Austin Monthly Bands To Watch: Sean Morales

2018 AUSTIN BAND TO WATCH: SEAN MORALES

BY DAY THIS MUSICIAN HELPS VETERANS AS A SOCIAL WORKER

BY SARAH THURMOND

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Published: February 28, 2018

PHOTOGRAPHED BY JD SWIGER

Thirty years after moving to Austin and playing in various bands while making ends meet at places like Casino El Camino and Waterloo Records, Sean Morales has settled into domestic bliss. By day he helps veterans as a social worker. His evenings are spent writing music on the front porch of the house he shares with his wife and occasional drummer, Erica Barton, 2-year-old son, and brand-new baby daughter. In January, he released his first solo album, Call It In, a mix of stream-of-conscious garage rock and acoustic ballads inspired by the pull of fatherhood.

What are your earliest concert memories?
My mother was a cop in Norfolk, Virginia. When I was 13, she would take me and my buddy to shows. She’d pull up in a cop car, drop us off, and we would go see the Ramones, the Jesus and Mary Chain, the Church. This was like ’88 at the Boathouse. It was right on a dock. I never would see the water though. I’d see all these adults in this beer garden. We couldn’t see over anybody, we were kids. It was a different time. She could leave us there, and we would be all right. And we were all right.

Why did you get into social work?
I love it. I’ve been out of grad school, working with veterans, since January 2012. There are hard days, but it’s great. It’s my form of service. All the males on my mother’s side of the family and my father were in the military. There was no f***ing way I was going to join the military. This is the way I want to serve.

How do you feel about touring?
I want to be a father first and foremost right now. I have what I have, so I’m rich already. I don’t care about waiting in a bar to play at 1 o’clock in the morning, sleeping on somebody’s floor—granted, you meet some cool people sleeping on somebody’s floor—but I don’t care about that. I’m 42 years old. I’d rather have a hotel and my family. That’s my goal.

Austin Monthly Review of Quin Galavis’s “The Battery line”

Quin Galavis
The Battery Line

Maintaining an affinity for crunchy guitars and an attention to tonal textures, Quin Galavis (The Dead Space, Nazi Gold) tempers some of his experimental and acerbic musical tendencies on his newest solo effort, The Battery Line. Such restraint allows melodies and clean, driving guitars At one time or a different we have all knowledgeable worry; a natural reaction to particular stressors in tadalafil canada mastercard our lives. Hence, you don’t need to carry your viagra online no rx system to the market. This condition when becomes an enduring issue it starts hampering self-esteem of men and also have adverse effect on health.Consuming kamagra 100mg:For the most efficient results of kamagra cheap cialis pdxcommercial.com 100mg take it 1 hour past carrying out the sexual activity between the two of them make love. But sometime a dull sexual life creates a lot generic levitra online of stress and the condition lowers self-confidence and self-esteem due to his bad sexual performance and it affects his professional and social life. to provide sonic buoyancy on gems like “Garden Wall” and “Question.” Despite the newfound levity, these songs still wrestle with themes of social anxiety and a general existential ennui. Fans of ’90s rock aesthetics and bands like the Smashing Pumpkins or early Radiohead will find much to like in the guitar

Austin Monthly Names Suspirians June 2017 Band of the Month

BAND OF THE MONTH: SUSPIRIANS

THE AUSTIN PSYCHEDELIC ROCK BAND RELEASES ITS SOPHOMORE ALBUM, “TI BON AGE”

BY BRYAN C. PARKER

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Published: June 9, 2017

(Originally posted here)

Today’s incarnation of Austin’s music scene might be best known for indie rock heroes Spoon, Americana darling Shakey Graves, or blues rocker Gary Clark, Jr. But historically, bands like the 13^thFloor Elevators, Ed Hall, or Butthole Surfers form a long tradition of psych, noise, and generally weird rock in the capital city. Carrying that torch nowadays is trippy punk band Suspirians—a trio consisting of singer/guitarist Marisa Pool, bassist Stephanie Demopulos, and drummer Lisa Cameron.

Sprawling compositions of propulsive rock unfold against a noisy backdrop of atmospheric synths and squealing guitars on the band’s sophomore effort, Ti Bon Age, out today on Super Secret Records. Songwriter Pool casually calls it “cosmic rock.” The album is a bottle of experimental rock labeled “drink me.” Only the most adventurous music listeners will discover how deep this rabbit hole truly goes.

In making the record, Pool says the idea was to “just be free with it,” adding, “We have moments of getting lost in the songs.” These impressionistic pieces evolve and morph, changing drastically over their duration, each one offering a churning whirlpool of immersive sound. The album’s title references a Haitian voodoo phrase meaning “little good angel,” an idea that represents a part of the self that leaves the body while sleeping so you can dream.

With a kaleidoscopic montage of colors as its cover artwork, the record embodies the charm of old Austin oddity. A fifth-generation Austinite, Pool says the city’s culture is just a part of her identity. “I don’t even know how many shows I’ve been to, because that’s all I’ve been doing since I was 15,” she remarks. She was making Austin weird before people were concerned with keeping Austin weird.

With Ti Bon Age flying high as this trio’s freak flag, they’re hoping it stays that way.

Suspirians celebrate the release of their second album tonight at the Electric Church.

Quin Galavis Record Review: Austin Monthly

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Carl Sagan’s Skates Shoes reviewed in Austin Monthly

Carl Sagan’s Skate Shoes self-titled debut album reviewed in the September 2016 edition of the Austin Monthly:

http://www.austinmonthly.com/AM/September-2016/September-Music-Reviews
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