Tag: Ti Bon Ange

Suspirians’s “Fortune Spider” Premiere

Premiere: “Fortune Spider,” by Suspirians

(Originally posted here)

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06.01.17
Text by Jamie Ludwig
Image courtesy of the artist
 

Suspirians formed in 2013, but the connection between the Austin, Texas-based bandmates —guitarist/vocalist Marisa Pool, bassist/synths Stephanie Demopulous, and drummer Lisa Cameron—extends back to the 1990s, when they got to know each other through their involvement in their city’s music community.

“That’s what everybody did in Austin then,” Demopulos says. “You didn’t have to spend all your time working so you would have a place to live, and you had more time to devote to your own and other’s endeavors. A lot of people from that time are still very involved in the music scene here and the three of us certainly are. The Suspirians are a product of that, I think.”

Being a product of your community means being impacted (directly or indirectly), by the sounds, atmospheres, and people around you. For Suspirians, the rich cultural fabrics of their surroundings serves as both inspiration and a starting off point for their musical adventures. “I would add psychotic to psychedelic, and that would be a more accurate description of the old Austin music scene,” Pool says. “If we carry on any of the local traditions or attitudes, an example would be that of raw, noisy rock, a la Scratch Acid. But we are Austin oak trees we have roots growing here. I would say we take all of the aspects of our varied local influences in the Austin underground and make it our own. I don’t think that we bring anything to the party that is totally new other than our individual experiences and how they combine mathematically in our music—The formula can get quite epic and sincere.”

Following a self-titled album in 2014, Suspirians will release their newest collaboration, Ti Bon Ange, on June 2 via Super Secret Records. The title comes from the literal translation of Haitian voodoo term for “little good angel,” but sinking into the record’s enticing, offbeat blend of psychedelic rock, post-punk, garage, 60s pop, and more, one gets a sense that its creators might not be so angelic themselves. “One of my favorite things about being in the band is that we are open to so many different influences and really nothing is out of bounds,” Demopulus says, citing shared inspirations such as Stooges, Hawkwind, and PIL, visual artists such as Maya Deren, and even rock and pop pioneers like Link Wray and the Shangri-Las as adding color and texture to the album’s heady sounds.

But while much of Ti Bon Ange is distinctly noise- and riff driven, Suspirians chose to kick things off with the comparatively soothing fuzz of “Fortune Spider.” “A fortune spider is a part of you. It’s psychic feminine knowledge. It’s being joyous in your complexity and dancing through the dark shit of life. It is a great opener in my opinion because it’s sets a hypnotic tone for the record, and it’s a side of Suspirians that only shows up once,” Pool says.

Check out “Fortune Spider” now. Ti Bon Ange is available for pre-orders now.

 
 

Black Hole Suspirians – An interview

Black Hole Suspirians

Epic track previews ATX trio’s heavy second record

(Originally posted here)

BY KEVIN CURTIN, 1:10PM, TUE. MAY 30, 2017

Turns out the skeletal garage shriek, post-punk, and art rock accord of Suspirians’ eponymous 2014 debut merely showed off their first gear. The Austin threepiece throws into overdrive on Ti Bon Ange, a roaring expedition of spellbinding psych punk. Today, singer and guitarist Marisa Pool discusses the transformative new LP.

Crystal hippies? (l-r) Lisa Cameron, Marisa Pool, and Stephanie Demopulos (Courtesy of US/THEM group)

Austin Chronicle: Ti Bon Ange smashes the template laid out by your first album – longer songs, driving rhythms, and an all-around heavier sonic command. What changed in Suspirians’ creative vision?

Marisa Pool: What you get on the first record is the intention of Suspirians. Most of the songs were written before we were a band and it was a solid foundation for us to grow. You can actually hear the beginnings of the new sound on the first record during the song “Whatcha Do?” At the end of the song, we open up a bit. That was the song that sparked this new sound. It was already in there, hiding.

We really didn’t specifically set out to change all that much. It was a natural progression. We were just continuing to play and write, and trying to find a new drummer. That’s when the muses gifted us Lisa Cameron and it was obvious we were meant to make another record. Her style fit seamlessly with the intuitive and automatic direction [bassist] Stephanie [Demopulos] and I were already going in and are still exploring. So when we got the opportunity to make Ti Bon Ange, we took it and went into the studio with the material we had and an anything goes mentality.

