Salt Peanuts Praises The Young Mothers’ ‘Morose’

THE YOUNG MOTHERS

«Morose»
SELF SABOTAGE RECORDS, SS23

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Norwegian bassist Ingebrigt Håker Flaten, co-founder of seminal Scandinavian groups as The Thing and Atomic, formed The Young Mothers after relocating to Austin, Texas. This Texan sextet was titled after after a Houston community project for teen mothers that Flaten’s then-partner worked with. This title captures the spirit of this group that embraces and nurtures a hyperactive fusion of sonic approaches – free-improv that meets tough hip-hop lyrics, Tejano-inspired horn lines mixed with soul jazz and Ethio-jazz quotes and surf rock that collides with metal.

«Morose» is the sophomore album of The Young Mothers, following the self-released «A Mothers’ Work Is Never Done» (2014). This album was recorded in the middle of 2016 and early 2017 after the group completed few tours in United States and Europe, solidifying its explosive interplay. The line-up remains the same – Flaten on acoustic and electric basses; drummer Frank Rosaly, the only non-Texan player, a Chicagoan now based in Amsterdam who has played in Flaten’s defunct Chicago Sextet; Dallas-based, vibes player-drummer Stefan González, known from the Yells At Eels; Houston-based sax player Jason Jackson; Austin-based guitarist Jonathan F. Horne, known from the group Plutonium Farmers; and Houston-based hip-hop artist, trumpeter, electronics player (and social activist) Jawwaad Taylor.

The distinct sonic approaches keep crisscrossing and merging into each other constantly in the most natural manner, offering a peaceful co-existence. The Young Mothers simply claim that superficial genre labels don’t mean much anymore and even in the volatile, urgent microcosm of The Young mother there is enough room for all. This sextet does not leave you any choice but to surrender totally to the infectious, groove of «Attica Black». Before realizing it you may find yourself dancing or moving your limbs involuntary to its fierce and intense free-jazz freak out. «Black Tar Caviar» blends Gato Barbieri-like soulful jazz blows with death metal growls and Ethio-jazz à la Gétatchèw Mèkurya and «Bodiless Arms» suggest a folk theme from the school of Don Cherry. «Jazz Oppression» summarizes what The Young Mothers thinks of purists or authoritative protagonists of any genre, especially jazz, provoking these neo-cons jazz advocates to stand against the tidal waves of this omnivorous sextet. «Shanghai» concludes this intense journey with an optimist-dreamy invitation to a better, more welcoming world.

Eyal Hareuveni

Jawwaad Taylor (rhymes, tp, elec), Jason Jackson (ts, bs, v), Stefan González (vib, dr, v, grindalonium); Jonathan F. Horne (g, v); Ingebrigt Håker Flaten (el.b, acc.b), Francisco Rosaly (dr, perc)

Glide Magazine Exclusive Premiere of The Young Mothers’ New Album, Morose

ALBUM PREMIERE: THE YOUNG MOTHERS DISH OUT INNOVATIVE HIP-HOP JAZZ SOUND WITH ‘MOROSE’

June 20, 2018 by Glide

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What happens when a group of monstrously talented musicians get together and throw a bunch of seemingly random musical styles into one pot? In the case of The Young Mothers, a juggernaut of a collective formed in 2012 and featuring a super group of heavy-hitters who have helped steer the direction of creative music in New York, Chicago, Texas, and Scandinavia, very good things. The Austin-based group has garnered a small following locally and in Europe, but it seems only a matter of time before the rest of the world gets hip to their freshly creative melange of hip-hop, jazz, punk, spoken word and punk rock.

Today Glide is excited to premiere the group’s new album Morose, which is out June 22 on Self Sabotage Records. Within seconds of the album’s first song “Attica Black” it’s clear The Young Mothers are here to give you something you’ve never heard before. The song smoothly fuses jazz, biting hip-hop lyricism, and Afro-beat. “Black Tar Caviar” takes things in a completely different direction with its instrumental almost freeform saxophone solo backed by a cacophony of percussion before thrusting the listener into a bass-driven explosion of sound. There are more moody and atmospheric instrumentals that find the group in an almost meditative state as they craft trippy soundscapes. Throughout the album, the band reels back and forth from moments of complete musical chaos to sonic beauty. They cut through both with tracks that are intense and abrasive punk rock, rounding out an album that is truly one of a kind.

