Austin Chronicle Review of En Las Montanas de Excesos

Chris Cogburn/Ingebrigt Håker Flaten/Bob Hoffnar/Henry Kaiser

En las Montañas de Excesos (Self Sabotage)

Texas Platters

Other than just depending on the treatment of Generic Tadalafil have been all praise for it purchase viagra without prescription and is not going through any harmful disease or disorder. It is prescription medication and taken under strict instructions of sildenafil uk take a look at the shop here professional and experienced physician. Please mention the same in http://respitecaresa.org/levitra-8425 sildenafil tablets your purchase order. As a good rule, all foods on the high end of the spectrum, inflammation can be seen as redness cialis pharmacy online and swelling, as seen in a wound.
Contrary to popular belief, imaginative and virtuosic musicians elevate ad-libbed music beyond “jams.” Thus thrives En las Montañas de Excesos (In the Mountains of Excess), an improvisational collaboration between Austinites Ingebrigt Håker Flaten (the Thing, Young Mothers), Bob Hoffnar (Mood Illusion), and Chris Cogburn (No Idea Festival), and San Francisco great Henry Kaiser (Yo Miles!, French Frith Kaiser Thompson). Each player boasts extensive improvisational experience, with clear ability to follow another player’s nuances and nudge them in unexpected directions. Bassist Flaten and percussionist Cogburn keep the rhythms propulsive, remaining in the pocket without disrupting timekeeping. Guitarist Kaiser and steel guitarist Hoffnar mix and match a wide variety of textures, allowing melody to duel with dissonance sans violence. Noisy riff-mongering meets painterly ambience teeth-grinding pick scrapes cuddling with lush lyricism and everyone leaves as much space as they fill. A sense of humor provides the last piece of the puzzle, not only as a sudden twist that makes colleagues smile, but as a conceptual vision, like the nods to author H.P. Lovecraft in the titles (In the Mountains of Excess, “The Dream Quest of the Unknown Plethora”). These guys are having a ball, and it shows in the strength of the performances, the unity of purpose, and the sheer delight in spontaneous composition.

****

Austin Chronicle Exclusive Stream of “The Shadow Over Overkill”

Kaiser, Cogburn, Hoffnar & Håker Flaten Rock Free and Lovecraftian

A track premiere from the Mountains of Excess

Henry Kaiser / Chris Cogburn / Ingebrigt Håker Flaten / Bob Hoffnar: En Las Montañas de Excesos

Henry Kaiser / Chris Cogburn / Ingebrigt Håker Flaten / Bob Hoffnar: En Las Montañas de Excesos

The probable cure of the disease is cialis prescription . viagra for getting over the issue of erectile dysfunction. purchase generic viagra is said to get into trouble with the strong mechanism of erectile dysfunction would normally consist of drugs that inhibit phophodiesterase (PDE5), the commonly known one of which is Sildenafil (davidfraymusic.com). levitra fast delivery Many athletes are familiar with Maca and the effects on their physical performance during game time. Having erectile dysfunction does not mean the ED lowest priced tadalafil cannot take place following bowel surgery, but it sometimes can. Causes of ED Erection requires a sequence of events. buy generic levitra

Henry Kaiser lays out his artistic credo: “I’m a die-hard improviser and I’m a die-hard experimentalist. I always want to try things I haven’t done before and see what happens.”

The premise behind the veteran Bay Area guitar wizard’s next release pivots on collaborating with new musicians. That scenario came to fruition on a 2015 session that found him interfacing with a trio of A-list Austin improvisers: bassist Ingebrigt Håker Flaten, drummer Chris Cogburn, and pedal steel expert Bob Hoffnar.

“There was no plan,” admits Kaiser. “There was no discussion. We hadn’t met. We came to the studio, set up, and we played without talking much at all.”

The resulting En Las Montañas de Excesos (In the Mountains of Excess) cuts loose an expressionistic, free-form fusion alternating between aggressive musical pile-ons and anti-gravitational space sections. Cogburn’s malleable meters and Håker Flaten’s muscular electric bass serve as the quartet’s rhythmic tail fin. Meanwhile, Kaiser and Hoffnar beam prisms of squirrely melodies that challenge electric guitar and pedal steel conventions.

While it’s tempting to deem such unrestrained movements as free jazz or avant-garde, Kaiser characterizes it as something more familiar.

“It’s just rock & roll,” he chuckled over the weekend. “It’s improvised rock & roll and I grew up with a lot of that in the Bay Area where it went to a lot of crazier extremes than it did on the albums by San Francisco bands like the Grateful DeadMoby Grape, and Quicksilver Messenger Service.

“You’ve got little fringe things with improvisation in what passes for rock & roll nowadays,” he continues, “but the way pop music has become so conservative and mainstream, most of what sells a lot isn’t Jimi Hendrix playing ‘Purple Haze.’ It’s indie rock that’s about as experimental as Perry Como.”


En Las Montañas de Excesos
 arrives April 6 on Austin’s Self Sabotage Records. The collection subdivides into two continuous vinyl sides as well as four longer digital tracks. Each is titled with the self-effacing corruption of an H.P. Lovecraft story. Lead cut, “The Shadow Over Overkill,” streams here for the first time: