Suspirians Album Release Show a Top Pick From the Austin American-Statesman

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Friday: Big Bill, Suspirians LP release at the Electric Church. The latest from local alt-rock trio Suspirians is a heavy dose of psychedelic hypnosis. Melodies drift into and out of focus over fuzzy guitar riffs propelled by relentless pulsing rhythms courtesy of Lisa Cameron, who used to play drums for Roky Erickson. Art punks Big Bill are holding down a Friday night residency at the new club that recently opened in the converted Jesus Is Alive Ministries building on Cesar Chavez in East Austin. 9 p.m. 5018 E. Cesar Chavez St. facebook.com/theelectricchurchaustin — D.S.S.

(Originally posted here)

Exclusive Full Album Stream of Suspirians’s Ti Bon Ange At Echoes and Dust

EXCLUSIVE ALBUM STREAM: SUSPIRIANS – TI BON ANGE

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Suspirians | Facebook | Bandcamp | Twitter

(Originally posted here)

Rock music, when done right, will always take us into a netherworld that we never knew existed, but we always somehow felt was within ourselves. The cosmos of inescapable rhythm, in-your-face melody and words, all speak simple truths that perhaps we couldn’t speak for ourselves. Austin, TX trio Suspirians summons that netherworld with their sophomore album Ti Bon Ange.

The album title is taken from a Haitian voodoo term that translates literally to “little good angel” — the part of one’s soul that holds one’s individuality and personal qualities, which leaves the body when sleeping so you can dream. It’s a title quite befitting of the experience listening to Ti Bon Ange, where listeners become immersed in a sound, not just casually attending to it.

From the first notes of the album, throughout its 7-song, 40 minute duration it’s clear that Suspirians aim to deconstruct rock in a way that’s both psychedelic and mysterious as much as it’s direct, infectious and powerful. Guitarist/vocalist Marisa Pool, bassist/keyboardist Stephanie Demopulos and drummer Lisa Cameron craft songs that shape-shift from part to part rather than follow traditional verse-chorus-verse structure. It’s a wall of guitars and subtle synth layers, vocals drenched in reverb and on the brink of feedback, powerful and open drumming that allows the songs to flow like molten lava without ever sounding lethargic. Points of reference bridge a wide array of psychedelic, punk and experimental sounds: Pylon, Siouxsie and the Banshees, The Stooges first album, Frightwig, early Butthole Surfers, Roky Erickson & The Aliens, late 70s British post-punk and more.

“We would end up getting lost in the songs together in a sort of epic fever dream,” Pool says. “We did not overthink or over control anything on this record. It was all about going with the flow and following our instincts.” Suspirians’ self-titled debut album — with original drummer Anna Lamphear — was comparatively a more straightforward and garagey affair. Pool and Demopulos began experimenting with their sound soon after and with the addition of Cameron, they collectively found the aesthetic they were after. Cameron’s extensive musical history — having played with the legendary Roky Erickson, as well as celebrated Austin psych band ST37 and other improv/noise projects — helped the band expand its vision. Suspirians’ former synth player Sheila Scoville also guested on the recording.

Ti Bon Ange was recorded at 5th Street Studios with engineer Evan Kleinecke, while the band was still navigating their way through the nascent songs. “We had some raw and powerful basic tracks to bounce off of and the rest of the time was just having fun playing really loud and experimenting,” Pool says. The results are equally as deliberate and completely free as groundbreaking rock’n’roll should be.

Ti Bon Ange will be available on LP, CD and download on June 9th via Super Secret Records and is available for pre-order through here.

Listen to Ti Bon Ange in full here:

Suspirians’s “Fortune Spider” Premiere

Premiere: “Fortune Spider,” by Suspirians

(Originally posted here)

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06.01.17
Text by Jamie Ludwig
Image courtesy of the artist
 

Suspirians formed in 2013, but the connection between the Austin, Texas-based bandmates —guitarist/vocalist Marisa Pool, bassist/synths Stephanie Demopulous, and drummer Lisa Cameron—extends back to the 1990s, when they got to know each other through their involvement in their city’s music community.

“That’s what everybody did in Austin then,” Demopulos says. “You didn’t have to spend all your time working so you would have a place to live, and you had more time to devote to your own and other’s endeavors. A lot of people from that time are still very involved in the music scene here and the three of us certainly are. The Suspirians are a product of that, I think.”