All of the changes that occurred were products of inspiration we had at the time, including Lisa’s drumming and our engineer Evan Kleinecke helping us dial in some guitar and synth sounds. We just tried to take advantage of the access to the studio and also incorporate other influences we have such as noise and experimental music. We all enjoy that, as well as other approaches to the creative process like synchronicity and cut-up method. The experience of making this record was transformative and Ti Bon Ange is a reflection of that. Creatively, we had to open up completely to make it and are a better band now because of it.

AC: Tell us about the title, Ti Bon Ange.

MP: Ti Bon Ange was inspired by a book both Lisa and I read called Divine Horsemen, written by the filmmaker Maya Deren. It’s a voodoo term meaning “little good angel” and is meant to represent a part of your soul that possesses your individuality and willpower. It also leaves the body to make room for you to dream or be possessed during a ritual.

The book is beautiful and the ideas really resonated with me at that time. I felt this record could represent that idea – a space for a listener to be possessed by imagination and allow themselves to emerge as something else for a while, not unlike a mambo priestess dancing to voodoo drums. It’s the creative energy that lives both inside and outside of you, crossing between the planes of consciousness, opening a door to the divine dimensions.

AC: We’re premiering “Back Holes,” the album’s epic and melodic centerpiece. What can you tell us about it?

MP: “Black Holes” is a song about decay, emptiness, acceptance, and submission – reveling in the mysteries of dark energy and the power of surrendering to one’s insignificance. Ascension. If MC5, Neil Young, Joy Division, and Sun Ra had a song baby, it would be “Black Holes.”

Ti Bon Ange arrives June 9 on Austin’s Super Secret Records. Suspirians punctuate its release with a show that same Friday at Electric Church alongside Big Bill, Soaked, and Soda Lilies.

Suspirians Song Premiere for “Moonwave”

Suspirians
“Moonwave”

(Originally posted here)

by RICK WEAVER ·

We’ve seen it before. Sardines praise God when the key twists the tin back. The wind blows the long brown locks of the prisoner’s hair as he breathes the fresh blue air. Out in the plains, the clouds break up. Now we’re free.

Coastline, coasting, cruising, streamline, airborne, horizon. Talking vast talk. When did the scope of rock move from the dance hall to the big round ball? Suspirians might know. We’ll have to get to command center first to find out where their transmission is coming from. Right now, out in the plains, their transmission is deafening. Some of that universal surround sound must have bounced off a canyon somewhere.

The eyes see you. The eyes are everywhere, orbitting; they all belong to the same entity. Image is conveyed to the command center, turning vision into Big Sound, an earthly and epic sound.

Vitamin D in the dirt; the wheels shoot the dirt through the window and into your mouth like Skittles. Don’t have to stop moving to take a leak. The sky is hot blue but turning white, brighter and brighter. 93 mph. The road pushes the bumper, the light pulls the fender. Behind the wheel, you do very little to contribute to the journey except root around for your lost pair of sunglasses and eat dirt.

The Suspirians are Marisa Pool, Stephanie Demopulos and Lisa Cameron. Their second album, Ti Bon Ange (Super Secret Records) will be released June 9.

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Review: Suspirians – Ti Bon Ange

REVIEW: SUSPIRIANS – TI BON ANGE

(Originally posted here)

Danny RayMay 16, 2017

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There must be something in the water in Austin, Texas. Female three-piece Suspirians are here to dispel the theory that the lone star state is all about ranches, cook outs, and good ol’ style Southern rock and boogie. Rather, the band appear to be oblivious to their surroundings, instead swimming in the same murky, future fearing waters as the cream of the early 1980s post punk crop.

 Following their 2014 self-titled debut, and having slimmed down from a four-piece along the way, Suspirians’ new streamlined 2017 model consists of Marissa Pool (guitar/vocals), Stephanie Demopulos (bass/keyboards), and Lisa Cameron (drums). In the interim between releases, the band has pretty much torn up their own rule book for latest album Ti Bon Ange. The relative clarity of the debut has been replaced by a foreboding insularity only previously hinted at. The leap has produced spectacular results, suggesting that their personality has come to fruition at only the second time of asking.

