Tiny Mix Tapes Premieres New Adam Ostrar Track “Another Room”

Adam Ostrar to release new album Brawls In The Briar, premieres latest single “Another Room”

by DYLAN PASTURE · 

Adam Ostrar to release new album Brawls In The Briar, premieres latest single "Another Room"
Photo: George McCormack

Autumn’s around the corner, friends. If you’ve felt that calm, easy breeze rolling in these past two weeks, you know what’s up — raking up leaves, throwing on sweaters, watching football, out-of-date jokes about girls who like pumpkin spice, etc.

Now, falling into our hands like a Honeycrisp from the highest branch, Austin-via-Chicago singer-songwriter Adam Ostrar (of Manishevitz — also formerly known as Adam Busch) is blowing an ochre-tinted gust of folksy sweetness on his new LP Brawls In The Briar. Pull the wool coat from your closet and ponder the downright poetic thinning of the treetops with the Bert Jansch-plays-Tropicália-flavored “Another Room,” the record’s newest single, which we have the distinction of premiering for you today.

Brawls In The Briar arrives October 13 from Super Secret Records. Pre-order your super-secret copy right here…if you haven’t already spent all your spare cash on butternut squashes and used copies of Scary Stories to Tell in the Dark and shit.

Take Care Of Your Vascular: It is suggested to take care of your vascular health. generika cialis 20mg Powerful herbal ingredients in Freeflex herbal supplements support your body and boost health levitra sale of joints, bones and muscles. Some males could not gain or maintain erections firm enough for healthy intercourse activity. order generic viagra cute-n-tiny.com Since order cheap cialis it becomes much easier for hypnotherapists to access the memories of patients, they can easily scan through them.

Brawls In The Briar tracklisting:

01. Enemy
02. Another Room
03. Warlock
04. Spare Me
05. Drinking From A Candle
06. Hammered White And Barking
07. Cossacks In The Building
08. Hot Air
09. Boy
10. Color Of Bone
11. Cindy Tells Me

Ostrar on tour:

10.13.17 – Austin, TX – Museum Of Human Achievement (record release show)
10.15.17 – Chicago, IL – The Hideout
10.17.17 – Brooklyn, NY – Troost
10.18.17 – Brooklyn, NY- Wayward Social
10.23.17 – Charlottesville, VA – Low
10.24.17 – Athens, GA – Flicker Theater
10.25.17 – New Orleans, LA – Circle Bar
10.27.17 – San Antonio, TX – Lowcountry

Austin Jukebox #8 Press Release

USTHEM logo

The veins stay at that zone for more than 4 times, which is in charge canadian pharmacies viagra of loose erections. Here, some generic cialis overnight of the major benefits of kamagra online have been mentioned: Kamagra Online Supplies Genuine Products Men with erection problem can make use of anti-impotence pill but in limitation as it over intake may result with health complications. You don’t have to reside in agony because buying viagra in canada you have not been examined out effectively by a health care expert. Coffee Morning cup of coffee is more than http://djpaulkom.tv/cbd-oil-in-brand-brand-new-orleans-louisiana-3/ levitra 60 mg a satisfying wake-up call.

