Austin Chronicle Exclusive Premiere of “Refugee” From Terminal Mind

Lost & Found: Terminal Mind

Thirty-seven years after breakup, debut LP hits

BY KEVIN CURTIN, 11:20AM, MON. JAN. 8, 2018

The anthem on Terminal Mind’s sole release, a self-issued 7-inch stamped with the universal “no” symbol that routinely fetches over $100 on eBay, spun a nihilistic punk declaration: “I Wanna Die Young.”

Vintage Terminal Mind (Photo by Ken Hoge)

Instead, the short-lived Austin band (1978-1981) has aged to a vintage in which there’s now demand for a long overdue retrospective. Friday, homegrown reissue specialists Sonic Surgery Records unveil the bluntly-titled Recordings, a remastered collection of the band’s four-song EP, quality live cuts, and previously unheard demos.

Grayscale art-rock with punk desperation channeled through instrumental and songwriting legitimacy, the triad of bassist/vocalist Steve Marsh with twins Doug Murray and Greg Murray on guitar and drums, respectively (they later added synth player Jack Crow), remains an act locals still celebrate despite a short lifespan and being under-recorded. Historically, Terminal Mind’s music hasn’t been easy to come by – save for those who’ve nabbed copies of the rare EP or Live at Raul’s compilation – so Recordings is a worthy dive into a crucial and obscure sliver of the cap city catalog.

The melodic “Refugee,” from the original EP, demonstrates Marsh’s penchant for meaningful rock songwriting. The chorus spells it out:

“Refugee, that’s the way the real world treats you.
Did you think such a person could exist?
In a war, there are winners and there are losers.
I’m in between.”

Before Recordings drops Friday, give “Refugee” a spin here.”

Spill Magazine Premiere New Sean Morales Track

SPILL MUSIC PREMIERE: SEAN MORALES – “VIDEO LIFE”

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SEAN MORALES – “VIDEO LIFE”

A Spill Exclusive Music Premiere

“Video Life” is a 1979 single by songwriter/producer Chris Spedding, reworked by Sean Morales for his solo debut. Morales also currently plays in James Arthur’s Manhunt.

Sean Morales is a family man from Austin by way Norfolk, VA. He began writing the songs for Call it In while living alone in Houston, then started shaping the songs with wife and drummer, Erica Barton, after moving back to Austin. Sean then reached out to Jonathan Horne, a brilliant Jazz-bent guitarist known for his work with Young Mothers, Ichi Ni San Shi, and Knest and other heavy friends from the Austin rock’n’roll underground like Orville Neely from OBN IIIs, Brian Schmitz from the Golden Boys, and James Arthur from the band Sean regularly plays bass in, the blistering psych damaged James Arthur’s Manhunt, to bring whatever they had on them at the time; be it laughter, Clubtails, or scorching guitar. The recording was expertly helmed by Stuart Sikes who’s recorded cornerstone works by The White Stripes, Cat Power, and Loretta Lynn.

Call It In is an occasion to celebrate the ease of life. It’s an inviting debut that calls you over for a sundown evening of bourbon on the porch and unfolds into unexpected conversational turns. There is an alien familiarity in this record that resembles a solo night drive through blabber and smoke to arrive at a familiar room to find that Alex Chilton, Wreckless Eric, and the members of Amon Duul are already in the house, waiting for Junior Kimbrough to play. It’s something that could have conceivably happened at some point, but it’s still a dream.

Sean made his first record with more mission than vision, by that we mean that this record is a comfort to those of us who think about records almost as friends we like to catch up with. Call It In will tell you the lowdown and take you to some unexpected places.

Call It In will be available on LP, CD and download on January 12th, 2018 via Super Secret Records.

Artist Quote

“You never really hear much about Chris Spedding as a songwriter. I’ve been a fan of the RAK/Mickie Most records for a long time and hoped to turn people on with this song.”

Sean Morales
Call It In
(Super Secret Records)
Release Date: January 12, 2018

Call It In Track Listing

01. Video Life
02. Call It In
03. Bring Me Home
04. Whispertime
05. Problems
06. Slummertime
07. We’ve Been Apart
08. Party 1

**Pre-Order Call It In Via Super Secret Records HERE**

* Receive the track “Video Life” when you pre-order the album.

Artist Links

Sean Morales Premieres “Video Life” At Big Takeover Magazine

Song Premiere: “Video Life” by Sean Morales

28 December 2017

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by Big Takeover Exclusives

Sean Morales; Photo Credit: Super Secret Records

Austin musician Sean Morales’ debut solo album, Call It In, is a wild 8-song collection that’s all over the map musically: power pop, proto-punk, garbled Krautrock, indie rock, Fat Possum blues, and more. And, “Video Life” the song The Big Takeover shares with you today, is an outstanding piece of that puzzle. “Video Life” is a 1979 single by songwriter/producer Chris Spedding, reworked by Morales and guests to stunning effect. Morales also currently plays in James Arthur’s Manhunt.

