Culture Creature Exclusive Premiere of Quin Galavis’s “No Return”

Premiere: Quin Galavis, ‘No Return’

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quin galavis

Austin, Texas songwriter Quin Galavis returns this month with his new album, The Battery Line. Today we’re premiering ‘No Return,’ listen below.

The Battery Line is Galavis’ follow-up to his epic 2016 double LP, My Life In Steel and Concrete. Galavis told Culture Creature that his new album was a return to basics after the double album. “My Life in Steel and Concrete was very emotionally draining,” he explained via email, “and I let it consume all aspects of my life. The Battery Line was such a departure from that. I wrote and demoed all the songs well before going to the studio, rehearsed them with a full band, and didn’t do nearly [as much] overdubbing. The feeling was light, so I ran with it.”

Galavis explained that ‘No Return’ reflects this “reprieve from the intensity” of his prior album: “I wanted to do less overwrought and more straightforward songwriting, and ‘No Return’ is probably one of the better examples of that approach.”

The Battery Line is due June 16th via Super Secret Records, and it’s available for preorder now. Listen to ‘No Return’ here:

Song Premiere: Quin Galavis – “Any Head”

SONG PREMIERE: QUIN GALAVIS SHARES DEFIANT AND CATCHY ROCKER “ANY HEAD”

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Austin songwriter Quin Galavis has built a solid reputation in the studio, producing music for bands like Nazi Gold and The Dead Space. As a solo artist,Galavis is unpredictable and experimental from record to record and with his live performances. In other words, you never know what you’re going to get, and that isn’t a bad thing. He’s also a pro at writing pop-infused rock and roll that is concise and properly hard-hitting.

Now Galavis is back with the followup to 2016’s My Life In Steel and Concrete, the more refined yet lyrically weighty The Battery Linewhich comes out this Friday, June 16th on Austin label Super Secret Records. The Battery Line was recorded with Aaron Blount (Knife in the Water) and John Michael Landon at Austin’s Estuary Recording Facility. The album’s powerful, expressive and hook-laden songs show that Galavis isn’t beholden to the dark avant rock of his previous album. Catchy riffs and quasi power pop moments give the album a lifting spirit. Today Glide Magazine is premiering the song “Any Head”. With a touch of gritty barroom punk and jangly guitar, Galavis sings defiantly like the long lost son of Paul Westerberg. Much like Westerberg, Davis proves to have a penchant for writing songs that are are fast and at times heavy while still managing to be insanely catchy.

LISTEN:

The Battery Line will be available on LP, CD and download on June 16th via Super Secret Records. For more music and info visit quingalavis.com

Quin Galavis “Guiding Light” Song Premiere

SPILL MUSIC PREMIERE: QUIN GALAVIS – “GUIDING LIGHT”

Quin Galavis “Faces in the Crowd” Song Premiere

Quin Galavis Track Premiere

Dark songwriter lets a little light in

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Less than 10 months after releasing his melancholic magnum opus, My Life In Steel and Concrete, emotionally intense songwriter Quin Galavis returns with The Battery Line, his personal pop apex. Don’t worry, it’s not as uplifting as it sounds.

Congregation of one: Quin Galavis (Photo by Shelley Hiam)

Austin Chronicle: The Battery Line is remarkably more upbeat and melodic than My Life in Steel and Concrete. Are you less despairing these days or just better at hiding it?

Quin Galavis: No, if anything I’m a lot more despairing now. The Battery Line came when I was completely sober, exercising, and getting my shit together. I was trying to explore a lighter side of myself musically. I’ve always been able to write pop songs, I just never really committed to putting them on an album. I had lighter songs on records, but it’s always mixed in with some other shit. Lyrically, The Battery Line is just as fucked, so it was just a musical divergence.

AC: Who plays on the new disc?

QG: It was kind back to the older band: me, Graham Low, and Matt Hammer did the core tracking. Shelly McCann from Knife in the Water sang a bit. My fiancé Annecy [Liddell], who plays in our current live lineup, sang a little as well. Garrett Hadden from The Dead Space played some guitar and so did Ben Maddox from Skin Drips and Hundred Visions. I know I just listed seven people, but compared to My Life in Steel and Concrete it was a super small group.

AC: My Life in Steel and Concrete was such an artistically and emotionally epic production. How did making it change you as a songwriter and how does that experience inform what you’re doing going forward?

QG: That record is such a narrative of pure helplessness with the theme of some sort of optimism in getting things right that aren’t there. I think it will always shape things. That’s why The Battery Line was such a divergence. Even the cover of the record is a nice mauve color. I couldn’t physically or mentally make another My Life in Steel and Concrete right afterward. That’s how it affected me.

I’m going into the studio in the next few months and I’m going to make a record that’s going to make My Life in the Steel and Concrete look like Yellow Submarine.

AC: Down in the hole for the next one?

QG: Yeah. With The Battery Line, I wanted to let in a little sweeter air before I truly dive into the next thing. A lot has happened between The Battery Line and now: I’m estranged from my ex, I don’t get see my kid as much, I drink more, and I focus this energy into something pretty intense.

AC: Many people still know you from the Dead Space and Nazi Gold. Are you now fully focused on being a solo artist?

QG: I am. I do Dead Space just to play with Garrett and Jenny. Nazi Gold we could try to do again, but Thor [Harris] is really busy. Those are kind of gone. My focus is just on my solo stuff and changing and growing, and trying to gear up every album with a whole new personality that goes with it.

AC: We’re premiering a new track today called “Faces in the Crowd.” What can you tell us about it?

QG: I like that song a lot. It’s really poppy. It’s about trying to get out of the scene and escape. It’s got kind of a weird Breeders vibe to it or something.

The Battery Line arrives Friday on Super Secret Records. Galavis appears tonight – Monday, June 12 – at Cheer Up Charlies with New Berlin, Moist Flesh, and Caleb De Casper.

Quin Galavis “The Battery Line” Album Review From Beehive Candy

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Quin Galavis — Question.

Background – Quin Galavis has been an active participant in the Austin music scene for the last fifteen years. A founding member of critically acclaimed bands The Dead Space, and False Idol, Quin also performs under his own name.

His sophomore solo album, 2016’s immersive, ambitious double-LP, My Life in Steel and Concrete, appeared on multiple end-of-year top ten lists and was spotlighted in an Austin Chronicle feature story.

The record’s soundscape is as varied and challenging as the themes it explores, and it features a host of Austin’s diverse musical elite: Thor As viagra sildenafil canada these tablets are quite potent, the dosage required is reduced, minimizing the likelihood of potential side effects. Weak and poor signals do not allow men getting healthier erection to make intercourse pleasing viagra order canada sexual activity. As described, one should locate Muira Puama as an example affected by ordering cialis online angina pectoris, also known or known as as chest pain, 1 from the prescribed medicines is nitrates. Shilajit, mainly used get viagra in canada davidfraymusic.com for the preparation of ayurvedic medicines is found in the highland of Altai, Hiamlaya and Caucasus mountains in central Asia. Harris (Swans/Shearwater), Sabrina Ellis (Sweet Spirit/A Giant Dog), Graham Low (A Giant Dog), and Ian Rundell (Ghetto Ghouls), to name a few.

June 16th he’ll release his third LP, The Battery Line, (Super Secret Records) which will be supported with local shows, and an album tour. Bandcamp here.

One of ten tracks on ‘The Battery Line’ album and ‘Question’ is a good example of what to expect with this new collection of material. A constant flow of alt or indie rock songs where delivery is tight and paced, the expertise is there in abundance, as are some finely penned songs.

Austin Town Hall Review of Quin Galavis “Question”

Brand New Quin Galavis Track

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After releasing My Life in Steel and Concrete last year, Quin Galavis isback again with a brand new album, though this time with a little bit more of a familiar sound. The song opens up with some careful chord work, as Quin seemingly whispers into the microphone. He seems calm and ready to take on a return to rock n’ roll; this is precisely what he does as he sings “I’ll forget the answer/to the final question” stretching his voice to its higher tones. Even for fans of his former band, The Dead Space, this seems like Quin at his most accessible, surely ready to endear him to a huge group of new listeners (or so I hope). TheBattery Line will be released by Super Secret Records on June 16th.