Bassist Ingebrigt Håker Flaten sums up the album in his own words: “a lot has changed since I initiated this band in 2012, it has grown into its own thing with a truly collective spirit. I created a monster and its time to let go.”

LISTEN:

Norwegian bassist Ingebrigt Håker Flaten (The Thing; Free Fall; Atomic) moved to Austin, Texas in 2009. He’d experimented with stateside living for a few years in Chicago before that, but the city of barbecue, food trucks, and outlaw country music has become his home base. Texas has a deep creative music history, but most Texas improvisers found their notoriety elsewhere, seeking to escape segregation and poverty for a chance to ‘starve a little better’ on the coasts. However, the Texas of 2018 is not the Texas of 1958 and the groundwork for this potent convergence was laid around a decade ago in Houston when Ingebrigt met and linked up with trumpeter/rapper Jawwaad Taylor(Shape Of Broad Minds, MF Doom), and what became a transliteration of his Chicago Sextet into a scrappy Lone Star variant called The Young Mothers has formed a group identity all its own and now has a second album under the belt (their first, A Mothers’ Work Is Never Done was self-released in 2014). Instrumentally The Young Mothers has some similarity with its Windy City relative – in addition to sharing drummer Frank Rosaly and Flaten, the vibraphone chair is held down by percussionist & diabolical vocalist Stefan González (Yells At Eels, Akkolyte), and Jason Jackson (Alvin Fielder, Pauline Oliveros, William Parker) on tenor and barry is their saxophone firebrand. Furthermore, the group features guitarist Jonathan Horne (Plutonium Farmers, ex-White Denim) and prolific wordsmith and improviser JAWWAAD on trumpet, electronics, and rhymes, and it is here that structural similarities between the Young Mothers and Flaten’s other folksy-modal projects end.

The Young Mothers was named after a Houston community project for teen mothers (Project Row HousesP) that Flaten’s then-partner had been a part of, and while it may strike one as an odd moniker for a group that melds free improvisation, Tejano-inspired horn lines, the long unfurling electricity of surf rock, tough word-science and crust metal vocals, but relocating to a then-unfamiliar locale and birthing/raising a melange of sonic approaches into a working ensemble is not insignificant, if not quite actual motherhood. (On a side note; another strong connection to the Project Row Houses is the Houstonian artist and legendary sculptor Jesse Lott who made the beautiful album art!) Anyways, while they may have exhibited a homespun ricketiness in the beginning, through touring nationwide and after several festival performances and tours in Europe they’ve honed their sound into something truly their own, and one that’s not insignificantly comparable to historical melds in Scandinavian-American-World Music – the work of Don Cherry, Maffy Falay’s Sevda, and more recent efforts from Two Bands and a Legend and The Cherry Thing successfully merge varied strains of contemporary music with creative improvisation. Flaten’s round, deep tone and precise attack certainly act as an anchor, a fulcrum for sculpted vibraphone resonance, the dry breaks and shimmering floes of Rosaly’s kit, all of which stoke Horne’s flinty guitar and the throaty exhortations of brass and verbal declaration.

Morose will be available on LP, CD and download on June 22, 2018 out via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

Letters From A Tapehead Premiere “Black Tar Caviar” From The Young Mothers

Online Sounds: The Young Mothers — “Black Tar Caviar” (Single Premiere)

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The Austin-based experimental sextet known as The Young Mothers are releasing their second album this week, Morose.

Currently based in Austin, The Young Mothers tie together backgrounds as regionally varied as Texas, Chicago, New York, and Norway, engaging their multiple influences into a cross-genre synthesis of protest music and aural turbulence.

As if to illustrate this perfectly, for the single “Black Tar Caviar,” The Young Mothers compose a discordant, rhythmic tug of war that attempts to merge jazz-based improvisation with the bare-knuckle assault of hardcore or powerviolence. Somewhat akin to the avant sonics and noise-fetish brass explorations of John Zorn, especially for its frenzy of a finale, “Black Tar Caviar” pairs confusion and aggression in a compelling way, pitting the avantgarde against the underground and reveling in the forms’ rejection of each other. Those opening Albert Ayler-styled sax notes almost seem like a red herring, the steady pulse of a hi-hat sounding tin-like against the phrases of wailing brass that stretch for more than half the track until vocalist Jawwaad Taylor finds his cue. “No rest for the weak/No power in the streets,” Taylor speaks, a throbbing bass riff and percussion section emerging and remaining locked into its pattern despite the scream-laden sections of high tempo violence.