Sean Morales is a family man from Austin by way Norfolk, VA. He began writing the songs for Call It In while living alone in Houston, then started shaping the songs with wife and drummer, Erica Barton, after moving back to Austin.

Morales then reached out to Jonathan Horne, a brilliant jazz-bent guitarist known for his work with Young Mothers, Ichi Ni San Shi, and Knest, and other heavy friends from the Austin rock’n‘roll underground like Orville Neely from OBN IIIs, Brian Schmitz from the Golden Boys, and James Arthur from the band Morales regularly plays bass in, the blistering psych-damaged James Arthur’s Manhunt, to bring whatever they had on them at the time; be it laughter, Clubtails, or scorching guitar. The recording was expertly helmed by Stuart Sikes who’s recorded cornerstone works by The White Stripes, Cat Power, and Loretta Lynn.

Call It In is an occasion to celebrate the ease of life. It’s an inviting debut that calls you over for a sundown evening of bourbon on the porch and unfolds into unexpected conversational turns. There is an alien familiarity in this record that resembles a solo night drive through blabber and smoke to arrive at a familiar room to find that Alex Chilton, Wreckless Eric, and the members of Amon Duul are already in the house, waiting for Junior Kimbrough to play. It’s something that could have conceivably happened at some point, but it’s still a dream.

Morales made his first record with more mission than vision, in that this record is a comfort to those of us who think about records almost as friends we like to catch up with. Call It Inwill tell you the lowdown and take you to some unexpected places.

Call It In will be available on LP, CD and download on January 12th, 2018 via Super Secret Records.

Sean Morales at Super Secret Records
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Marriage + Cancer Premiere New Song “God Is Tan”

PREMIERE STREAMING: MARRIAGE + CANCER “GOD IS TAN”

MEGHAN · DECEMBER 18, 2017

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It’s the archetypical PNW day and the grey, damp haze is suffocating my existence. Portland’s Marriage + Cancer get where I’m coming from – their new s/t set to release next year is the perfect dissonant and grimy soundtrack to these dark days. Today I’m going to share a small piece of this excellent LP with you in the form of “God is Tan,” so hit play below and release some of the chill in your bones. Marriage + Cancer will be available on LP and download on February 9th, 2018 via Self Sabotage Records, a division of Super Secret Records – pre-order here.

Wei Zhongle Premiere New Track ‘On Its Way’

Wei Zhongle – “On Its Way” | Post-Trash Exclusive Premiere

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by Dan Goldin (@post_trash_)

All praise Chicago’s Wei Zhongle, experimental pop polymaths who have been developing and disfiguring their sound the turn of the decade. Set to release their latest album, The Operators, on February 16th via Self Sabotage Records, the quartet’s shape-shifting grooves continue to evolve and expand, forever pushing forward into their own unique landscape of psychedelic exploration and brain-stem dripped art pop. It’s becoming increasingly hard to stand out when seemingly everyone is embracing their weirder side, but there’s only one Wei Zhongle.

“On Its Way,” the record’s first single is a warped and bubbling slice of progressive experimentation, a song that captures a pop sensibility in structure, and stays firmly rooted in the avant-garde on all other fronts. Distorted clarinet and heavily effected guitar create a twitchy melody, zigging and zagging into hypnotic depths and dropped out visions. The band balance rattling static and detached funk rhythms with seesawing melodies and infectious vocals, distorted but welcoming; like a friendly alien come to make new earthling friends. Skronks, blips, and electronic inconsistencies add character to each verse, coloring with rapid textures and vividly sputtering layers of manipulated sound.

Wei Zhongle’s The Operators is out February 16th via Self Sabotage Records.

Big Takeover Magazine Premiere New Little Mazarn Track

Song Premiere: “White Fang” by Little Mazarn

27 November 2017

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by Big Takeover Exclusives

Little Mazarn; Photo Credit: Stephen Pruitt

Little Mazarn, the stage name for Lindsey Verrill, gets her name from what she calls “an unromantic river” in Arkansas. Playing banjo on three original songs, a traditional murder ballad (“Rain And Snow”), and an English sea song, Little Mazarn, in her lilting warble, sings “about precious things, boring things, nature and the garbage that is humanity” (her words) on her upcoming self-titled album. A dreamy pop that would have fit in nicely with the slowcore of the late ’90s and early ’00s, the LP also has unmistakable connections to older forms and genres like country, gospel, and Appalachian folk.

Verrill is joined on the album by live accompanist Jeff Johnston on saw, vocals, and harmonium, as well as several guests contributing strings and vocals throughout. The LP was recorded and mixed by David Boyle at ChurchHouse Studios in east Austin.

Little Mazarn will be available on LP and download on December 15th via Self Sabotage Records, a division of Super Secret Records. Pre-orders are available HERE

Verrill releases a single from the album, the hauntingly and bare “White Fang” that hangs on her dulcet, drawn out vocals.

LITTLE MAZARN LIVE:
11/29 Austin, TX at ATX6 Finale at The Stateside
12/15 Austin, TX at Central Presbyterian Church – Album release show

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