Not sure why, but we erroneously expected Suspirians to be in league with comparatively straight Austin burners like past heroes OBN IIIs or Dikes of Holland or something, but no…this is layered, intricate and thick with a warped lean, like a heavier Disappears. Every song seems to set its luminous heart for the center of the sun and damn if Ti Bon Angeain’t this year’s grower. Freakin’ love it.
…and by the way, if you see your mom this weekend, will you be sure and
tell her…Super Secret Records is not so quietly having another banner year.
@supersecretrecords is the place to be, rock living is the life for me. Sounds spreading out, so far and wide. Keep Manhattan, just give me that countryside.
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One of Austin’s latest noise-rock bands, Suspirians, has dropped the new raucous track, “Nocturne.” For the all-woman trio of Lisa Cameron, Marisa Pool, and Stephanie Demopulos, “Nocturne” registers as an earth shaking, punk-inspired anthem that will play on loop in your head after it ends.
Formed in 2012, the band releases music on Austin label Super Secret Records, and it sounds like the group has found the perfect home amongst the local punk and underground bands on the label’s roster. While Suspirians’ loud, aggressive style is common among Austin rockers, it doesn’t feel like they are trying to overdo things. This group has a natural flow and they stick to playing music that they know Austinites will enjoy.
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Suspirians is a US garage-psychedelia trio.Suspirians
Hazy flows of winding guitar steadily streams through the room in their latest LP Ti Bon Ange, which was released this month, (available digitally on bandcamp directly from themselves or as a limited edition cassette also on bandcamp through the Russian label Pomogite Community) with the audience creating their own kaleidoscopic visual imagination.
Suspirians however, do not send the mind in to an extended acid trip as the garagey distortion leaves the music with an enthralling rawness as the pulsing bass and active drum-kit combine with a veiled vocal and the listener is left wanting even more than the approximately forty minutes, six tracks (digital) or seven tracks with a thirty six second bonus track (Cassette), has in store.
As this is an album best heard in its entirety, less a ‘pick of a the album’ rather an indicator of the sound, the second track – Nocturne.
A trio of ladies, Marisa, Stephanie and Lisa (for the record, drummer Lisa is Lisa Cameron has played with both Roky Erickson and ST37 as well), who call Austin, TX home. They offer up this 7-song (6 listed but there’s a hidden track and it totals 40 minutes) record, their sophomore effort, that will rearrange your thinkin’ but good. And if they took their name from that horror flick Suspiria well, they’re now making me rethink my whole existence. From song number one, “Fortune Spider” it’s dark, heavy and a bit mysterious too (again, you’ve gotta see that movie) and I was initially reminded of the holy/unholy swill created by masters like Sonic Youth and the Butthole Surfers but they really knock it out of the park on menacing monsters like “Nocturne” and “Moonwave.” On the other side of the record (we in the industry like to call it side B) “Black Holes” grunts n’ groans and never really lets up as it does until the side of the record ends. Guitarist/vocalist Marisa Pool stated that while recording they would “end up getting lost in the songs together in a sort of epic fever dream.” There you go, an “epic fever dream”, I can’t describe it any better than that. Ti Bon Angeis worth your time and then some. www.supersecretrecords.comwww.suspirians.bandcamp.com
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Ti Bon Ange
What you may or may not know about me, dear readers, is that this guy right here is the biggest nerd you’ll ever meet.
Sure, most days, pimping brutal death metal, drinking craft beers, shaving with a vintage safety razor, and having a beautiful family, and living in a beautiful home that needs work…
You might not ever guess that I’m reading a fantasy novel, a Red Dwarf novel, and thinking about the space time continuum.
The eddies of the time stream fascinate me to no end. Recently, I had a very long dream about such things. In the dream, my biggest childhood dream could have been realized should I have been willing to go back in time and make a singular different choice.
Now, we could speak about the Mirror of Erised here and discuss my life and the ramifications, but what struck me about that dream was my understanding of what would have happened should the deal have been accepted.
Suspirians
The biggest moments of our lives were did not happen in a vacuum. When I think about my life and where it’s gone, it’s hard to forget a singular dinner I had with my ex-wife.
