Glacially Musical Archives — Super Secret Records

Glacially Musical Review of Knife in the Water Reissue

Vinyl Review: “Plays One Sound And Others” by Knife In The Water

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Plays One Sound And Others

One thing I saw in a how to PR manual was to let the recipients of your message know how many albums your band has released so that they can get an idea of how far you’ve come.

Imagine, if in 1991, you picked up a copy of Metalllica and then started moving backwards, but instead of going in reverse order, you picked up their debut, Kill ‘Em All.

Most listeners might be a bit hard pressed to see how this was the same band. From that point, Metallica veered off into some very different directions.

It’s often left out how those changes started though. The band that recorded that oft-lauded debut wasn’t the same band that wrote that album. In fact, it wasn’t even until their third album that the band in the photos and the grooves wrote and recorded the entire album.

Knife In The Water

Now, that’s not to say that those gentlemen just made it on the works of the new folks in the band. All of them continued to grow and develop as musicians.

But thinking of them recording those two albums, or any of the following.

That’s what separates the adults from the children. Only AC/DC can continue to write the same album over and over while still being huge.

This is an odd review. Not only are we talking about Knife In The Water for a second time, but this is a vinyl re-issue of their debut album. So, in the course of a couple months, we’re listening to their most current work and their first works.

It’s a common refrain that bands typically make their best album first, because it’s the album they’ve had their whole lives to write, but in this guy’s humble opinion, that’s for the lazy. It is possible to continue making great music your whole career if you’re willing to put in the work, see Metallica.

For the record, the Metallica comparison is only apt in terms of the sounds of the music. Reproduction is not miles ahead of Plays One Sound And Others. It’s just different.

There are certainly some markers that these are the same people, but whereas the first album we reviewed of theirs was some alt-pop bordering on synth, this album is more of an Americana release. It’s safe to say that they grew and changed into another animal entirely.

It’s hard to say which one is better than the other. They are both brilliant records full of slow, methodical ballads. Music is rarely described as methodical, but in this case it fits like a glove.

Knife In The Water can never be described as playing too many notes. If anything, they might be leaving a couple out here and there. This sort of mindset gives every single note a greater significance. Instead of giant chords, we get slow arpeggios. Instead of powerful vocal runs, we get subdued emotional pieces.

Moving back to the first point, this album even sounds like it was written by two different bands, or a band in transition. The first side features swirling Hammond Organs and the second side is a very minimalist piece of music.

I’m a bit loath to call it, or liken it to pop, but there aren’t any other markers that come to mind. It’s certainly not rock, metal, rap, or country, but there are some country conventions here and there.

On a day when I’m feeling a bit hungover, this was the perfect record to listen to. Mellow and morose. It’s making it a bit harder to say goodbye to my family for the trip I have to take next week.

Release: Out Now
Genre: Americana
Label: Sonic Surgery Records (Super Secret Records subsidiary)
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Glacially Musical Review Debut Plax Album

Vinyl Review: “Clean Feeling” by PLAX

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Clean Feeling

The Cosmos is testing me. There is simply no other explanation as to why this is happening.

This reviewer is, frankly, a tepid consumer of Punk Rock. That’s just the be all end all of it. There are some Punk Rockers out there that shiver me to my very soul, but that list is very short.

You may have noticed the renaissance of punk music here lately. Absolutely Not made it into our vinyl reviews and American Standards did a great interview for us.

Now today, we have Austin, TX based punk band, PLAX courtesy of the Super Secret Records imprint.

My lack of understanding Punk Music probably goes back to the 70’s when Punk and Metal refused to co-exist peacefully. Even when punk and metal joined into thrash…there was still strife. So perhaps, my aversion, my personal prejudice, et al is just in my blood….because it goes a long way back.

PLAX

This is the third punk rock post in the past 7 days. At my personal anti-punk rock pace, that’s positively insane.

Please not that my personal preferences, if you will, have been laid out at the beginning of this post.

For any more of my goings on regarding punk rock, please see my published works with the tag, punk.

My favorite thing about punk rock is the lo-fi attitude to the sound. Most likely that’s just kind of like fashion born out of necessity, but it’s still something that’s lasted lo this many years.

Instead of creating a sound out of millions of pedals and a rig so complex one needs an electrical engineering degree in order to simply hook it up, punk rock often is just this is the guitar I could afford and this is the amp my cousin was willing to sell me for $30.

It would be…disingenuous to say that most punk bands have a tone all of their own, as well as saying many punks bands have their own sound. What, to a punk rock illiterate, they need, is their own feeling.

A good friend told me once that punk rock wasn’t music, but a form of expression all of its own. (He’s a huge fan for the record.) So, the lo-fi, the cheap equipment, the simple chord progressions, the lack of serious musicianship….all of these things matter less than how the band makes you feel.

PLAX isn’t in the upper echelon of punk rock musicians like X, Sonny Vincent, or Iggy Pop and the Stooges, but nor are the in the bottom with The Ramones and the Sex Pistols. Let’s put them in the upper middle with acts like Paul Collins.

The songs aren’t played at super speed, unless like an idiot you left the turntable on 45 RPM when you put it on…see video below….

Rather than unrestrained anger, PLAX gives us pleas for a better world. At least, that’s how this guy hears it. It’s hard for me to really explain to you what their music is.

It’s angry, but hopeful. Bitter, yet forward thinking. It’s simplistic, yet beautiful.

PLAX are a host of contradictions wrapped up in a 33 RPM disc.

This is a Super Secret Records release. The one thing about that is, I know it’s a quality, quality package. The disc is immaculate. There’s a download code and a nice inlay card.

The sound quality is immaculate, though it can be hard for me to tell when it’s punk rock. (“When I tell that joke, I always clarify that I’m just joking,” Mitch Hedberg.)

Super Secret Records puts out great music in a great, stripped down package.

Release: 8/11/17
Genre: Punk Rock
Label: Super Secret Records
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Glacially Musical Review New Quin Galavis

Vinyl Review: “The Battery Line” by Quin Galavis

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The Battery Line

Let’s say a few nice words about mile stones if you don’t mind my going off on a small tangent before we get into the meat of this review.

It doesn’t seem all that long ago when a band first had two album reviews here, but that was nearly five years ago.

Today, Quin Galavis becomes the first artist to get the vinyl treatment for a second time. (Confidentially, there’s another one in the kitty though.)

Glacially Musical is rapidly closing in on our 1000th post. In fact, this is post number 997. In my life, there’s been a lot of t hings I’ve done, but this one is certainly among the longest, most successful, and very satisfying. You may have noticed that for the past two weeks I was a bit off the grid, just because, a break from this behemoth was required. As a small site that we do on the side, it’s hard to keep up all of the content.

Thank you for enjoying the ride with us.

Quin Galavis

Here at Glacially Musical, we do not presume, but we do interpret, at least when the mood hits.

What makes great art is the ability for the consumer to be enveloped by it. The truly great works have no real meaning, because we all get out of them what we will.

Galavis’s previous album felt like the soundtrack in my head during my episodes.

Now hopefully it didn’t come across that my personal issues were horribly crippling. Mine is very minor compared to what others have had to deal with. With safe spaces and some therapy, my life has really changed.

So, Galavis creates one album that’s full of rage, anger, and strings. It speaks to the me that cannot get enough Slayer, Carcass, Coffin Dust, and Morbid Slaughter.

My Life In Steel and Concrete was a tough listen because it hit very close to my home, but it was cathartic.

The follow up, The Battery Line, hits just as close to home. By talking, by living, by seeing that the what happened to me in the past doesn’t mean it’s going to return, my mind has become….sunnier?

It’s not a perfect place, but the roof’s only leaking in two or three places rather than the downpour.

How is it this man is able to write albums that hit me so hard? Part of me wishes he would stop and the rest of me is salivating over his next record.

To be more specific to those who don’t feel the same way as me….The Battery Line is a vast departure from My Life In Steel and Concrete. What the predecessor was to Metallica, the current is to Quiet Hollers.

Where there was dark, crunchy rock, there is now hook laden, jangle pop. There’s nary a distorted guitar on this album. Now, where there were strings before, well, there are still strings. Thank the maker, because the usage of strings on this and the previous album were magnificent.

The music portion of the review has to stop here, because if it doesn’t, it’s going to be true confession time and frankly, I’m not ready to divulge all of my secrets.

