Post-Trash Premiere of “Punishers” Video From Exhalants

Exhalants – “Punishers” Video | Post-Trash Premiere

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by Dan Goldin (@post_trash_)

In case you weren’t paying attention, Austin’s Exhalants released one of the year’s best noise rock albums with their self-titled debut back in August. The trio sound is both nuanced and rabid, lashing out with destructive tendencies but easily digestible, imagine something like the unholy three-headed stepchild of Unwound, Tar, and Big Black. It’s a debut that deserves praise beyond those with their ears to the ground, an album too gotdamn loud to be kept quiet. Forming from the ashes of the much beloved Carl Sagan’s Skate Shoes, Exhalants pick up where the former’s dusty noise punk left off and runs wild with it, decimating eardrums and perception all the same.

On an album that never lets up from it’s gripping sludge and distorted pummel, “Punishers” is a stand-out in a flurry of stand-outs thanks to it’s patience. The song uses empty space to create depth in their attack, with a sordid groove and mangled guitars finding their own room to wander. Even with moments carved out between the feedback, “Punishers” remains dense and abrasive, each member thudding in time with the muddy pulse and ferocious drums; Steve Pike’s dry shouts in command of Exhalants’ rusty scorn. The band’s video for the song is a black and white collage of sorts, capturing both performance and gentrification in motion with high rises constructed in flickers and chaotic flashes.

The band are touring in November with Pinko. Complete dates and video premiere below.

TOUR DATES:

11/02 – Austin, TX @ Beerland
11/03 – San Antonio, TX @ Limelight
11/08 – Houston, TX @ Leon’s Lounge
11/09 – New Orleans, LA @ Bank St. Bar
11/10 – Birmingham, AL @ Saturn Bar
11/11 – Athens, GA @ HI-Lo Lounge
11/12 – Nashville, TN @ East Room
11/13 – Kalamazoo, MI @ House show
11/14 – Chicago, IL @ Subterranean
11/15 – Kansas City, MO @ Roller Dog
11/16 – Denton, TX @ Space Station

The Obelisk Premiere New Video For ST 37’s “War Fever”

ST 37 Premiere “War Fever” Video

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st 37 (Photo by John Foxworth)

Every now and then a band comes along to remind that if you’re looking for it to make sense, sometimes you’re the one with the problem. Granted, Austin’s ST 37 are passed the 30-year mark in offering said reminder, so I don’t necessarily know if “comes along” is the right phrase so much as “was already there,” but you get the point.

With an amalgam of freaked-out noisy punk and even more freaked-out psychedelic freakouts, improv-style and otherwise — there’s time for a little bit of everything in the 14-minute “KBDP,” nestled into side C of the 2LP as it is, let alone anything else in the record’s total 12 tracks/79 minutes — the vibe swings way, way open quickly as the jangly “War Fever” fuzz-grooves its way into a wash with a swath of voices and a deceptively playful bouncing rhythm, some sax, and echoing noise, eerie whispers and pretty much whatever else you want to hear in it. From there, it’s headfirst into the swirling made-up-on-the-spot “Shaper of Worlds” and the massive, organ-led eight-minute linear build of the Elegant Doormats cover “Grey Area,” before another cover, this one of The Vast Majority‘s “Hollywood Cemetery,” adds early-punk fervor to the proceedings.

The grounding effect of that cover, plenty swirling though it is, isn’t to be understated. It’s a kind of structural variety throughout ST 37 that speaks to the narrative circumstance of the album’s making, with recordings begun in 2015 and finished last year after a month-long tour with Japanese weirdo-legends Acid Mothers Temple. Not that ST 37were exactly hurting for doing-whatever-the-hell-they-want anyway, but there’s an inspired spark behind the drifting rhythm and soaking wet overlaid lead guitar on “Shadesty,” as well as the manic laughter peppered into the later “Rooster Feather Paycheck,” and the tension of the repetitions in “Boss” that give way to the sleepy nine-minute improv “Inward, Please” speak to a will to throw the listener off-course that makes ST 37 both a challenge and an enjoyable listening experience.

In its makeup as well as its runtime, in the horror-surf harmonica of “Snootle y Choobs,” in the maybe-everything’s-backwards “Vengeance of Faces” and the space-consuming resolve of closer “Informed by Death,” there’s a refusal on the part of ST 37 to compromise with itself, and that gives it both an overarching sincerity of expression and a sheen of hypercool that’s an immediate weedout for lighter-weight heads. Real deal noise. You can try not to pass out, but I’m not entirely sure that isn’t the whole idea anyway.

ST 37 came out in late July on Super Secret Records, and I’ve got the privilege of hosting a premiere for the video of “War Fever,” which makes its statement pretty plain in the grainy news footage from a variety of military conflicts — so many to choose from! Interspersed with some live footage of the band in its final minute — you can see founding bassist Scott Telles in the midst of all that churning fluidity — it’s a fitting-enough representation for the track, though as noted above, that’s only the beginning of what the album soon unfurls.

PR wire info follows the clip below. Please enjoy:

ST 37, “War Fever” official video premiere

Super Secret Records proudly presents the new ST 37 double album (following up last year’s 12″ split with Acid Mothers Temple on our subsidiary label Self Sabotage Records).

