exhalants Premiere Debut Single “Latex” at Revolver Magazine

HEAR EXHALANTS CHANNEL CHERUBS, UNSANE ON FIERY NEW SONG “LATEX”

Austin melodic-noise-rock team drops first single from forthcoming self-titled debut album

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Somewhere between Unsane, Jesus Lizard and Dazzling Killmen sits Exhalants, a new Austin group comprised of members of Carl Sagan’s Skate Shoes and Body Pressure. Following in the steps of the legendary Cherubs, Exhalants make caustic noise rock with melodic inflection, reminding you that it was their hometown that gave birth to all of the above, as well as the legendary Scratch Acid.

Exhalants are preparing to release their new self-titled record on August 25th via Self Sabotage, a ten-track effort recorded and mixed in Austin by Ian Rundell (Ghetto Ghouls) and mastered by Greg Obis (Yeesh). The first single is the album opener “Latex,” a clear example of not only the band’s unique take on their influences, but also their ability and potential live firepower.

Letters From A Tapehead Premiere “Black Tar Caviar” From The Young Mothers

Online Sounds: The Young Mothers — “Black Tar Caviar” (Single Premiere)

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The Austin-based experimental sextet known as The Young Mothers are releasing their second album this week, Morose.

Currently based in Austin, The Young Mothers tie together backgrounds as regionally varied as Texas, Chicago, New York, and Norway, engaging their multiple influences into a cross-genre synthesis of protest music and aural turbulence.

As if to illustrate this perfectly, for the single “Black Tar Caviar,” The Young Mothers compose a discordant, rhythmic tug of war that attempts to merge jazz-based improvisation with the bare-knuckle assault of hardcore or powerviolence. Somewhat akin to the avant sonics and noise-fetish brass explorations of John Zorn, especially for its frenzy of a finale, “Black Tar Caviar” pairs confusion and aggression in a compelling way, pitting the avantgarde against the underground and reveling in the forms’ rejection of each other. Those opening Albert Ayler-styled sax notes almost seem like a red herring, the steady pulse of a hi-hat sounding tin-like against the phrases of wailing brass that stretch for more than half the track until vocalist Jawwaad Taylor finds his cue. “No rest for the weak/No power in the streets,” Taylor speaks, a throbbing bass riff and percussion section emerging and remaining locked into its pattern despite the scream-laden sections of high tempo violence.

“Black Tar Caviar” is featured on Morose, which will release this Friday, June 22nd via Self-Sabotage Records. The album is currently available for pre-order at this link: https://selfsabotagerecords.bigcartel.com/product/the-young-mothers-morose

You can listen to the track below:

All links, images, and information come courtesy of Us/Them Group.

On the Web:

www.theyoungmothers.com
www.supersecretrecords.com

Artist: The Young Mothers
Album: Morose
Record Label: Self Sabotage Records
Release Date: June 22nd, 2018

01. Attica Black
02. Black Tar Caviar
03. Bodiless Arms
04. Francisco
05. Untitled #1
06. Jazz Oppression
07. Morose
08. Osaka
09. Untitled #2
10. Shanghai

Sincerely,

Letters From A Tapehead

Skeleton Premiere “Dystroy” at Austin Chronicle

Skeleton Dystroys

New EP precedes transformation into… metal

BY KEVIN CURTIN, 11:30AM, MON. JUN. 18, 2018

Following a pair of ferocious flexi discs, Skeleton returns with its third self-titled release in as many years: a pummeling, four-song 7-inch that arc welds menacing hardcore punk with D-beat, sludge, and metal influences.

Skeleton: (l-r) David Ziolkowski, Victor Ziolkowski, and Alex Recide (Photo by Daniel Di Domenico)

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The Austin trio, whose medieval imagery signifies a blunt force approach to music, cut the EP with homegrown DIY visionary Orville Bateman Neeley III (OBN IIIs, Bad Sports) at the controls.

“About eight years ago, a friend took me to see A Giant Dog play at the old Emo’s,” says Skeleton singer/drummer Victor Ziolkowski(Plax, Nosferatu, Enemy One), who plays alongside his brother, guitarist David Ziolkowski (Army, Residual Kid), and bassist Alex Recide (Nosferatu, Recide). “I looked at Orville as being one of the only drummers I enjoyed watching in that whole realm of music. He hit hard and he was so solid. He recorded our first flexi, as well as an Impalers record I like, and I like the sound he got, so it made sense to go back.”

Ziolkowski confirms that after this, Skeleton will make an about-face and become a metal band.

“We want to stair-step into metal,” he says. “We’re already recording an LP that isn’t going to have a punk sound at all.”

