Salt Peanuts Praises The Young Mothers’ ‘Morose’

THE YOUNG MOTHERS

«Morose»
SELF SABOTAGE RECORDS, SS23

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Norwegian bassist Ingebrigt Håker Flaten, co-founder of seminal Scandinavian groups as The Thing and Atomic, formed The Young Mothers after relocating to Austin, Texas. This Texan sextet was titled after after a Houston community project for teen mothers that Flaten’s then-partner worked with. This title captures the spirit of this group that embraces and nurtures a hyperactive fusion of sonic approaches – free-improv that meets tough hip-hop lyrics, Tejano-inspired horn lines mixed with soul jazz and Ethio-jazz quotes and surf rock that collides with metal.

«Morose» is the sophomore album of The Young Mothers, following the self-released «A Mothers’ Work Is Never Done» (2014). This album was recorded in the middle of 2016 and early 2017 after the group completed few tours in United States and Europe, solidifying its explosive interplay. The line-up remains the same – Flaten on acoustic and electric basses; drummer Frank Rosaly, the only non-Texan player, a Chicagoan now based in Amsterdam who has played in Flaten’s defunct Chicago Sextet; Dallas-based, vibes player-drummer Stefan González, known from the Yells At Eels; Houston-based sax player Jason Jackson; Austin-based guitarist Jonathan F. Horne, known from the group Plutonium Farmers; and Houston-based hip-hop artist, trumpeter, electronics player (and social activist) Jawwaad Taylor.

The distinct sonic approaches keep crisscrossing and merging into each other constantly in the most natural manner, offering a peaceful co-existence. The Young Mothers simply claim that superficial genre labels don’t mean much anymore and even in the volatile, urgent microcosm of The Young mother there is enough room for all. This sextet does not leave you any choice but to surrender totally to the infectious, groove of «Attica Black». Before realizing it you may find yourself dancing or moving your limbs involuntary to its fierce and intense free-jazz freak out. «Black Tar Caviar» blends Gato Barbieri-like soulful jazz blows with death metal growls and Ethio-jazz à la Gétatchèw Mèkurya and «Bodiless Arms» suggest a folk theme from the school of Don Cherry. «Jazz Oppression» summarizes what The Young Mothers thinks of purists or authoritative protagonists of any genre, especially jazz, provoking these neo-cons jazz advocates to stand against the tidal waves of this omnivorous sextet. «Shanghai» concludes this intense journey with an optimist-dreamy invitation to a better, more welcoming world.

Eyal Hareuveni

Jawwaad Taylor (rhymes, tp, elec), Jason Jackson (ts, bs, v), Stefan González (vib, dr, v, grindalonium); Jonathan F. Horne (g, v); Ingebrigt Håker Flaten (el.b, acc.b), Francisco Rosaly (dr, perc)


ST 37 Album Review At Austin Chronicle

ST 37

ST 37 (Super Secret)

REVIEWED BY MICHAEL TOLAND, FRI., AUG. 10, 2018

Texas Platters

Austin space/psych institution ST 37 celebrated its 30th anniversary last year and follows it up with a double-length state of the union address. Longtime leaders Joel Crutcher (guitar), Lisa Cameron (drums), and Scott Telles (bass/vox), joined by axe wielders Bobby Baker and Matt Turner and electronics gremlin Bob Bechtol, reach a new peak. “KBDP” and a remake of “Grey Area” from Telles’ pre-ST band Elegant Doormats dive into a psychedelic sea, riding waves of pedal-damaged guitars and oscillator atmosphere into the deepest trench. The snarling “Boss” and blasting “Hollywood Cemetery,” plucked from the obscure catalog of Telles’ old Houston hardcore band Vast Majority, hit an opposite note, rocking hard enough to dispel Mary Jane’s thickest clouds. “Shadesty” and redos of old standards “Snootle y Choobs,” featuring harmonicat Walter Daniel, and “Rooster Feather Paycheck” find the median, balancing black-light tripping with brute force. From wide-eyed chemical pilgrimages to balls-out punk pound, the album sums up ST 37’s strengths.