The record is pressed onto a slab of 180 gram black vinyl and it’s sturdy. Much like Construct, Playkool records have nothing on this.

The artwork is far more avant-garde. The circle melting into the nothingness.

As with every Super Secret Records release we’ve reviewed thus far, there is a download coded included with record.

This is another stellar release from both the artist and the label.

Release: 6/16/17
Genre; ???
Label: Super Secret Records
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Vinyl Review – Suspirians’s Ti Bon Ange

Vinyl Review: “Ti Bon Ange” by Suspirians

(Originally posted here)

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Ti Bon Ange

What you may or may not know about me, dear readers, is that this guy right here is the biggest nerd you’ll ever meet.

Sure, most days, pimping brutal death metal, drinking craft beers, shaving with a vintage safety razor, and having a beautiful family, and living in a beautiful home that needs work…

You might not ever guess that I’m reading a fantasy novel, a Red Dwarf novel, and thinking about the space time continuum.

The eddies of the time stream fascinate me to no end. Recently, I had a very long dream about such things. In the dream, my biggest childhood dream could have been realized should I have been willing to go back in time and make a singular different choice.

Now, we could speak about the Mirror of Erised here and discuss my life and the ramifications, but what struck me about that dream was my understanding of what would have happened should the deal have been accepted.

Suspirians

The biggest moments of our lives were did not happen in a vacuum. When I think about my life and where it’s gone, it’s hard to forget a singular dinner I had with my ex-wife.

We were eating at our favorite Chinese food buffet and catching up. Really, at that point it should be noted her status had been changed from ex-wife and back to friend.

That night when we ate at Happy China, she changed my life and on the other side of the country, a similar conversation happened and it changed all of our lives.

The flotsam and jetsam of the world and the universe created the world in which we are living now.

Ok, tangent over.

Let’s connect that to the record at hand shall we? Recently, we took in X’s 40th Anniversary Tour at Delmar Hall. Like many of us, opening acts had largely been unkind to me. That night was different. Skating Polly took the stage and after about three songs, I turned to my wife and said, these kids had better start to suck or I’m going to walk over there and buy a record.

Which I did.

Seeing those, very young, kids playing on a stage, opening for X opened my mind up to a different kind of music. It’s not right to call it progressive, because it’s more stream of consciousness.

Today’s review, Suspirians feel like an elder sibling to Skating Polly. Both in substance, style, and content. This is truly spectacular because there need to be more and more bands in this vein.

This vein is simply plugging in and playing.

It’s easy to lump this into the same brainspace as the the avant garde metal bands that frequently catch my hear and ensnare my heart.

These are all bands that are just playing on pure feeling. Standard musical tropes do not apply here. There are no verses, no choruses, and don’t even think you’ll be able to find the bridge.

Has anybody seen the bridge?

No. No they have not seen the bridge. Guitar solos, meaning that we all can get behind. There’s nothing remotely familiar on this record.

For those needing a better description of what we are hearing, it’s Lo-Fi Space Rock. It’s kind of like watching Star Wars for the first time…and not the cleaned up versions, but the original one. You know it’s supposed to be futuristic…and it almost is.

That’s what this is. It’s musical Star Wars.

This is the latest release from Austin, TX label, Super Secret Records. This record doesn’t feature gatefold covers, super thick vinyl, or any thing more than a no frills packaging, with a download code.

Must like the the music contained within, there’s nothing more than it requires. Because no one’s listening to the insert right?

Release: 6/9/17
Genre: Lo-Fi Space Rock
Label: Super Secret Records
Formats: LP/CD/Digital
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Glacially Musical Review of John Wesley Coleman III’s “Microwave Dreams”

Vinyl Review: “Microwave Dreams” by John Wesley Coleman III

(The original article can be found here)

Microwave Dreams

Have you ever had a really bad day?

Today, well, frankly, it wasn’t that bad, but it was a rough one. Aside from the birthday party, the battery on my hybrid hitting purple, and having to go get a new extension cord for my new electric lawnmower….

I’m beyond wiped.

The irony of my complaining about technology not suiting me while writing about being a Luddite, well, that’s certainly not lost on me whatsoever.