Thus, enjoy their bulldozer punk in the short term. Today’s song premiere, “Dystroy,” blasts forth a breakneck beat, roaring vocals, and a prominent two-note, string-bending guitar riff that serves as the song’s hook. Skeleton’s first circular effort (the flexis are square) arrives via Super Secret Records June 30. You can pre-order it here and see Skeleton in action on that same date at Barracuda with Webbb, Enemy One, and Filthy.

Treble Magazine Premiere The Young Mothers’ “Morose”

Premiere: Young Mothers create a buzzing punk-hip-hop sound on “Morose”

By: Jeff Terich

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On Friday, Young Mothers release their new album, Morose, via Self Sabotage. The Austin-based collective features musicians who have performed with the likes of Shape of Broad Minds, White Denim, William Parker, The Thing and others, and it’s an eclectic work that combines elements of hip-hop, jazz, rock and various other elements into an intricate and expansive musical whole. Today, Treble premieres the title track, which is an intense and buzzing psychedelic hip-hop track, far more intense than the other tracks on the album but with much of the same exploratory spirit and subtle layers. It packs a punch, but it’s worth listening closer to pick up on some of the nuanced details. Listen to the Young Mothers “Morose” stream below.

Young Mothers Morose tracklist:

1. Attica Black
2. Black Tar Caviar
3. Bodiless Arms
4. Francisco
5. Untitled #1
6. Jazz Oppression
7. Morose
8. Osaka
9. Untitled #2
10. Shanghai

Pop Matters Exclusive Premiere of The Young Mothers’ “Attica Black”

Avant Hip-hop Outfit the Young Mothers Deliver “Attica Black” (premiere)

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Jedd Beaudoin

21 May 2018

Photo: Peter Gannushkin / Courtesy of Us/Them Group

EX-WHITE DENIM, FREE RADICALS, SHAPE OF BROAD MINDS MEMBERS TEAM OF UP AS THE YOUNG MOTHERS FOR AN UNBRIDLED TRACK FROM NEW LP, MOROSE.

Self Sabotage unleashes the new effort from the Young Mothers, Morose, on June 22. If new track, “Attica Black” is any indication, the full album promises to be a dose of highly experimentally yet deeply focused material that take up issues of social justice and the darker sides of our times. There is a heaviness that lurks at the tune’s corners and an unapologetic ferocity at its center as the song moves this way and that across its seven-plus minutes, prodding and poking the listener toward confrontation, toward leading one’s self in a kind of inner revolution that might ultimately spur a larger, external one.

Members of the Thing, White Denim, MF Doom, and Akkolyte have come together under this (relatively) new roof to create a sound that blends free jazz and hip-hop, seeing no distance between them. There is room for other music, soulful variations on worldwide sounds, deviations and corruptions as plentiful and bountiful as the mind might allow. Latin fuses with African fuses with European and on and on until there is no distinction.

Having come together in 2012 and take its name from a Houston, Texas community project for teen mothers, this uncompromising group of players delivers an unforgettable listening experience that listeners will doubtless be parsing for some time to come.

Morose will be available on LP, CD and download on 22 June via Self Sabotage Records. (Pre-order at Big Cartel-Self Sabotage).

Ghost Cult Mag Exclusive Stream of New Randall Holt Single

EXCLUSIVE TRACK PREMIER: Randall Holt – I Felt Safe Again And Was At Home

Posted on April 11, 2018 by Keefy

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Austin Texas-based classical and experimental cellists, Randall Holt may not be a household name to some, but fans of underground music surely have heard his work. In addition to being a member of a member of Knest (with Thor Harris & Jonathan Horne) and Horne + Holt. Randall has also played in Reverend Glasseye, and collaborated with Godspeed You! Black Emperor, Yann Tiersen, Eric McFadden Trio and jazz composer Adam Rudolph. Having released his current album (digital only) in March 2016, Inside The Kingdom of Splendor and Madness on Self Sabotage Records, next week will see the release of the album on cassette and compact disc. To celebrate Ghost Cult has teamed up with this important artist to bring you his new single, ‘I Felt Safe Again And Was At Home’.

Pre-order:http://selfsabotagerecords.bigcartel.com/product/randall-holt-inside-the-kingdom-of-splendor-and-madness

Personnel:

Randall Holt — cello

Recorded, mixed and produced by Chico Jones at Ohm Recording Facility, Austin TX

Mastered by Jerry Tubb at Terra Nova Digital Audio, Austin TX

Photo by Renate Winter

SS-03
2016 Self Sabotage Records