Suspirians are just working their way up to that for album number three, but they’re pretty close right now.
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Not sure why, but we erroneously expected Suspirians to be in league with comparatively straight Austin burners like past heroes OBN IIIs or Dikes of Holland or something, but no…this is layered, intricate and thick with a warped lean, like a heavier Disappears. Every song seems to set its luminous heart for the center of the sun and damn if Ti Bon Angeain’t this year’s grower. Freakin’ love it.
…and by the way, if you see your mom this weekend, will you be sure and
tell her…Super Secret Records is not so quietly having another banner year.
@supersecretrecords is the place to be, rock living is the life for me. Sounds spreading out, so far and wide. Keep Manhattan, just give me that countryside.
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Suspirians is a US garage-psychedelia trio.Suspirians
Hazy flows of winding guitar steadily streams through the room in their latest LP Ti Bon Ange, which was released this month, (available digitally on bandcamp directly from themselves or as a limited edition cassette also on bandcamp through the Russian label Pomogite Community) with the audience creating their own kaleidoscopic visual imagination.
Suspirians however, do not send the mind in to an extended acid trip as the garagey distortion leaves the music with an enthralling rawness as the pulsing bass and active drum-kit combine with a veiled vocal and the listener is left wanting even more than the approximately forty minutes, six tracks (digital) or seven tracks with a thirty six second bonus track (Cassette), has in store.
As this is an album best heard in its entirety, less a ‘pick of a the album’ rather an indicator of the sound, the second track – Nocturne.
