Song Premiere for Quin Galavis’s “Bleed With Me”

premiere : quin galavis shares “bleed with me”

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We are happy to premiere “Bleed With Me” by Austin, TX songwriter Quin Galavis, who will be returning this summer with the follow-up to 2016’s “My Life In Steel and Concrete”, the more refined yet lyrically weighty, “The Battery Line”.

Quin has built a strong reputation for producing a variety of high quality music via bands including Nazi Gold and The Dead Space, and through his previous solo work. Unpredictable and experimental from record to record and from live performance to live performance, Quin Galavis continues to challenge himself and his audience to reconsider and subvert what it means to be an artist and musician.

“The Battery Line” was recorded with Aaron Blount (Knife in the Water) & John Michael Landon at Austin’s Estuary Recording Facility and will be available on LP, CD and download on June 16th via Super Secret Records.

Pre-order the album here!

 

 

Culture Creature Exclusive Premiere of Quin Galavis’s “No Return”

Premiere: Quin Galavis, ‘No Return’

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(Originally posted here)
quin galavis

Austin, Texas songwriter Quin Galavis returns this month with his new album, The Battery Line. Today we’re premiering ‘No Return,’ listen below.

The Battery Line is Galavis’ follow-up to his epic 2016 double LP, My Life In Steel and Concrete. Galavis told Culture Creature that his new album was a return to basics after the double album. “My Life in Steel and Concrete was very emotionally draining,” he explained via email, “and I let it consume all aspects of my life. The Battery Line was such a departure from that. I wrote and demoed all the songs well before going to the studio, rehearsed them with a full band, and didn’t do nearly [as much] overdubbing. The feeling was light, so I ran with it.”

Galavis explained that ‘No Return’ reflects this “reprieve from the intensity” of his prior album: “I wanted to do less overwrought and more straightforward songwriting, and ‘No Return’ is probably one of the better examples of that approach.”

The Battery Line is due June 16th via Super Secret Records, and it’s available for preorder now. Listen to ‘No Return’ here:

Song Premiere: Quin Galavis – “Any Head”

SONG PREMIERE: QUIN GALAVIS SHARES DEFIANT AND CATCHY ROCKER “ANY HEAD”

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Austin songwriter Quin Galavis has built a solid reputation in the studio, producing music for bands like Nazi Gold and The Dead Space. As a solo artist,Galavis is unpredictable and experimental from record to record and with his live performances. In other words, you never know what you’re going to get, and that isn’t a bad thing. He’s also a pro at writing pop-infused rock and roll that is concise and properly hard-hitting.

Now Galavis is back with the followup to 2016’s My Life In Steel and Concrete, the more refined yet lyrically weighty The Battery Linewhich comes out this Friday, June 16th on Austin label Super Secret Records. The Battery Line was recorded with Aaron Blount (Knife in the Water) and John Michael Landon at Austin’s Estuary Recording Facility. The album’s powerful, expressive and hook-laden songs show that Galavis isn’t beholden to the dark avant rock of his previous album. Catchy riffs and quasi power pop moments give the album a lifting spirit. Today Glide Magazine is premiering the song “Any Head”. With a touch of gritty barroom punk and jangly guitar, Galavis sings defiantly like the long lost son of Paul Westerberg. Much like Westerberg, Davis proves to have a penchant for writing songs that are are fast and at times heavy while still managing to be insanely catchy.

LISTEN:

The Battery Line will be available on LP, CD and download on June 16th via Super Secret Records. For more music and info visit quingalavis.com

Quin Galavis “Guiding Light” Song Premiere

SPILL MUSIC PREMIERE: QUIN GALAVIS – “GUIDING LIGHT”

Quin Galavis “Faces in the Crowd” Song Premiere

Quin Galavis Track Premiere

Dark songwriter lets a little light in

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Less than 10 months after releasing his melancholic magnum opus, My Life In Steel and Concrete, emotionally intense songwriter Quin Galavis returns with The Battery Line, his personal pop apex. Don’t worry, it’s not as uplifting as it sounds.

Congregation of one: Quin Galavis (Photo by Shelley Hiam)

Austin Chronicle: The Battery Line is remarkably more upbeat and melodic than My Life in Steel and Concrete. Are you less despairing these days or just better at hiding it?

Quin Galavis: No, if anything I’m a lot more despairing now. The Battery Line came when I was completely sober, exercising, and getting my shit together. I was trying to explore a lighter side of myself musically. I’ve always been able to write pop songs, I just never really committed to putting them on an album. I had lighter songs on records, but it’s always mixed in with some other shit. Lyrically, The Battery Line is just as fucked, so it was just a musical divergence.

AC: Who plays on the new disc?

