Ingebrigt Haker Flaten

Ingebrigt Haker FlatenSound-wise, the debut effort from Time Machine, a solo vehicle for Atomic and The Thing bassist Ingebrigt Haker Flaten, is a bit of a departure for the double bassist, especially for those used to hearing his roles in free-jazz blowouts and improvised music deep dives.

Instead of going to town in a group contest with Joe McPhee, Ken Vandermark, or Paal Nilssen-Love, Haker Flaten, on his first solo bass album since 2012, features the Oppdal, Norway-born, Austin, Texas-based stand-up and electric bass player at his solo experimentation best.

The electrified, harsh noise-approaching tracks include the pulsates-to-the-core “Superbad” and “Trem Azul”. On the title track, Haker Flaten dodges outer space shrapnel on his effects pedal-manipulated, 1963 pre-CBS precision bass that he had played since 1992. The original improvisation is the last documented sounds Haker Flaten made on the instrument before it was swiped from a taxicab in Hong Kong.

Haker Flaten returns to his upright jazz bass roots in “Zerfu”, a dedication to Ethiopian hard player Zerfu Demissie, and “Jimmy”, an ode to the great Jimmy Garrison. “Hotel Isabel”, named after a favorite crash pad for visiting musicians in Mexico City, showcases Haker Flaten’s fast-moving, modern classical arco.

Beyond his solo efforts as Ingebrigt Haker Flaten’s Time Machine, Haker Flaten is also part of The Young Mothers (a musical fusion of jazz, hip hop, indie, and anything else the group can get their hands on) and is the curator and lead organizer of Austin’s newest experimental and improvisation festival, Sonic Transmissions Festival.

Label Affiliation: Self Sabotage Records Mini Logo
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Sonic Transmissions Festival

SSR Discography
> Hong Kong Cab (SS-13) CD/LP – 14 September 2017

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