We were eating at our favorite Chinese food buffet and catching up. Really, at that point it should be noted her status had been changed from ex-wife and back to friend.
That night when we ate at Happy China, she changed my life and on the other side of the country, a similar conversation happened and it changed all of our lives.
The flotsam and jetsam of the world and the universe created the world in which we are living now.
Ok, tangent over.
Let’s connect that to the record at hand shall we? Recently, we took in X’s 40th Anniversary Tour at Delmar Hall. Like many of us, opening acts had largely been unkind to me. That night was different. Skating Polly took the stage and after about three songs, I turned to my wife and said, these kids had better start to suck or I’m going to walk over there and buy a record.
Which I did.
Seeing those, very young, kids playing on a stage, opening for X opened my mind up to a different kind of music. It’s not right to call it progressive, because it’s more stream of consciousness.
Today’s review, Suspirians feel like an elder sibling to Skating Polly. Both in substance, style, and content. This is truly spectacular because there need to be more and more bands in this vein.
This vein is simply plugging in and playing.
It’s easy to lump this into the same brainspace as the the avant garde metal bands that frequently catch my hear and ensnare my heart.
These are all bands that are just playing on pure feeling. Standard musical tropes do not apply here. There are no verses, no choruses, and don’t even think you’ll be able to find the bridge.
Has anybody seen the bridge?
No. No they have not seen the bridge. Guitar solos, meaning that we all can get behind. There’s nothing remotely familiar on this record.
For those needing a better description of what we are hearing, it’s Lo-Fi Space Rock. It’s kind of like watching Star Wars for the first time…and not the cleaned up versions, but the original one. You know it’s supposed to be futuristic…and it almost is.
That’s what this is. It’s musical Star Wars.
This is the latest release from Austin, TX label, Super Secret Records. This record doesn’t feature gatefold covers, super thick vinyl, or any thing more than a no frills packaging, with a download code.
Must like the the music contained within, there’s nothing more than it requires. Because no one’s listening to the insert right?
Release: 6/9/17 Genre: Lo-Fi Space Rock Label: Super Secret Records Formats: LP/CD/Digital Facebook Purchase
THE AUSTIN PSYCHEDELIC ROCK BAND RELEASES ITS SOPHOMORE ALBUM, “TI BON AGE”
BY BRYAN C. PARKER
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Today’s incarnation of Austin’s music scene might be best known for indie rock heroes Spoon, Americana darling Shakey Graves, or blues rocker Gary Clark, Jr. But historically, bands like the 13th Floor Elevators, Ed Hall, or Butthole Surfers form a long tradition of psych, noise, and generally weird rock in the capital city. Carrying that torch nowadays is trippy punk band Suspirians—a trio consisting of singer/guitarist Marisa Pool, bassist Stephanie Demopulos, and drummer Lisa Cameron.
Sprawling compositions of propulsive rock unfold against a noisy backdrop of atmospheric synths and squealing guitars on the band’s sophomore effort, Ti Bon Age, out today on Super Secret Records. Songwriter Pool casually calls it “cosmic rock.” The album is a bottle of experimental rock labeled “drink me.” Only the most adventurous music listeners will discover how deep this rabbit hole truly goes.
In making the record, Pool says the idea was to “just be free with it,” adding, “We have moments of getting lost in the songs.” These impressionistic pieces evolve and morph, changing drastically over their duration, each one offering a churning whirlpool of immersive sound. The album’s title references a Haitian voodoo phrase meaning “little good angel,” an idea that represents a part of the self that leaves the body while sleeping so you can dream.
With a kaleidoscopic montage of colors as its cover artwork, the record embodies the charm of old Austin oddity. A fifth-generation Austinite, Pool says the city’s culture is just a part of her identity. “I don’t even know how many shows I’ve been to, because that’s all I’ve been doing since I was 15,” she remarks. She was making Austin weird before people were concerned with keeping Austin weird.
With Ti Bon Age flying high as this trio’s freak flag, they’re hoping it stays that way.
Suspirians celebrate the release of their second album tonight at the Electric Church.
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LAUREN GRIBBLE