After playing 30 shows in 31 days all over the US and Canada with Acid Mothers Temple in 2015, ST 37 felt an immediate need to decamp for Ohm Studios to capture some shit-hot lightning in a bottle with Chico Jones at the helm in an attempt to translate the incredible energy that was exchanged between these two psychedelic juggernauts as they battled their way across North America. It seemed as if the Japanese sonic wizards and the Texas space rockers were rubbing off on each other: AMT guitarist Makoto Kawabata guested live several times with ST 37 on the Twin Peaks cover “Just You” and the bands made immediate plans to issue a TP-themed split 12″ 45 with AMT’s version of “Sycamore Trees” (Self Sabotage Records SS-08); AMT bassist Atsushi Tsuyama found himself channeling ST 37 bassist Scott Telles’s lyrics onstage at the Mercury Lounge in Mahattan; and Telles suddenly started adopting Mitsuru Tabata’s idiosyncratic vocal style.

Thus: a band changed translates this newfound energy into a brand new double LP and CD, three years in the making from the initial basic tracks at Ohm through more sessions with Evan Kleinecke at 5th St. Studios to numerous efforts at various band members’ home studios. The new eponymously-titled record is in effect both current (new songs like War Fever, Boss and Shadesty) and timeless, as the band explores its roots with tracks like Houston punk chestnut Hollywood Cemetery and the old Elegant Doormats classic Grey Area.

ST 37 is available on 2xLP vinyl, CD and download on July 27th, 2018 via Super Secret Records.

Bobby Baker – guitars, synare
Bob Bechtol – electronics, tapes, backing vox
Lisa Cameron – drums, percussives, electronics
Joel Crutcher – guitars, lead vox on “Informed By Death”
SL Telles – bass, vox, drones
Matthew Turner – guitars, electronics, tapes
Chris “Sauce” Sorrentino – saxophone on “War Fever”
Michael Chamy – electronics on “Shaper of Worlds” and “Vengeance of Faces”
Kirk Laktas – piano on “Shadesty”
Walter Daniels – harmonica on ” Snootle y Choobs”

ST 37 on Thee Facebooks

ST 37 website

ST 37 at Super Secret Records webstore

PopMatters Premiere of Little Mazarn Video For “My Love Is All Around You”

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Photo courtesy of artist

TEXAS-BASED FOLK ARTIST LITTLE MAZARN USES PROPERTIES OF A SPACE TO ADD TO THE STORY OF “MY LOVE IS ALL AROUND YOU”.

Little Mazarn is the stage name for Lindsey Verrill. Her self-titled 2017 album (out via Self Sabotage Records, a division of Super Secret Records) features the song “My Love Is All Around You”. The new accompanying video, which arrives ahead of a series of summer dates, finds the singer performing this achy, haunting number in an abandoned space chosen for its natural reverb. Joining her sparse banjo lines and singular vocals is Jeff Johnston’s chill-inducing bowed saw.

The song is a loving nod to the purity of true Americana music and is unimpeded by gimmicks or irony. The live outdoor performance captures the musicians finding the nuance of the sounds and space together. It is an act of love and of intimacy that we are privileged to witness. It provides us with some sense of hope and that what Verrill herself calls “the garbage that is humanity” might still be saved.

“I am fascinated with found reverb and go on exploratory hikes in storm drains and canals looking for perfect natural reverb,” Verrill says. “Ask anyone in Austin about our sewer shows. I found this beauty of a culvert behind one of my favorite vegetarian restaurants. There’s a storm tunnel that runs right under my house, and maybe someday I’ll make a huge reverb chamber out of it with a trap door from the house.”

Named after a river in Arkansas, Little Mazarn bridges the distance between slowcore, gospel, and Appalachian folk.

Little Mazarn‘s LP may be purchased in physical form or in digital.

TOUR DATES
June 9 San Antonio, TX @ Lowcountry w/ Aisha Burns
June 16 Marfa, TX @ Wrong Store
June 17 Silver City, NM @ Frankie’s Place
June 18 Pinos Altos, NM @ Buckhorn Saloon & Opera House
June 19 Taos, NM @ Parse Seco
June 20 Taos, NM @ Taos Mesa Brewing Company
June 21 Santa Fe, NM @ Kitchen Sink
June 22 Tucson, AZ @ Exo Roast Co.
June 23 Phoenix, AZ @ Trunkspace
June 24 Joshua Tree, CA @ TBA
June 25 Los Angeles, CA @ Cosmic Dreamer w/ Tim Rutili and Alex Rose
June 26 San Francisco, CA @ The Lost Church
June 27 Vallejo, CA @ Elam’s
June 28 Carson City, NV @ Sassafras
June 30 Troublesome Gulch, CO @ Cowboy Cowabunga!
August 2 Portland, OR @ Turn Turn Turn
August 4 Manzanita, OR @ Electric Fences Festival
August 5 Astoria, OR @ Fort George Brewery
August 8 Dallas, TX @ Kessler Theater w/ South San Gabriel
August 9 Denton, TX @ Dan’s Silver Leaf w/ South San Gabriel
August 10 Austin, TX @ The Mohawk w/ South San Gabriel

Post Trash Premiere of Sean Morales’ Video for “Call It In”

Sean Morales – “Call It In” | Post-Trash Exclusive Premiere

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by Dan Goldin (@post_trash_)

Sometimes a music video adds a new light to a song. Sometimes the song adds a new light to the video. Other times a video is simply a reminder that a new record came out and there’s still plenty of life left in it. Sean Morales‘ “Call It In” video, directed by Bud Campbell & Morales, is a bit of all three, a dark and blurry visual that follows a shadowy figure through the night streets. “Call It In,” the title track to Morales’ (James Arthur’s Manhunt) solo debut, sets a moody tone and a mysterious atmosphere. It’s dissonant yet casual, keeping its cool amid a sinister groove. As his drive becomes progressively more disorienting, so does the song, building with saxophone noise and melodic feedback. Ultimately it all leads to kids and a technicolor dance floor. Take it as you will, but know that both the song and video are better for one another.

Sean Morales’ Call It In is out now via Super Secret Records.