Being a product of your community means being impacted (directly or indirectly), by the sounds, atmospheres, and people around you. For Suspirians, the rich cultural fabrics of their surroundings serves as both inspiration and a starting off point for their musical adventures. “I would add psychotic to psychedelic, and that would be a more accurate description of the old Austin music scene,” Pool says. “If we carry on any of the local traditions or attitudes, an example would be that of raw, noisy rock, a la Scratch Acid. But we are Austin oak trees we have roots growing here. I would say we take all of the aspects of our varied local influences in the Austin underground and make it our own. I don’t think that we bring anything to the party that is totally new other than our individual experiences and how they combine mathematically in our music—The formula can get quite epic and sincere.”

Following a self-titled album in 2014, Suspirians will release their newest collaboration, Ti Bon Ange, on June 2 via Super Secret Records. The title comes from the literal translation of Haitian voodoo term for “little good angel,” but sinking into the record’s enticing, offbeat blend of psychedelic rock, post-punk, garage, 60s pop, and more, one gets a sense that its creators might not be so angelic themselves. “One of my favorite things about being in the band is that we are open to so many different influences and really nothing is out of bounds,” Demopulus says, citing shared inspirations such as Stooges, Hawkwind, and PIL, visual artists such as Maya Deren, and even rock and pop pioneers like Link Wray and the Shangri-Las as adding color and texture to the album’s heady sounds.

But while much of Ti Bon Ange is distinctly noise- and riff driven, Suspirians chose to kick things off with the comparatively soothing fuzz of “Fortune Spider.” “A fortune spider is a part of you. It’s psychic feminine knowledge. It’s being joyous in your complexity and dancing through the dark shit of life. It is a great opener in my opinion because it’s sets a hypnotic tone for the record, and it’s a side of Suspirians that only shows up once,” Pool says.

Check out “Fortune Spider” now. Ti Bon Ange is available for pre-orders now.

 
 

Black Hole Suspirians – An interview

Black Hole Suspirians

Epic track previews ATX trio’s heavy second record

(Originally posted here)

BY KEVIN CURTIN, 1:10PM, TUE. MAY 30, 2017

Turns out the skeletal garage shriek, post-punk, and art rock accord of Suspirians’ eponymous 2014 debut merely showed off their first gear. The Austin threepiece throws into overdrive on Ti Bon Ange, a roaring expedition of spellbinding psych punk. Today, singer and guitarist Marisa Pool discusses the transformative new LP.

Crystal hippies? (l-r) Lisa Cameron, Marisa Pool, and Stephanie Demopulos (Courtesy of US/THEM group)

Austin Chronicle: Ti Bon Ange smashes the template laid out by your first album – longer songs, driving rhythms, and an all-around heavier sonic command. What changed in Suspirians’ creative vision?

Marisa Pool: What you get on the first record is the intention of Suspirians. Most of the songs were written before we were a band and it was a solid foundation for us to grow. You can actually hear the beginnings of the new sound on the first record during the song “Whatcha Do?” At the end of the song, we open up a bit. That was the song that sparked this new sound. It was already in there, hiding.

We really didn’t specifically set out to change all that much. It was a natural progression. We were just continuing to play and write, and trying to find a new drummer. That’s when the muses gifted us Lisa Cameron and it was obvious we were meant to make another record. Her style fit seamlessly with the intuitive and automatic direction [bassist] Stephanie [Demopulos] and I were already going in and are still exploring. So when we got the opportunity to make Ti Bon Ange, we took it and went into the studio with the material we had and an anything goes mentality.

All of the changes that occurred were products of inspiration we had at the time, including Lisa’s drumming and our engineer Evan Kleinecke helping us dial in some guitar and synth sounds. We just tried to take advantage of the access to the studio and also incorporate other influences we have such as noise and experimental music. We all enjoy that, as well as other approaches to the creative process like synchronicity and cut-up method. The experience of making this record was transformative and Ti Bon Ange is a reflection of that. Creatively, we had to open up completely to make it and are a better band now because of it.

AC: Tell us about the title, Ti Bon Ange.

MP: Ti Bon Ange was inspired by a book both Lisa and I read called Divine Horsemen, written by the filmmaker Maya Deren. It’s a voodoo term meaning “little good angel” and is meant to represent a part of your soul that possesses your individuality and willpower. It also leaves the body to make room for you to dream or be possessed during a ritual.

The book is beautiful and the ideas really resonated with me at that time. I felt this record could represent that idea – a space for a listener to be possessed by imagination and allow themselves to emerge as something else for a while, not unlike a mambo priestess dancing to voodoo drums. It’s the creative energy that lives both inside and outside of you, crossing between the planes of consciousness, opening a door to the divine dimensions.