If seven tracks across forty minutes seems daunting, then rest assured it’s not a taxing experience: there is no fat on the bone here, what you get are several random sized chunks torn from the same slab of steak. The lengthier songs don’t outstay their welcome, and the shorter ones serve to offer brief respite. Although a cohesive body of work, reference points are varied: from Hawkwind to Joy Division, via the impenetrable sonics of My Bloody Valentine – all give a clue to what Suspirians are striving for with Ti Bon Ange.

Opener “Fortune Spider” sets their stall out early. A sour and haunting platform is laid out for Marissa to employ probably the clearest vocal delivery of the album, a luring effect that reaps dividends later on. Next track, “Nocturne”, is the most accessible thing here, it’s the come on that invites you to the couch before ravishing you with the epic “Moonwave.” Coming on like a dour, modern era Fall wrestling with Savages, this is real space age stuff. The swirl of echoing vocals and fuzz plant you back firmly in the ’80s, with just enough of a whiff of the ’90s grunge scene to keep the package edgy.

The aptly titled “Black Hole” is the point at which the album turns. No longer spectating, you are now dragged onto the playing field, dizzy, as Stephanie and Lisa create the storm within which the melee of guitars and whipping, unsettling vocals are thrown around. It’s pure unsettling joy, which doesn’t let up with following track “Clean Evil” (don’t let the great titles pass you by). Guitars escape further still from the taut hypnotic rhythmic template now established. Indeed, “Clean Evil”’s  wonderfully wiry six string collages bring to mind the free-form scrawl of the Velvet Underground’s “European Son”, with vocals dissipating further into almost incomprehensible and barely legible yowls.

After the assault of the previous three tracks, “Scarlett Sleeps”, in contrast, is all sunny and haze inducing, a chance to catch your breath and unbutton your coat. Initially, anyway, because just as you’re relaxing the song turns on a dime, and twists itself into an uneasy drama that you will not want to close your eyes on. What started innocently ends in a relentless, jarring fashion.

The closing track, “Divine Spark”, is the final spiteful kiss. Its thirty-six screeching seconds prove that the album is no fluke, they’ve cut the rope from the lifeboat and let you drift away from safety. It’s an almost flippant way to bring proceedings to an end, but damn if it doesn’t make you want to shake yourself, have five minutes’ break, and start it over. After the rather more unfocused debut Ti Bon Ange is a bold leap forward that effortlessly places Suspirians in a class of their own.

Ti Bon Ange is released on June 9th.

Suspirians: official | facebook | twitter | instagram | bandcamp

Suspirians Announce New Album

SUSPIRIANS ANNOUNCE NEW ALBUM

(Originally published here)

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Pretty sure that everyone in Austin is just out to kick a whole lot of ass this year; it seems we’ve got one great release after another, and you can add Suspirians to that list. Stuttering guitars ring loudly from the get go, as drums pound and the song takes off; it spins in a heavy space direction before the vocals begin to spin around in the mix. The group plays around with some noise, and even the volume levels, always returning to full force. It’s a trashing take-no-prisoners jam, leading one to expect that Ti Bon Ange is going to be yet another top notch hit for the local scene here; it hits in June via Super Secret Records.

 

CLRVYNT Song Premiere for “Nocturne”

On ‘Nocturne,’ Suspirians Follow Their Instincts to Psych Paradise

(Originally published here)

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Courtesy of Super Secret Records

A brief lesson in etymology: Ti Bon Ange, the forthcoming sophomore album from Austin psych-rock trio Suspirians, gets its name from the Haitian Vodou for “little good angel”: the part of the human soul that departs the body every night for a trip to the dream world. It’s an apt title, considering how the band’s heady racket isn’t too far off from having an out-of-body experience — and these three are no ordinary shamans. Guitarist / vocalist Marisa Pool and bassist / keyboardist Stephanie Demopulos are staples in the Austin psych scene, while drummer Lisa Cameron cut her teeth performing with Roky Erickson and ST 37.

Arriving June 9 via Super Secret Records, Ti Bon Ange finds Suspirians parting the psychic sea for a remarkably accessible passage: 40 minutes’ worth of feedback-drenched, brain-melting rock that straddles the line between the Stooges’ impatient punk and Erickson’s heady jams. “We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says in a press release. “We did not overthink or over-control anything on this record. It was all about going with the flow and following our instincts.” That primal approach informs “Nocturne,” the album’s new, gnarled single. Give it a spin below.

Ti Bon Ange hits shelves June 9 via Super Secret Records. Pre-order it here.