I suppose, it’s just that somethings we don’t need to improve upon. Cars? Yeah, we need to improve upon that. I drive a hybrid for several reasons. Naturally, the fact that on a normal week my Prius gets better gas mileage than my Honda Civic did on it’s best day is wonderful. Helping the planet is also a great thing.

But that’s just how some of us are when it comes to driving technology and the like. In some instances there are things that are frankly better the way they were before rather than the way they are now.

Shaving is definitely one of those things. When my great grandfather was a child, men had to go to the barber to get a shave. Honestly, that’s something that needs a vinyl like rebirth, because shaving everyday or close to is pretty darned annoyed and the shaving materials aren’t getting nay cheaper.

But let’s talk about some vinyl.

John Wesley Coleman III has unleashed an interesting take on some sort of music with Microwave Dreams.

There are times when I think I have this record figured out and then he sings songs about not thinking Jesus Christ attended Junior High.

It would be simplistic to call Microwave Dreams a collection of synth pop tracks and incorrect to call it a rock record.

In many ways it’s both things.

This is a hard record to review because it’s very hard to describe not only the specific music being played, but the genres of music that Coleman is inhabiting.

In the fashion of a true artist, Coleman’s tracks feature varying lineups that create differing soundscapes.

That’s a big part of what makes this album so much fun. There’s very little rhyme or reason to this beyond this song feels good, turn on the little red recording light.

There are times when I think about what life must have been like when we didn’t have recorded music to entertain ourselves. Based on this album, John Wesley Coleman III’s life probably wouldn’t be different at all.

Microwave Dreams was pressed on a good, heavyweight vinyl disc. There’s no warping on this one at all.

Like most of the Super Secret Records albums we’ve reviewed so far, the packaging is a bit spartan. You get the record, the download code, a record sleeve, and the lyric sheet.

Put it on the platter and enjoy.

Release: 1/27/17
Genre: I have no idea.
Label: Super Secret Records
Formats: LP/CD
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Glacially Musical Review of Quin Galavis “My Life in Steel and Concrete”

Vinyl Review: “My Life of Steel and Concrete” by Quin Galavis

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My Life of Steel and Concrete

It’s kind of true confession time.

About five or so years ago I made a discovery. On my commute home, NPR’s All Things Considered was discussing a documentary that was coming out about a man with OCD.

Up to that point, like many others, I made jokes about being OCD about this or that. It had never honestly occurred to me that I might have that particular mental illness.

As the gentleman talked about what his life was like and how he saw the world, I realized, that’s kind of what I see.

The idea that it was abnormal to take someone not giving me a courtesy wave on the highway personally was so strange. That’s how it always had been for me. Rudeness, inconsideration, etc they get me and as someone on the internet, I tend to get put off.

Most people will never understand this. The folks I know, when someone on the street says somethings stupid, they can let it go. If only it were so easy for me.

This is why My Life of Steel and Concrete really speaks to me. This album sounds like the way I feel. Galavis is speaking directly to me and my personal maladies.

It’s haunting.

Normally, lyrical content means little to me. It’s kind of like the drums, there’s ok and bad for me. Here, I feel like I’ve been down this path. It’s kind of like how listening to sad songs when your’e sad makes you happy and angry songs when you’re mad makes you feel content.

Let’s speak to the music now, as your average music listener probably can’t relate to this. If you were to ask me what kind of music this is, the only answer is that it is music.

This is one of the most dynamic records I have ever heard in my life. Every track has basically a different line up.

There are songs full of crunchy guitars and dissonant guitars, but wait, there’s more!

There’s strings, horns, and sometimes even no drums, sometimes. The only consistent concept in this record is inconsistency and that’s what makes it so compelling.

There are times when this album is beautiful, time when it’s ugly, but it’s always comforting to me.

We are talking about a double EP, so we have the full glory of the gatefold cover. There isn’t a lyric sheet in the set, but everything is laid out in beautiful fonts inside the gatefold.

Even the color scheme of the album is special. The cover has a black and gold motif and the inside has a gold and black motif.

Each track has all the pertinents listed including the lineup and what instruments were used.

The outside and the inside match perfectly.

Release: Out Now

Genre: ???

Label: Super Secret Records

Formats: LP/CD/Digital

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