Post-Trash to Stream Full PLAX Debut Album

Plax – “Clean Feeling” LP | Post-Trash Premiere

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by Dan Goldin (@post_trash_)

For all of Austin’s new condos and gentrification, the triumphant layer of filth that seems to permeate Austin’s punk scene can’t be stopped. The live music capital spends a lot of time in the gutter, with a never ending stream of reckless punk bands that mine tingling aggression with a flat out contempt for the culture springing up around them. With so many great bands in a relatively small scene, collaboration is inevitable, and rising up from the grime like a dirty punk phoenix comes Plax, a new band formed from members of Spray PaintOBN IIIs, and Skeleton (among others). The band’s debut album Clean Feeling is anything but; a hard wound and bruising rush of seasick proto-punk and lo-fi brawn.

Built around staggering post-punk rhythms that twist and turn in tight zig-zagging shifts, Plax’s debut is a rallying call, a brash and unforgiving record of scathing distortion and bleak sentiment. Forgoing nuance in favor of impenetrable outsider intensity, the band balance brainy tangled chord progressions with near spoken shouts. The music of Clean Feeling is convulsive if not hypnotic on songs like “Night Watch” and the primal dirge of “1X1”. Plax shift toward the combustible and propulsive on “What A Waste” and “Location,” a venomous song that urges you to “choose a side” amid a stampeding rhythm and steadily melting tempos. Clean Feeling is post-punk’s rotten core, a record that spits and shouts in the name of all that’s disdainful.

Plax’s Clean Feeling is out August 11th via Super Secret Records.

Full Stream of Plax’s Clean Feeling Album Live at Glide Magazine

ALBUM PREMIERE: PLAX EXPLODE WITH RAW OUTSIDER PUNK LP ‘CLEAN FEELING’

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Austin, Texas today is more synonymous with condos, trendy eateries and tech bros than with the bustling live music scene that put it on the map in the first place. Yet, if you can look past the skyline you will still find cultural sparks flying at clubs along the city’s Red River Street. Formed just over a year ago during a wild house show in Austin, PLAX features a lineup of Austin musicians responsible for keeping rock and roll and punk alive and well in the capital city. The “outsider punk band” features members of venerable local acts like the OBN III’s, Spray Paint, Skeleton and more. In other words, veterans of a music scene that prides itself on blasting ear drums in beer-soaked clubs and giving zero fucks. PLAX is a clear product of the collective experience of its members, all of whom are on a mission to defy conventional expectations on their new album Clean Feeling, which is out August 11th on Super Secret Records.

Today Glide Magazine is presenting an exclusive first listen to the new album from PLAX. From the explosive chug of album opener “Boring Story”, we are thrown into a beautiful fire of punk mayhem. The songs here are raw and serrated as the members careen back and forth with the kind of intensity that is rarely captured in the studio. This is the kind of music that needs to be cranked up loud and accompanied by a case of Lone Star Beer. Mostly, Clean Feeling is a signal that the gritty punk rock spirit is alive and well in Austin.

In a recent interview with Culture Creature, PLAX bassist Michael Goodwin shared a bit of the story behind the album:

“We released a demo and Chris (guitar) and I added a weird analog synth track we did years prior to PLAX, at the end of the tape and called it ‘Clean Feeling’. When Chris and I made that synth track years prior I was in the midst of a pretty weird time in my life and I liked the juxtaposition of a clean feeling when I was lacking clarity. Also a bit of a logophile and really like the way those 2 words look and sound together.”

LISTEN:

Clean Feeling will be available on LP, CD and download on August 11th via Super Secret Records. It is available for pre-order HERE.

Exclusive Full Album Stream of Suspirians’s Ti Bon Ange At Echoes and Dust

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(Originally posted here)

Rock music, when done right, will always take us into a netherworld that we never knew existed, but we always somehow felt was within ourselves. The cosmos of inescapable rhythm, in-your-face melody and words, all speak simple truths that perhaps we couldn’t speak for ourselves. Austin, TX trio Suspirians summons that netherworld with their sophomore album Ti Bon Ange.

The album title is taken from a Haitian voodoo term that translates literally to “little good angel” — the part of one’s soul that holds one’s individuality and personal qualities, which leaves the body when sleeping so you can dream. It’s a title quite befitting of the experience listening to Ti Bon Ange, where listeners become immersed in a sound, not just casually attending to it.

From the first notes of the album, throughout its 7-song, 40 minute duration it’s clear that Suspirians aim to deconstruct rock in a way that’s both psychedelic and mysterious as much as it’s direct, infectious and powerful. Guitarist/vocalist Marisa Pool, bassist/keyboardist Stephanie Demopulos and drummer Lisa Cameron craft songs that shape-shift from part to part rather than follow traditional verse-chorus-verse structure. It’s a wall of guitars and subtle synth layers, vocals drenched in reverb and on the brink of feedback, powerful and open drumming that allows the songs to flow like molten lava without ever sounding lethargic. Points of reference bridge a wide array of psychedelic, punk and experimental sounds: Pylon, Siouxsie and the Banshees, The Stooges first album, Frightwig, early Butthole Surfers, Roky Erickson & The Aliens, late 70s British post-punk and more.

“We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says. “We did not overthink or over control anything on this record. It was all about going with the flow and following our instincts.” Suspirians’ self-titled debut album — with original drummer Anna Lamphear — was comparatively a more straightforward and garagey affair. Pool and Demopulos began experimenting with their sound soon after and with the addition of Cameron, they collectively found the aesthetic they were after. Cameron’s extensive musical history — having played with the legendary Roky Erickson, as well as celebrated Austin psych band ST37 and other improv/noise projects — helped the band expand its vision. Suspirians’ former synth player Sheila Scoville also guested on the recording.

Ti Bon Ange was recorded at 5th Street Studios with engineer Evan Kleinecke, while the band was still navigating their way through the nascent songs. “We had some raw and powerful basic tracks to bounce off of and the rest of the time was just having fun playing really loud and experimenting,” Pool says. The results are equally as deliberate and completely free as groundbreaking rock’n’roll should be.

Ti Bon Ange will be available on LP, CD and download on June 9th via Super Secret Records and is available for pre-order through here.

Listen to Ti Bon Ange in full here:

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