Super Secret Records SXSW 2019 Showcase

It’s almost that magical time of the year where traffic in Austin grows infinitely worse than it already is and there’s almost a shortage on good breakfast tacos across the city. That’s right – SXSW is nearly here! We’re thrilled to announce our annual SXSW showcase at Beerland.

For the first time ever, we’ll be hosting our usual unofficial showcase in the afternoon (badges/wristbands not required), but our evening lineup will be an OFFICIAL showcase (badges/wristbands will receive priority entry, non-holders can pay $5 to get in as long as there’s available space). Our showcase will be 18+ all day. Check it out below:
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CVLT Nation Premieres Newest Quin Galavis Track, “Burn The Room”

WATCH CVLT NATIONS JAM OF THE WEEK: QUIN GALAVIS’ “BURN THE ROOM”

SEAN REVERON · JANUARY 15, 2019

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Are you ready for an urgent jam that will get all up in your brain and will live for rent free? Check out this new POV Quin Galavis video for the tune – Burn the Room. His new album Victim / Non-Victim, Pt. 1 will be available on LP, CD and digital in early 2019 via Super Secret Records.

New Adam Ostrar and Jerry David DeCicca Tour Dates For Winter 2018

Adam Ostrar is heading back out on the road again this winter in support of his second album, Brawls in the Briar! He’ll be joined by labelmate Jerry David DeCicca whose new album, Burning Daylight, drops 9/28. Catch them in a city near you:

Adam Ostrar

10/5 Brooklyn, NY @ Wonders Of Nature w/Jerry David DeCicca

10/6 Charlottesville, VA @ LOW Vintage w/Jerry David DeCicca and Grand Banks

10/7 Chapel Hil, NC @ Chaz’s Bull City Records w/Jerry David DeCicca

10/16 Austin, TX @ The Volstead w/ Alex Dupree

10/18 Austin, TX @ Beerland w/ The Moles (as a Mole), Will Courtney, Quin Galavis

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11/19 Austin, TX @ The Volstead Lounge (Me Mer Mo Monday) W/More Eaze/Adam Ostrar duo

12/15 Tucson, AZ @ EXO w/Jerry David DeCicca and Casey Golden

12/16 Phoenix, AZ @ Cibo w/Jerry David DeCicca

12/17 Los Angeles, CA @ Long Song Bar w/Jerry David DeCicca and Chris Schlarb

12/18 Oakland, CA @ Octopus Lounge w/Jerry David DeCicca and Sylvie Simmons

12/19 Cottage Grove, OR @ Axe and Fiddle w/Jerry David DeCicca

12/20 Portland, OR @Turn Turn Turn w/Jerry David DeCicca and TBA

Jerry David DeCicca

Dagger Zine Review of Quin Galavis’ The Battery Line

Quin Galavis- THE BATTERY LINE (SUPER SECRET RECORDS)

In which the Austin musician (and member of The Dead Space) comes back quickly, hot on the heels of his 2016 double album My Life in Steel and Concrete (I still need to hear his 2011 solo debut Should Have Known). This record is poppier and more song-oriented record as My Life In was much darker and more experimental…not that The Battery Line isn’t dark at times, it certainly has its moments, but overall its more of a rock/pop record “Garden Wall” is a perfect opener, showing that the guy means business with a blast of raucous guitars (at first I thought Galavis played everything but no, he’s got a band on the record) while “No Return” shows that he might have been listening to some of that folk rock that was coming out of Los Angeles in the late 60’s (maybe The Byrds or Love). It’s obvious that the guy’s got a big musical palette and wants to expand and expound. The moody “Paul’s Phone is Dead” seems to take a page or two out of the Velvet Underground songbook while “Bleed With Me” is a low-key chamber pop number and definitely one of Galavis’ best songs yet. Side two kicks off with the 90’s alt pop of “Faces in the Crowd” (dig those backing vocals) while “Question’ has a sweet little groove to it that you want to play all day and “Any Head” spits and kicks like the best melodic garage punk does. From where I’m standing (actually sitting) I see a guy like Galavis with ideas bursting in his head that need to get out. He seems fearless and will try anything. Hell, he may make a straight country record next time out and if he does it, I’ll still be listening. www.supersecretrecords.com

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Fuckin’ Record Reviews Praises New Quin Galavis

PUSH 9: Talking ‘bout love, I’m talking ‘bout love, I’m talking ‘bout…

QUIN GALAVIS
The Battery Line
(Super Secret Records – 2017)

God damn if QG ain’t showing hisself to be one of our country’s finest songwriters…from deeply harangued incrimination to affecting near pop perfection, he’s discovered some sorta higher level muse and ain’t squandering it one iota. 2016’s heavy duty double long player My Life In Steel And Concrete was one of our ✰BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2016✰ (top ten out of 100+ killer entries, in fact)…this new single LP The Battery Line has a comparatively more buoyant hop than MLISAC, with the exception of the final cut “We Are Good Here”, a weighty slow burner, and it POPS, pop. FRR is just so taken with this new QG record, we’re forced to borrow a phrase from the now defunct Volcanic Tongue: HIGHEST RECOMMENDATION. Go get it.

@supersecretrecords does it again (refer to our SUSPIRIANS gushing below)

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Austin Chronicle Review of “The Battery Line” by Quin Galavis

Quin Galavis

The Battery Line (Super Secret)

REVIEWED BY TIM STEGALL, FRI., JUNE 23, 2017

A dead-eyed visage staring out grimly from the cover of last year’s triumphant double album My Life in Steel and Concrete quick-sketched an instant portrait of Quin Galavis, Dead Space/False Idol member and young, tortured artist. The Battery Line opener “Garden Wall” churns grimier than anything on Steel and Concrete or the lo-fi twang of solo bow Should Have Known You in 2011, dirty guitars punctuated by fuzz bursts that quickly indulge a Nineties alt-rock manic depression built on a muted, minor key verse with a louder, major key chorus. And yet, once the electric folk of “No Return” jangles the Byrds on antidepressants, it’s clear Galavis’ third disc shakes a delightfully mixed bag. Full-on punk rock as reimagined by a Smiths fan (“Any Head”), a few attempts at following up the Velvet Underground’s “Black Angel’s Death Song” (“Paul’s Phone Is Dead,” “Bleed With Me”), and guest appearances from local luminaries ranging from A Giant Dog’s Sabrina Ellis and Graham Low to avant percussion hero Thor Harris all rally the broad rockist ambitions of The Battery Line. If misery loves company, it’ll adore Quin Galavis.