Tag: Brawls in the Briar

Adam Ostrar and Jerry David DeCicca To Tour West Coast

Adam Ostrar and Jerry David DeCicca are heading out to the West Coast next month in support of their recent albums (Adam’s Brawls In The Briar and Jerry’s Burning Daylight). Be sure to catch them in a city near you:

Dec. 15: Tucson, AZ @ EXO
Dec. 16: Phoenix, AZ @ Cibo
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Dec. 18: Oakland, CA @ Octopus Lounge
Dec. 19: Cottage Grove, OR @ Axe and Fiddle
Dec. 20: Portland, OR @ Turn Turn Turn
Dec. 22: Seaview, WA @ Sou’wester Lodge

Adam Ostrar Summer 2018 Tour Dates

Adam Ostrar Summer 2018 Tour Poster

Don’t miss Adam Ostrar on tour this summer in support of his album, Brawls In The Briar!

6/7 Tulsa, OK @ The Beehive Lounge | RSVP

6/8 Fayetteville, AR @ La La Land Gallery | RSVP
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6/10 Chicago, IL @ The Hideout | RSVP

6/11 Bloomington, IN @ Blockhouse Bar | RSVP

6/13 Columbia, MO @ Cafe Berlin | RSVP

Adam Ostrar to Tour Western US!

Adam Ostrar is hitting the road again, this time to the West Coast, in support of his sophomore effort, ‘Brawls In The Briar’! Be sure to catch him in your city. Not coming through your area? We still have copies of his album for sale on both CD and vinyl (standard weight and 180g) at our webstore!

Adam Ostrar

Jan. 29 – Austin, TX @ Volstead Lounge
Feb. 1 – Tucson, AZ @ Saint Charles Tavern
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Feb. 3 – Los Angeles, CA @ House Show
Feb. 5 – Portland, OR @ Turn! Turn! Turn!
Feb. 6 – Seattle, WA @ Vermillion Art Gallery & Bar
Feb. 7 – Phoenix, AZ @ Cibo Carriage House

Ink 19 Review of Adam Ostrar’s ‘Brawls In The Briar’

Adam Ostrar

Adam Ostrar

Adam Ostrar

Brawls In The Briar

Super Secret Records

Ok, bear with me here, because this might get confusing. Adam Ostrar – nee Adam Busch when he headed up bands such as The Curious Digit and Manishevitz – has a made a record that at first glance looks like a folk release. From the title Brawls in the Briar, to the rustic, wood-grained cover and the delightful hand-drawn images of dogs, ghosts and a tea service on the liner notes, you might think this was a strum-strum record of fireside singalongs.

Well, until you played it, that is. The opening cut, “Enemy” establishes the mood of the record with a low-key, Lou Reed-ish guitar pattern atop an insistent piano figure that lets Ostrar’s somewhat unsettling vocals to pull you along. The entire record never raises above a whisper, and becomes ever more ominous as it goes. Imagine putting the original line-up of the Velvet Underground in a cabin along with Young Marble Giants and making them share an amp. (Told ya it might get confusing). Now, at times Ostrar unleashes some Frippish guitar histrionics, but they are masterfully subdued. The record reminds at points of English art rock, such as Roy Harper on Bullinamingvase or perhaps more sedate Julian Cope, and the record ends with a cover of Eno’s “Cindy Tells Me” from his 1973 masterwork Here Come The Warm Jets.

Brawls in the Briar isn’t what you’d expect at first glance, but as someone wise once told me, you can’t judge a book by looking at the cover. This is a stunning work of low-key drama and mystery, full of hidden places and surprising touches. I can’t wait to hear more from Adam Ostrar – or whatever he goes by the next time out, because this music is damn near flawless.

supersecretrecords.com

James Mann

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Adam Ostrar Featured on WXPN’s The Key Playlist

Adam Ostrar has been featured on WXPN’s The Key (a monthly music column) Spotify playlist for 2017! Here’s what they had to say about Adam’s latest album, Brawls in the Briar. The Spotify playlist can be found here and the full article is posted here:

11. Adam Ostrar – “Warlock”

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Have we had enough with the weirdos?  This likeably low-key, apparently well-adjusted songwriter has been kicking around for quite some time – I first encountered (and wrote about) him over fifteen years ago, as the driving force behind the nifty Chicago-based indie outfit Manishevetz, and he’s had several other bands over the years – but the just-released Brawls in the Briars is his first solo project to see wide release.  In fact, it’s the first record ever credited Adam Ostrar: he’s always used his original surname, Busch, until changing it recently so as to avoid confusion with a different Adam Busch.  How mild-mannered and non-confrontational!  That may just be a coincidence, but the record does have a certain sense of freshness about it; like a hopeful new beginning.  It’s nothing revolutionary – just some sweetly tuneful indie folk with a few jazzy flourishes here and there – but Ostrar/Busch has a fine way with melody, and several numbers here – including this one, which gives the record its title – are more than liable to lodge in the old cranium.

GIGsoup Reviews Adam Ostrar’s Brawls in the Briar

Originality80
Lyrical Content75
Longevity70
Overall Impact70
Reader Rating0 Votes0
74
Ostrar mixes referential and autobiographical themes, confirming definitely that the most amazing feature of an author is how music, but also art in general, could be a personal way to cure and release ourselves

Songwriter and veteran band leader of the last twenty years Adam Busch alias Adam Ostrar has released his second solo alternative-folk record ‘Brawls In The Briar’.

The opening is with the melancholic ‘Enemy’. During all this piece, the bass guitar seems to predict that something is happening, that someone is coming and we can only wait for in a state of fluctuating suspension. Maybe, is it truly the enemy?

Closing eyes while listening to ‘Warlock’, it’s easy to go back until the vintage folk of 50’s-60’s American western movies, watching a cowboy with a white horse riding to discover the horizon and beyond (“And now you are riding into the great beyond”).

With ‘Cossacks in the Building’ the author deals with political matters straight lived by his family: “I remember my grandfather telling me who the Cossacks were and what a pogrom was. I know there was a pogrom history on his side of the family, and his parents and aunts and uncle ultimately immigrated to the U.S. in the early 1900s because of persecution.” (Supersecretrecords.com). The reference is about the Russian meddling in U.S. elections and of course, you if you’re from a family that has already felt the heavy hand of Russian authoritarianism and racist scapegoating, this is doubtless a little more creepier for you.

On Supersecretrecords.com, Ostrar also talks about the recording: “Point being, there aren’t any distractions. We recorded it live, all in the same room. I guess I made a record the way lots of people have made records, but it was a first for me. I’m used to piecemeal recordings and piecemeal recording budgets.” And also: “I wrote the bulk of the songs in 2016, which was collectively an awful year for obvious reasons. I was also experiencing cognitive dissonance unrelated to the election, personal stuff. All of it worked itself into the material. I suppose the backdrop of 2016 is the briar. The songs are the brawls.”

Ostrar mixes referential and autobiographical themes, confirming definitely that the most amazing feature of an author is how music, but also art in general, could be a personal way to cure and release ourselves.

This album feels like a secret album that people make, in some way, as their own.

‘Brawls In The Briar’ is out now via Super-Secret Records

Adam Ostrar