The Moles’ ‘Code Word’ Reviewed By Dagger Zine

The Moles- CODE WORD (SUPER SECRET RECORDS)

Wow, Aussie expat Richard Davies (who’s been living in Massachusetts for years) is back with a new Moles record. The Moles fabulous debut, Untune the Sky was a revelation for me when I heard it back in the mid-90’s as was his next project, the great Cardinal (with Eric Matthews). This time he’s back with a record as varied and disparate as anything he’s ever done. However despite having several different Moles lines up (Austin, NYC, Detroit, Mexico City and two in Massachusetts, Somerville and Easthampton, for all of the different lineups that recorded the record). Honestly, he doesn’t sound like he’s lost a step as the songs are rough and nimble, bumping up against each other and then waltzing down the aisle (don’t mind if I do). Opening cut “Moon in the Daytime” chugs along with some real panache while “Delicate,” despite its title, shows a more garagey side of the band with a rawer sound and “Queen Anne” is as off-kilter as anything Davies has ever done (as is the title track). Elsewhere don’t miss the uke-soaked “Riptide” or the odd, choppier “Punk On All Four Tracks” and the Soft Boys-esque “Prison Girls” as well. There’s even a song called “Richard Davies 6.0”) and that final song “Gudbuy T’ Jane” which is just awesome. I’m not sure if Davies has been working on these songs since the last Moles record or if he whipped this batch in the past year or so but it’s a mostly terrific batch of songs birthed as only they could be by their enigmatic creator. Hail Sir Richard (or at least buy him a coffee the next time you happen to see him). www.supersecretrecords.com

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Stream New Moles Album, Code Word, Exclusively at BrooklynVegan

The Moles releasing new LP ‘Code Word’ (stream it)

By Bill Pearis October 17, 2018 9:27 AM

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code-word

Australian quirky pop maestro Richard Davies is back with Code Word, the first new album from The Moles in two years. (Which comes a lot sooner than than the one before that.) Davies made it with multiple Moles lineups in a few far-flung locations:

NYC Moles: Richard Davies, Matt LeMay, Jason Sigal, Pete Hilton, Henry Freedland, Danny Bowman
Detroit Moles: Richard Davies, Matt Smith, Chris McCinnis, Alexander Glendening, Pete Steffy, Scott Michalski
Austin Moles: Richard Davies, Steve Patterson, Wil Hendricks, Michael Krassner, Adam Ostrar, Will Courtney
Mexico City Moles: Richard Davies, Steve Patterson, Wil Hendricks, Michael Krassner, Adam Ostrar, Will Courtney, Rodriguez, Alejandro Romero, Rios, Juan Delacruz
Easthampton Moles: Richard Davies, Bob Fay, Andy Goulet, Will Courtney
Somerville Moles: Richard Davies, Dan Rosenthal, Bill Lowe, Mark Zaleski, Russ Gershon, Blake Newman, Luther Gray, Will Courtney

The record’s 16 tracks are nearly as disparate, from the Flying Nun style indie rock which typified The Moles’ classic Untune the Sky, to southern-fried boogie, bluesy garage rock, power-pop, jazz, psych folk, and everything in between, while Davies’ unique approach and distinctive vocals tie everything together. Like his pal Robert Pollard, Richard is a one-of-a-kind. Code Word is out this Friday via Super Secret Records but you can listen to the whole thing right now — a stream of the LP premieres below.

The Moles played Brooklyn’s Union Pool earlier this month and their only other upcoming show is in Austin, TX on Thursday, October 18 at Beerland.

The Moles’ “After May” Premiered At Austin Town Hall

THE MOLES SHARE AFTER MAY

October 16, 2018 nathan.lankford

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Richard Davies is one those songwriters who is adored by other songwriters; he’s made claim that Cobain and Pollard have both fallen in love with his music at some point or another…and now he’s releasing a double album with his band The Moles. The group of musical rabblerousers has members in various cities across the globe, which will allow them to perform songs from Code Word in various locales. Luckily for you, we’ve got a preview of one of the album tracks. “After May” is a bit of a ballad, with Davies working calmly over a strummed guitar with some space-aged electronic noodling cutting in and out; it gives the tracks just the faintest whiff of peculiarity. It’s just a small taste of what Richard can accomplish, and with a slew of contributors, each listen is likely to be as varied as the new LP; it drops this Friday via Super Secret Records (with an ATX Beerland show on Thursday).

PopMatters Premieres The Moles’ “Moon In The Daytime”

The Moles Return With Powerful, Brilliant New LP, ‘Code Word’ and New Single “Moon in the Daytime” (premiere)

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Jedd Beaudoin

15 Oct 2018

One of the most inventive bands to emerge from Australia in the 1990s, the Moles get a new lease on life in 2018 with various lineups, searing new tunes destined for your autumn/winter playlists.

