Austin Chronicle Reviews ‘Hong Kong Cab’

Ingebrigt Håker Flaten’s Time Machine

Hong Kong Cab (Self Sabotage)

Texas Platters

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Bass solos are all well and good, but why listen to an album’s worth of unaccompanied thrums without the band dynamics that make the grooves come alive? Happily, Hong Kong Cab, Ingebrigt Håker Flaten’s fourth solo bass album, is a different breed. Unconcerned with unadorned rhythm, the Norway-born/Austin-based jazz maverick uses his instruments as paintbrushes, expressing himself with slashing strokes and controlled splatter like Jackson Pollock. He bows his double bass like a butcher cutting meat on “Hotel Isabel,” plucks his Rickenbacker into echo oblivion on “Time Machine,” and disintegrates his gear on the title track. Even when he just plain grooves on “Guts” and “All or Nothing,” Flaten stretches the boundaries of what it means to be in the pocket.

***.5

Out Now: Crack Pipes’ Beauty School and More Eaze’s bodiezNc0de

The Crack Pipes Beauty School

Available on vinyl for the first time ever is the seminal third album from Austin’s own The Crack Pipes – Beauty School! Originally released on CD in 2005 through Emperor Jones, the album has been beautifully remastered for vinyl by original audio master engineer Jerry Tubb and given a fresh album cover. Order your copy today at the Sonic Surgery Webstore!

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Also out today is the newest offering from experimental/electronic composer, More Eaze – bodiezNc0de! A combination of pop-oriented songwriting, process/generative compositional techniques, and careful production, bodiezNc0de melds personal lyrics to the wider musical background that creative force Marcus Rubio hails from. Available on both CD and cassette. Order your copy today at the Self Sabotage Webstore!

Stream the New Album from More Eaze, bodiezNc0de, at Spill Magazine

SPILL ALBUM STREAM: MORE EAZE – ‘BODIEZNCODE’

Listen to ‘Chain Emailz’ – New Track From More Eaze

HEAR A BRAND NEW MORE EAZE TRACK

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Austin’s Self Sabotage Records is here to provide a home for some of the more experimental vibes to come from within the city, such as More Eaze. Today we’ve got a brilliant tune from the project, giving insight into the latest release, bodiezNc0de. The first minute of this tune offers a minimal deconstruction, almost as if you’re hearing static over distant radio waves. But, listen carefully and you’ll hear the building of strings, allowing for the song to experiment with pop structures. What’s interesting is having the song’s natural tendency (especially with the introduction of vocals) towards pop sensibility sit right next to the sterile electronic notes carefully stuttering in the background. The song will capture the ears of casual listeners, and hopefully, as I suspect is the intent, draw them deeper into the constructionist nature of what’s at work. Impressive from start to finish, look for the release to drop on September 29th.

 

Spill Magazine Premiere Live Video of Coniferous

SPILL VIDEO PREMIERE: CONIFEROUS – ‘CONIFEROUS’

Stream Entire Cruel Whip Debut Album Now

Stream – Cruel Whip – Fatal Man (Self Sabotage)

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Stepping away from his mic-destroying duties in Austin punk band Xetas, David Petro becomes Cruel Whip, a half-man/half-cyborg scoring a soundtrack to a weird future.

6 tracks of Cruel Whip‘s debut are filled to the brim with bone-rattling percussion as well as jarring noises and glitches of unimaginable variety. There’s a dash of melody to be found underneath the grimy surface with Consumption sounding like a radio broadcast from a distant planet and Table of Drops being a secret electropop hit from another dimension.

For the most part, however, Fatal Man sticks to the principles taught by the likes of SPK, Einsturzende Neubaten and Throbbing Gristle. Menacing, mechanical and downright sinister at times the album leaves little room for contemplation – nothing short of a total war, indeed.

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