FOR IMMEDIATE RELEASE:
August 30th, 2017
Austin Jukebox live series announces eighth event:
90s Aussie indie-rockers The Moles rare appearance, The Revelators (Crypt Records), blues guitarist Sonny Rhodes, The Dropouts
Hear & share The Moles Tonight’s Music album (Spotify)
 Austin Jukebox announces the latest in their quarterly series of curated shows featuring very special guest performances and hand-picked performers for each event. Austin Jukebox #8 takes place Friday, September 8th and features 90s Australian indie rockers The Moles (led by heralded musical genius Richard Davies) playing Austin for the first time, Crypt Records’ seminal garage rock outfit The Revelators, lap steel blues guitarist Sonny Rhodes and San Antonio garage rock band The Dropouts playing their first show in 20 years.
Austin Jukebox #8 is only $5 at the door (no advance tickets sold) at Beerland, Texas (711 Red River) beginning at 9pm. Event link HERE. Event poster.
Previous Austin Jukebox events have included rare appearances by proto-punk legends Pere Ubu, James Chance & The Contortions, Cherubs, Rocket From The Tombs, Cobra Verde, The Crack Pipes, Hidden Ritual and many more. For more information on the Austin Jukebox series see HERE.
The Moles were a 90s-era Australian indie rock band led by Richard Davies. 22 years after the band’s sole debut full length, Davies reignited the band with cohorts from Sugar and Sebadoh for a new album, Tonight’s Music in August 2016 (Fire Records). Listen on Spotify HERE.
The Revelators from Columbia, MO are a seminal garage rock outfit on Crypt Records, led by Austin’s own John Schooley, playing their first show in 20 years. The bass-less three piece had two notable releases on Crypt Records. The first, We Told You Not To Cross Us…, is still viewed as one of the greatest punk/garage/roots albums of all time.
Lap steel blues singer Sonny Rhodes is the legendary self-proclaimed Disciple of Blues and multiple award-nominated recording artist. Under his birth name Clarence Smith, he played bass occasionally for blues greats like Freddie King and Albert Collins. In 1958 he recorded his first single, “I’ll Never Let You Go When Something Is Wrong”, for Austin based-label Domino Records.Throughout the 70s and 80s he recorded over 200 songs as Sonny Rhodes, touring consistently to this day.
The Dropouts from San Antonio, TX were a beloved garage rock band, who now play their first show in Austin in 20 years. The band rose to prominence during the 90s garage explosion, releasing recordings on Austin/San Antonio label, Unclean Records.
For more information, contact Dave Clifford at dave@usthemgroup.com
# # #

The Fire Note Review Plax’s ‘Clean Feeling’

PLAX: Clean Feeling [Album Review]

This initiates the flow of blood to the penis of the man. generic 10mg cialis A chiropractor treats conditions such as lower back pain, nerve compression pain, purchase generic viagra hip, knee and ankle joint pain, neck joint pain, or general stiff joint pain from conditions such as osteoarthritis. So order kamagra oral jelly today to enjoy the medicine and talk to your health guide about it in order to cope with it. tadalafil cipla It is considered to be a disorder only when it is prescribed Moreover, these guidelines one needs to be careful while taking Tadalafil is that between two dosages of Tadalafil there should necessarily be twenty four hours gap. http://respitecaresa.org/job/volunteer-services-intern/attachment/222/ wholesale cialis pills

Posted on Sep 1, 2017 | 0 comments

PLAX
Clean Feeling
Super Secret Records [2017]

fire-note-headphone-approved

Who: Austin-based quasi-punk band comprised of members of Spray Paint, OBN IIIs, Skeleton and Sweet Talk.

Sound: Clean Feeling may be the best indie-punk album of 2017. Twitchy and heavy in perfect doses.

TFN Final Take: Last year I fell head over heels in love with Austin’s Spray Paint. I started with their 2016 release, Feel the Clamps, and then worked my way through their catalog of no-wave punk. When I saw that PLAX had a former member of Spray Paint, I had to listen. Once song was all it took. I was hooked.

PLAX’s sound is quite dissimilar from Spray Paint. Clean Feeling is spastic and a bit disjointed too, but is a more of a straightforward hardcore/punk sound than Spray Paint. This album is 10 tracks of fast-paced power punk rhythms and unexpected shifts. Singer Victor Ziolkowski’s voice bears a striking similarity to Parquet Courts’ Andrew Savage raspy delivery.

Mix those gruff vocals with the furious punk rock rampage and a pinch of unconventional shifts and arrangements and you have a brilliant and insanely catchy LP that soars and never bores. Nine of the 10 tracks clock in under 2 minutes and 30 seconds with the exception being the last track, “Mold.” “Mold” is 7 minutes of pure heaven. A nasty and fidgety rhythm dappled with snarling and anguished vocals all tied together underlying layer of cool synth. I cannot tell you the number of times I have been blasting this on my iPod and as soon as the track finishes, I play it again.

A few weeks ago I thought the debut of the year was a lock with Dove Lady’s album One. Now I am not too sure. Clean Feeling is about as good as you can get.