Code Word is the new double LP from the Moles. The record arrives 19 October via Super Secret Records and may be pre-ordered here. The record is the band’s first 2016’s Tonight’s Music. This time out, band leader Richard Davies assembled multiple versions of the band from a variety of locations including Detroit, New York City, Austin, Texas, Mexico City, Easthampton, and Somerville. The result is a collection that’s right in tune with classic Moles sounds while carrying the group right to the edge of 2019.

The opening “Moon in the Daytime” is a rollicking pop-rock effort that imagines a hybrid of the Byrds and Guided By Voices (Davies collaborated with GBV’s Robert Pollard in 2009 under the moniker Cosmos.) Meanwhile, “Delicate” continues the psych/lo-fi/psychedelic aesthetic with a driving enthusiasm that imagines the Who having gone punk circa 1976 rather than evolving into an increasingly reflective and mature unit. “Cheaper to Keep Her” could be an obscure single by some forgotten UK act in the flavor of the Bevis Frond. Of course, those are touchstones, and the record is nothing less than what stalwarts would expect from the Moles: A full-on aural assault that’s tuneful, adventurous and filled with wild, wild imaginings.

In case anyone doubted Davies and his roots, a spot-on cover of Slade’s “Gubuy T’ Jane” reminds us that Noddy Holder and friends were as instrumental to glams rise as Bowie, Bolan or Sparks. You can hear further evidence of Davies’ particular genius in the trippy “Ancestors”, the delightfully strange “After May” and the titular piece which, once more, makes a case for further exploration of the missing links between indie and progressive rock.

Formed in Sydney, Australia in 1990, the group released an EP and one full-length, moving to New York, London, before unraveling in 1993. One more LP followed before Davies put the band to bed in 1996, only to reignite the flames of inspiration some 22 years after the debut utterance.

In the end, Code Word is a perfect reminder that Davies and the Moles (regardless of iteration) are as innovative as they are familiar, as sweet as they can be biting, as tuneful as they can be filled with abandon. This collection seems destined to garner the Moles a new group of devoted followers and pique the interest of those who have been there from the start.

Austin Jukebox #8 Press Release

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FOR IMMEDIATE RELEASE:

August 30th, 2017

Austin Jukebox live series announces eighth event:

90s Aussie indie-rockers The Moles rare appearance, The Revelators (Crypt Records), blues guitarist Sonny Rhodes, The Dropouts

Hear & share The Moles Tonight’s Music album (Spotify)

Austin Jukebox announces the latest in their quarterly series of curated shows featuring very special guest performances and hand-picked performers for each event. Austin Jukebox #8 takes place Friday, September 8th and features 90s Australian indie rockers The Moles (led by heralded musical genius Richard Davies) playing Austin for the first time, Crypt Records’ seminal garage rock outfit The Revelators, lap steel blues guitarist Sonny Rhodes and San Antonio garage rock band The Dropouts playing their first show in 20 years.

Austin Jukebox #8 is only $5 at the door (no advance tickets sold) at Beerland, Texas (711 Red River) beginning at 9pm. Event link HERE. Event poster.

Previous Austin Jukebox events have included rare appearances by proto-punk legends Pere Ubu, James Chance & The Contortions, Cherubs, Rocket From The Tombs, Cobra Verde, The Crack Pipes, Hidden Ritual and many more. For more information on the Austin Jukebox series see HERE.

The Moles were a 90s-era Australian indie rock band led by Richard Davies. 22 years after the band’s sole debut full length, Davies reignited the band with cohorts from Sugar and Sebadoh for a new album, Tonight’s Music in August 2016 (Fire Records). Listen on Spotify HERE.

The Revelators from Columbia, MO are a seminal garage rock outfit on Crypt Records, led by Austin’s own John Schooley, playing their first show in 20 years. The bass-less three piece had two notable releases on Crypt Records. The first, We Told You Not To Cross Us…, is still viewed as one of the greatest punk/garage/roots albums of all time.

Lap steel blues singer Sonny Rhodes is the legendary self-proclaimed Disciple of Blues and multiple award-nominated recording artist. Under his birth name Clarence Smith, he played bass occasionally for blues greats like Freddie King and Albert Collins. In 1958 he recorded his first single, “I’ll Never Let You Go When Something Is Wrong”, for Austin based-label Domino Records.Throughout the 70s and 80s he recorded over 200 songs as Sonny Rhodes, touring consistently to this day.

The Dropouts from San Antonio, TX were a beloved garage rock band, who now play their first show in Austin in 20 years. The band rose to prominence during the 90s garage explosion, releasing recordings on Austin/San Antonio label, Unclean Records.

For more information, contact Dave Clifford at dave@usthemgroup.com

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