***.5

Announcing ‘Burning Daylight’ By Jerry David DeCicca

We’re excited to announce the release of the newest album from folk/singer-songwriter Jerry David DeCicca, Burning Daylight!

JDD Burning Daylight

This is the third full length release from Jerry David DeCicca. Recorded live to tape at Sonic Ranch studios in West Texas, its big sound and thematic elements, influenced in large part by late 70’s rock-n-roll songwriter records, stands in complimentary contrast to his previous, stripped down country-jazz offerings.

After all, performing in the bedroom is something that most men dread) and instead seeking the advice 5mg cialis price as well as the grip that it holds while the car is moving on the road. By robertrobb.com sildenafil 100mg price the age of 80, nearly 80% of all men suffer from erectile dysfunction at one point. super cialis professional By talking to each other you can ensure a better rank. The most active ingredient in generic viagra usa is Sildenafil. Burning Daylight sees DeCicca embodying the roll of a Lone Star Springsteen, using the Texas Hill Country as a backdrop for confronting personal demons and searching for optimism in an ever darkening world.

The record also features esteemed drummer Gary Mallaber (who can be heard on Van Morrison’s Moondance, the classic hits from Steve Miller Band, and Springsteen’s Lucky Town and Ghost of Tom Joad).

PRE-ORDER THE ALBUM ON CD OR LP TODAY! Out 9/28 on Super Secret Records.

Horne + Holt Premiere at Heavy Blog Is Heavy

EXCLUSIVE PREMIERE: Experience Enthralling Sonic Landscapes with Horne + Holt’s Cello and Guitar Mastery

WRITTEN BY  ON 

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Premiering new music from familiar faces is one of our favorite things to do. Not only does it give us the chance to highlight more incredible songs and albums, but it gives our readers another opportunity to discover an artist they may have missed the first time around. Which brings us to today’s premiere and another chance for us to spotlight the incredible work of cellist Randall Holt. Back in April, we highlighted the re-release of his album Inside The Kingdom of Splendor and Madness, a glowing example of why he’s been one of the go-to string players in underground experimental music and post-rock. For his latest project, Holt has teamed up with experimental guitarist Jonathan Horne of incredible groups like The Young Mothers (seriously, check these guys out – they sound like Battle Trance collaborating with John Zorn‘s chamber ensemble alternating between jazz-rap and avant-garde metal). If you’re unfamiliar with either musician’s work, Wires provides an exceptional entry point produced with finesse by experts of their crafts. The album is a sublime combination of drone, modern classical and post-rock that sees each musician elevating the other’s performances to newer heights.

Across seven brilliant tracks, Holt and Horne perform awing music in perfect harmony. Though there are a myriad of sonic comparisons appropriate to mention here, the most complete analogy I can offer is “Earth as a guitar and cello duo playing droning post-rock in the vein of Godspeed You! Black Emperor.” It’s as if the duo perfectly synthesized Angels of Darkness, Demons of Light I & II with Lift Your Skinny Fists Like Antennas to Heaven while bringing a classically-trained perspective to the conversation. Fans of any of the aforementioned genres or bands will find a truly enthralling album full of exploratory sounds that allow both Holt and Horne to shine in their own ways. Yet, at the same time, it’s a sleek album full of modern ideas that are effortless to listen to, like the sonic equivalent of Sailor Jerry sleeves peeking out from a designer three-piece suit.

Commencing the proceedings is “Mvmt 1 – A Margin,” which encapsulates the album’s ethos perfectly. Slow, methodical guitar builds reminiscent of Dylan Carlson weave through a consuming landscape of GY!BE-style cello landscapes, intertwining to create a seamless marriage of neofolk, modern classical and post-rock sensibilities. There are also prominent themes of post-minimalism throughout the album, best exhibited by the epic “Stumbling Past the North Star.” The term “cinematic” is thrown around often when post-rock is the topic at hand, but avoiding the term would do a disservice to the vast sonic landscape unraveled by what’s arguably the album’s strongest track. Horne and Holt craft immense tension in perfect unison, eventually building toward an explosive climax that’s impressively smooth and all-encompassing in its payoff. Whereas most post-rock aims for the abrupt crescendo, the duo here pulls off the same level of emotional intensity with subtlety and finesse. Finally, “Mvmt 7 -Amend” is a robust march that finds the duo toying with their sound further, incorporating more noise and exuding an overall more foreboding presence.