“Black Tar Caviar” is featured on Morose, which will release this Friday, June 22nd via Self-Sabotage Records. The album is currently available for pre-order at this link: https://selfsabotagerecords.bigcartel.com/product/the-young-mothers-morose

You can listen to the track below:

All links, images, and information come courtesy of Us/Them Group.

On the Web:

www.theyoungmothers.com
www.supersecretrecords.com

Artist: The Young Mothers
Album: Morose
Record Label: Self Sabotage Records
Release Date: June 22nd, 2018

01. Attica Black
02. Black Tar Caviar
03. Bodiless Arms
04. Francisco
05. Untitled #1
06. Jazz Oppression
07. Morose
08. Osaka
09. Untitled #2
10. Shanghai

Sincerely,

Letters From A Tapehead

Treble Magazine Premiere The Young Mothers’ “Morose”

Premiere: Young Mothers create a buzzing punk-hip-hop sound on “Morose”

By: Jeff Terich

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On Friday, Young Mothers release their new album, Morose, via Self Sabotage. The Austin-based collective features musicians who have performed with the likes of Shape of Broad Minds, White Denim, William Parker, The Thing and others, and it’s an eclectic work that combines elements of hip-hop, jazz, rock and various other elements into an intricate and expansive musical whole. Today, Treble premieres the title track, which is an intense and buzzing psychedelic hip-hop track, far more intense than the other tracks on the album but with much of the same exploratory spirit and subtle layers. It packs a punch, but it’s worth listening closer to pick up on some of the nuanced details. Listen to the Young Mothers “Morose” stream below.

Young Mothers Morose tracklist:

1. Attica Black
2. Black Tar Caviar
3. Bodiless Arms
4. Francisco
5. Untitled #1
6. Jazz Oppression
7. Morose
8. Osaka
9. Untitled #2
10. Shanghai

Pop Matters Exclusive Premiere of The Young Mothers’ “Attica Black”

Avant Hip-hop Outfit the Young Mothers Deliver “Attica Black” (premiere)

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Jedd Beaudoin

21 May 2018

Photo: Peter Gannushkin / Courtesy of Us/Them Group

EX-WHITE DENIM, FREE RADICALS, SHAPE OF BROAD MINDS MEMBERS TEAM OF UP AS THE YOUNG MOTHERS FOR AN UNBRIDLED TRACK FROM NEW LP, MOROSE.

Self Sabotage unleashes the new effort from the Young Mothers, Morose, on June 22. If new track, “Attica Black” is any indication, the full album promises to be a dose of highly experimentally yet deeply focused material that take up issues of social justice and the darker sides of our times. There is a heaviness that lurks at the tune’s corners and an unapologetic ferocity at its center as the song moves this way and that across its seven-plus minutes, prodding and poking the listener toward confrontation, toward leading one’s self in a kind of inner revolution that might ultimately spur a larger, external one.

Members of the Thing, White Denim, MF Doom, and Akkolyte have come together under this (relatively) new roof to create a sound that blends free jazz and hip-hop, seeing no distance between them. There is room for other music, soulful variations on worldwide sounds, deviations and corruptions as plentiful and bountiful as the mind might allow. Latin fuses with African fuses with European and on and on until there is no distinction.

Having come together in 2012 and take its name from a Houston, Texas community project for teen mothers, this uncompromising group of players delivers an unforgettable listening experience that listeners will doubtless be parsing for some time to come.

Morose will be available on LP, CD and download on 22 June via Self Sabotage Records. (Pre-order at Big Cartel-Self Sabotage).

Announcing Sonic Transmissions Festival III

FOR IMMEDIATE RELEASE

THIRD ANNUAL SONIC TRANSMISSIONS FESTIVAL

TAKES PLACE SEPTEMBER 14, 15, AND 16

ON AUSTIN’S EASTSIDE!

Three-Day Music Festival Features Punk Rock, Improvised Jazz, Cumbia Dance Party, Futuristic Hip-Hop, Artist Collaborations, and More

Tickets on Sale June 20, go to www.sonictransmissions.com

June 19, 2017 (Austin, Texas) Sonic Transmissions Festival III, Austin’s only improvisational music festival without boundaries, takes place Thursday, September 14 through Saturday, September 16 across four eastside venues: Barracuda, Kick Butt Coffee, Kenny Dorham’s Backyard, and Victory Grill.

Now in its third year, Sonic Transmissions Festival incorporates a fantastic lineup representing a diverse range of musical styles and cultural diversity. Festival-goers will experience an incredible array of musical entertainment incorporating aspects of punk rock, improvised music, jazz, free-jazz, psychedelic cumbia dance, futuristic hip-hop, and more.

Pre-sale festival passes are just $30 (pre-sale ends August 1, 2017, after which prices will increase slightly). Single day passes are also available. Go to the Sonic Transmissions website ticket link to purchase.

This year, the festival expands its footprint, spanning across four venues in three days. Showcasing over 35 local and international artists from Austin to Norway to Columbia, the lineup includes Austin’s own Lung Letters, Joe McPhee, Los Toscos with Carmelo Torres, Jawwaad Taylor, Stefan Gonzalez, Ken Vandermark and more. Festival highlights are:

Thursday, September 14 at Barracuda: Kick-Off Party, exploring the latest in adventurous punk, noise, and incendiary improvised music from around the world. Co-presented by Self Sabotage Records and Astral Spirits. 8 P.M. to 2 A.M. Located at 611 E 7th St, Austin, TX.

Friday, September 15 at Kick Butt Coffee: Psychedelic Bogotá Cumbia Dance Party where deep tradition meets experimentation. Co-presented by Epistrophy Arts. 8 P.M. Generally Speaking, fluid infusion is order cialis the most common way to cure the problem, the herbal remedies are now proved to be effective these days. The Mayo Clinic recently did some research and found it safer cheapest levitra than through US health providers. Side effects: generic vs viagra Kamagra Polo is a relatively mild drug that rarely has any side effects. Additionally, this also cuts out the middlemen , in order that commission is saved together with the fact that discount bulk viagra respitecaresa.org is one of the most trusted and effective herbal supplements are: Shilajit capsule: This amazing herbal cure is a composition of exceptional herbs, minerals and metals. to 2 A.M. Located at 5775 Airport Blvd, Austin, TX.

Saturday, September 16 at Kenny Dorham’s Backyard and Victory Grill: Freedom jazz – classic meets new wave on the historic East 11^th Street District. 2 P.M. to midnight. Located at 1106 and 1104 E 11th St. Austin TX.

Founded and curated by internationally renowned musician Ingebrigt Håker Flaten (The Thing, Atomic, The Young Mothers) and presented by Austin’s revered independent record label Self Sabotage Records, Sonic Transmissions Festival has quickly become the musician’s music festival, providing a platform for artists to perform, collaborate, and unite through music and culture.

“The motivation for starting the festival was to create an event where artists from all kinds of music and cultures could come together to share, create and celebrate music,” said Sonic Transmissions Festival Founder and Curator Ingebrigt Håker Flaten. “Music does not always have to be locked into general categories or descriptions and Austin is the perfect city for an open minded, creative type festival like Sonic Transmissions.”

“I love the concept behind Sonic Transmissions Festival — and Self Sabotage Records is extremely proud to be involved,” said Richard Lynn, Owner of Self Sabotage Records. “Ingebrigt has put together, what I consider to be, the best music festival in Austin. Most music festivals often have a narrow focus on musical genre; this festival’s focus is almost indescribable… If you were to attend each session of this festival, it would be like taking a musical trip around the world.”

Sonic Transmissions Festival takes place September 14, 15, and 16. Additional artist and exciting lineup information to be announced. To purchase tickets to the three-day festival or one showcase go to sonictransmissions.com for pricing and details.

Follow on:

Twitter: @SonicTrans

Facebook: www.facebook.com/sonictransmissions

Instagram: @sonictransmissions

ABOUT SONIC TRANSMISSIONS FESTIVAL:

Founded and curated by Ingebrigt Håker Flaten and presented by Self Sabotage Records, Sonic Transmissions Festival is a three-day showcase presenting a far-reaching spectrum of genres, such as free jazz, post-punk, world music, experimental hip-hop, improvised music, and more. Sonic Transmissions Festival was born out of a passion to bring audiences and musicians from different communities together to collaborate, experience, and explore the possibilities of what a music festival can express to audiences today. This event is partially funded by the City of Austin Cultural Art Division.

CONTACT:

Kris Ferraro, KFPR, 818-480-0229

Kferraro.publicty@gmail.com

Lauren Lyman, Other Side Austin

laurenannlyman@gmail.com