QG: It was kind back to the older band: me, Graham Low, and Matt Hammer did the core tracking. Shelly McCann from Knife in the Water sang a bit. My fiancé Annecy [Liddell], who plays in our current live lineup, sang a little as well. Garrett Hadden from The Dead Space played some guitar and so did Ben Maddox from Skin Drips and Hundred Visions. I know I just listed seven people, but compared to My Life in Steel and Concrete it was a super small group.

AC: My Life in Steel and Concrete was such an artistically and emotionally epic production. How did making it change you as a songwriter and how does that experience inform what you’re doing going forward?

QG: That record is such a narrative of pure helplessness with the theme of some sort of optimism in getting things right that aren’t there. I think it will always shape things. That’s why The Battery Line was such a divergence. Even the cover of the record is a nice mauve color. I couldn’t physically or mentally make another My Life in Steel and Concrete right afterward. That’s how it affected me.

I’m going into the studio in the next few months and I’m going to make a record that’s going to make My Life in the Steel and Concrete look like Yellow Submarine.

AC: Down in the hole for the next one?

QG: Yeah. With The Battery Line, I wanted to let in a little sweeter air before I truly dive into the next thing. A lot has happened between The Battery Line and now: I’m estranged from my ex, I don’t get see my kid as much, I drink more, and I focus this energy into something pretty intense.

AC: Many people still know you from the Dead Space and Nazi Gold. Are you now fully focused on being a solo artist?

QG: I am. I do Dead Space just to play with Garrett and Jenny. Nazi Gold we could try to do again, but Thor [Harris] is really busy. Those are kind of gone. My focus is just on my solo stuff and changing and growing, and trying to gear up every album with a whole new personality that goes with it.

AC: We’re premiering a new track today called “Faces in the Crowd.” What can you tell us about it?

QG: I like that song a lot. It’s really poppy. It’s about trying to get out of the scene and escape. It’s got kind of a weird Breeders vibe to it or something.

The Battery Line arrives Friday on Super Secret Records. Galavis appears tonight – Monday, June 12 – at Cheer Up Charlies with New Berlin, Moist Flesh, and Caleb De Casper.

Suspirians’s “Fortune Spider” Premiere

Premiere: “Fortune Spider,” by Suspirians

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Suspirians formed in 2013, but the connection between the Austin, Texas-based bandmates —guitarist/vocalist Marisa Pool, bassist/synths Stephanie Demopulous, and drummer Lisa Cameron—extends back to the 1990s, when they got to know each other through their involvement in their city’s music community.

“That’s what everybody did in Austin then,” Demopulos says. “You didn’t have to spend all your time working so you would have a place to live, and you had more time to devote to your own and other’s endeavors. A lot of people from that time are still very involved in the music scene here and the three of us certainly are. The Suspirians are a product of that, I think.”

Being a product of your community means being impacted (directly or indirectly), by the sounds, atmospheres, and people around you. For Suspirians, the rich cultural fabrics of their surroundings serves as both inspiration and a starting off point for their musical adventures. “I would add psychotic to psychedelic, and that would be a more accurate description of the old Austin music scene,” Pool says. “If we carry on any of the local traditions or attitudes, an example would be that of raw, noisy rock, a la Scratch Acid. But we are Austin oak trees we have roots growing here. I would say we take all of the aspects of our varied local influences in the Austin underground and make it our own. I don’t think that we bring anything to the party that is totally new other than our individual experiences and how they combine mathematically in our music—The formula can get quite epic and sincere.”

Following a self-titled album in 2014, Suspirians will release their newest collaboration, Ti Bon Ange, on June 2 via Super Secret Records. The title comes from the literal translation of Haitian voodoo term for “little good angel,” but sinking into the record’s enticing, offbeat blend of psychedelic rock, post-punk, garage, 60s pop, and more, one gets a sense that its creators might not be so angelic themselves. “One of my favorite things about being in the band is that we are open to so many different influences and really nothing is out of bounds,” Demopulus says, citing shared inspirations such as Stooges, Hawkwind, and PIL, visual artists such as Maya Deren, and even rock and pop pioneers like Link Wray and the Shangri-Las as adding color and texture to the album’s heady sounds.

But while much of Ti Bon Ange is distinctly noise- and riff driven, Suspirians chose to kick things off with the comparatively soothing fuzz of “Fortune Spider.” “A fortune spider is a part of you. It’s psychic feminine knowledge. It’s being joyous in your complexity and dancing through the dark shit of life. It is a great opener in my opinion because it’s sets a hypnotic tone for the record, and it’s a side of Suspirians that only shows up once,” Pool says.

Check out “Fortune Spider” now. Ti Bon Ange is available for pre-orders now.