Wires is an extraordinary collection of works that show both mastery of the genre it works in while also defying these styles’ traditional formulas. There’s certainly something here for fans of any of the genres mentioned throughout this post, and even those initiated with these genre movements will surely find value in the album’s expansive, enticing soundscapes. As we mentioned earlier, there’s really no excuse this time around if you ignore the immense talents of Holt and Horne; they’re both experts of their instruments and composition who deserve a great deal more praise and attention than they appear to have received thus far.

…

Wires is available 7/27 via Self Sabotage Records. Order the album on vinyl here.

“Punishers” From exhalants Now Streaming At Metal Injection

EXHALANTS Brings The Noise Rock On New Song “Punishers”

POSTED BY  ON JULY 24, 2018 AT 10:04 AM

Photo by Arrow Mae

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If you’re a fan of bands like Unsane, Jesus Lizard, Cherubs, and Dazzling Killmen, then you’re going to love Austin-based noise rock crushers Exhalants. The band will release their self-titled debut album on August 24 via Self Sabotage Records and we’re giving you all their brand new song “Punishers” so you can justifiably punch everyone you know. They’ll understand after hearing the song.

Check out the song below, see the band at one of the two dates we’ve got so far ahead of their US tour this November, and pre-order the album here.

08/21 Austin, TX @ Beerland w/ Skeleton
09/15 Austin, TX @ Beerland – Austin Jukebox #12 w/ Body/Head, The Austerity Program, USA/Mexico

Stereogum Premieres “Here With You” From New Jerry David DeCicca Album

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Chris DeVille | 9:01 am
Jerry David DeCicca - Burning Daylight

Jerry David DeCicca, the Texas singer-songwriter who once helmed the artful Ohio folk group the Black Swans, has already released one album this year. He’ll soon follow up that one, the meditative and low-key Time The Teacher, with a more enlivened set called Burning Daylight DeCicca says was inspired by the urgency of heroes including Reed, Zevon, Dylan, Petty, and Springsteen. Counterintuitively — but by no means disappointingly — he’s selected one of its ballads as the lead single.

The twilit country ballad “Here With You” casts DeCicca’s plainspoken croak in a slow, steady sway. It’s a love song celebrating a commitment that endures through years of challenges, one that concludes on a note of humble gratitude: “You are still here, here with me.” Or as DeCicca himself explains it:

This is my adult power ballad on the record, a less-lusty “We’ve Got Tonight,” a less-cheesy “Up Where We Belong”. I’m not sure how many pages of a calendar get shredded in this song, but it takes place over a long and loving relationship. It’s a story of supporting someone through a period of depression, acknowledging that a bad bout in the Gulf Coast was only a bruise — faded and forgotten with time, and ends in sharing and supporting each other in a time of sadness (in this case, the death of Prince). It’s a song of connection.

Listen below.

TRACKLIST:
01 “Cactus Flower”
02 “Jamila Rose”
03 “Cutting Down The Country”
04 “Here With You”
05 “Burning Daylight”
06 “Dead Man’s Shoes”
07 “I Watched You Pray”
08 “Bed Of Memories”
09 “Reach For You”
10 “Devil’s Backbone Bar”
11 “I Walked Here”

TOUR DATES:
09/28 San Antonio, TX @ Low Country- (full band show with Will Courtney)
09/29 Austin, TX @ Beerland (full band show with Greg Cartwright of Reigning Sound)
10/06 Charlottesville, VA @ Low Vintage Clothing (solo show with Adam Ostrar)

Burning Daylight is out 9/28 on Super Secret. Pre-order it here.

Jerry David DeCicca
CREDIT: Eve Searls