AC: We’re premiering “Back Holes,” the album’s epic and melodic centerpiece. What can you tell us about it?

MP: “Black Holes” is a song about decay, emptiness, acceptance, and submission – reveling in the mysteries of dark energy and the power of surrendering to one’s insignificance. Ascension. If MC5, Neil Young, Joy Division, and Sun Ra had a song baby, it would be “Black Holes.”

Ti Bon Ange arrives June 9 on Austin’s Super Secret Records. Suspirians punctuate its release with a show that same Friday at Electric Church alongside Big Bill, Soaked, and Soda Lilies.

New Berlin “California Sun” Song Premiere From Neta

New Berlin is a band from McAllen whose current lineup consists of Michael Flanagan, Gustavo Martinez, and Sebastian Garcia. New Berlin begins their Summer Tour 2017 today with their first stop at Beerland in Austin.

Listen to their new song “California Sun” exclusively at Neta.

 

SUMMER TOUR 2017
5/27 Austin @ Beerland
5/28 New Orleans @ Hunters Field
5/29 Nashville,TN @ DRK MTTR
5/31 Washington, DC @ Slash Run
6/1 NYC @ Alphaville
6/2 Allentown,PA @ Consolidated Cardboard
6/3 Buffalo,NY @ Mohawk Place
6/4 Cleveland @ Now thats Class
6/5 Chicago @ The Empty Bottle
6/6 Minneapolis @ Seward Cafe
6/7 Kansas City @ Middle East
6/8 Tulsa,OK @ The Soundpony
6/9 DFW @ Shipping and Receiving
6/10 San Antonio,TX @ The Amp Room
6/12 Austin, TX @ Cheer Up Charlies
6/13 McAllen, TX @ Simon Sez

About New Berlin:
NEW BERLIN was conceived as a minimalist recording project in South Texas. The first live performances were as a one man band employing the use of drum machines and looping effects along with guitar playing and singing. Over the course of late 2015, various line-ups of musicians began to form around the songs and perform them live.

The rotating cast eventually solidified into a three piece consisting of MICHAEL FLANAGAN on guitar and vocals, GUSTAVO MARTINEZ on bass, and ANDREW RICHARDSON on drums. This line-up toured twice, first from Texas to Illinois in the Winter of 2015 supporting a 7” single in collaboration with Super Secret Records, and then again in the summer of 2016 from Texas to California supporting a second 7” single that was also released in collaboration with the same label.

In between tours, the group produced recordings at Sound of Rain in Edinburg, Texas, with help from engineers ALLEN JUAREZ and CHARLIE VELA. These recordings would eventually find themselves occupying the B-side of an album titled Basic Function. The A-side is comprised of recordings made between the summer and winter of 2015 before the band had coalesced.

The new record presents a history of New Berlin, from its beginnings as a living room recording experiment to its first attempts at working in a studio in Austin, Texas, with engineer IAN RUNDELL, and finally as a full-fledged band inspired by a few weeks touring during the winter through the heart of the United States. The current lineup of the band consists of Michael Flanagan, Gustavo Martinez, and Sebastian Garcia.

Suspirians Song Premiere for “Moonwave”

Suspirians
“Moonwave”

(Originally posted here)

by RICK WEAVER ·

We’ve seen it before. Sardines praise God when the key twists the tin back. The wind blows the long brown locks of the prisoner’s hair as he breathes the fresh blue air. Out in the plains, the clouds break up. Now we’re free.

Coastline, coasting, cruising, streamline, airborne, horizon. Talking vast talk. When did the scope of rock move from the dance hall to the big round ball? Suspirians might know. We’ll have to get to command center first to find out where their transmission is coming from. Right now, out in the plains, their transmission is deafening. Some of that universal surround sound must have bounced off a canyon somewhere.

The eyes see you. The eyes are everywhere, orbitting; they all belong to the same entity. Image is conveyed to the command center, turning vision into Big Sound, an earthly and epic sound.

Vitamin D in the dirt; the wheels shoot the dirt through the window and into your mouth like Skittles. Don’t have to stop moving to take a leak. The sky is hot blue but turning white, brighter and brighter. 93 mph. The road pushes the bumper, the light pulls the fender. Behind the wheel, you do very little to contribute to the journey except root around for your lost pair of sunglasses and eat dirt.

The Suspirians are Marisa Pool, Stephanie Demopulos and Lisa Cameron. Their second album, Ti Bon Ange (Super Secret Records) will be released June 9.

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