PLAX Website
Super Secret Records

Plax’s “Boring Story” the Song of the Day at KUTX

Plax: “Boring Story”

Song of the Day

PLAX: “BORING STORY”

In such situations, men are often vulnerable to alcoholism, smoking and the use of sildenafil overnight respitecaresa.org illicit drugs. This is the group of people who will tell you, “Yes, abusers can change.” They witness positive outcome changes in the batterers that they treat. viagra no prescription canada These elements are largely accountable cheapest viagra for sexual dysfunction. You can learn the tricks you can try these out cheap cialis and techniques by having a small course.

Plax is a new Austin band that shares members with a few veterans of the local punk underground: OBN III’s, Spray Paint, Dikes of Holland, and more. Their debut album, Clean Feeling, sounds lived-in too, despite the band’s young age. Singer Victor Ziolkowski–who can also be seen playing drums with Austin rockabilly queen Rosie Flores–is a gravel-throated force at the center of the Plax’s tightly-coiled songs. Despite the punk pedigree, Plax is a sharper band instead of an overwhelming one. “Boring Story” is quick and incisive, scratchy and catchy. It has the sound of a young band that knows exactly what it wants to do.

“Boring Story” appears on Clean Feeling, out now via Austin’s Super Secret Records.

–Art Levy // host, Sunday 10 a.m. – 2 p.m., producer, My KUTX

Austin Chronicle Reviews Debut Plax Album

Plax

Clean Feeling (Super Secret)

REVIEWED BY LIBBY WEBSTER, FRI., SEPT. 1, 2017

Texas Platters

Playing like a mess of raw knuckles, bloody lips, and bruised, broken noses, the debut from Austin punks Plax seethes with wounded aggression. A restless thrashing that times out under a half-hour, Clean Feeling is predominantly confrontational. Victor Ziolkowski more often than not screams at a “you,” his hoarse bark commonplace in the local quartet’s sinister world, even-keeled and monotone in its combative consistency. Steely and unwavering, his narrator serves as a foothold as the instrumentation explodes into chaos around him.

No song here reaches the three-minute mark save for seven-minute closer “Mold,” infusing the album with a brash, heightened intensity. Both “In a Web” and “Mistake” skew inward, the former riddled by anxiety and tangled in doubt, steered by a drumbeat like fists beating into your skull. “Mistake” wanders down the same path, getting one last fix for a chronicler who’s self-aware enough to loathe himself while doing it. “Location” features truly brutal drumming courtesy of Marley Jones from OBN IIIs, while Spray Paint’s Chris Stephenson brings signature unease to his angular guitar. OBN IIIs’ Michael Goodwin totes thrumming, punching basslines.

On the pulsating “Black and White,” a mere 50-second track bursting through the middle of the disc, the vocals remain steadfast in pacing, discernible and unrushed amidst a rapid, propulsive mania, which contrasts to “1×1” veering away from the breakneck pace of Clean Feeling, instead stopping and starting, slowly slogging forward as machinery beeps and whirrs to fill out the song.

“Each breath I take disappears,” insists Ziolkowski as the tense, gritty guitars and buzzing slowly overtake his voice.

***.5

Stream Entire Cruel Whip Debut Album Now

Stream – Cruel Whip – Fatal Man (Self Sabotage)

ILYA

It is the odd occasions where we exhibit dysfunctional behaviour that can have a high negative impact on our career. levitra samples free But let’s be honest manliness is not a quality that can be quantified so associating with ED is just plain ridiculous. canadian viagra sales deeprootsmag.org These effects are usually mild to moderate and Caverta 100mg tablet enables men with impotence to attain the hard state of the best price tadalafil male reproductive organ. It is used by millions of patients around the cheapest levitra pills world.

Stepping away from his mic-destroying duties in Austin punk band Xetas, David Petro becomes Cruel Whip, a half-man/half-cyborg scoring a soundtrack to a weird future.

6 tracks of Cruel Whip‘s debut are filled to the brim with bone-rattling percussion as well as jarring noises and glitches of unimaginable variety. There’s a dash of melody to be found underneath the grimy surface with Consumption sounding like a radio broadcast from a distant planet and Table of Drops being a secret electropop hit from another dimension.

For the most part, however, Fatal Man sticks to the principles taught by the likes of SPK, Einsturzende Neubaten and Throbbing Gristle. Menacing, mechanical and downright sinister at times the album leaves little room for contemplation – nothing short of a total war, indeed.

Pre-order cassette

Pre-order digital